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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
20
Creator
Ward, James, 1769–1859
7
Hills, Robert, 1769–1844
3
Hoppner, John, 1758–1810
3
Unknown artist
3
Kingsbury, Henry, active 1750–1780
2
Collings, Samuel, active 1784–1795
1
Scratch, Annibal, active 1791
1
Smith, John, 1749–1831
1
Spencer, Lavinia Bingham, 1762–1831
1
Ward, William, 1766–1826
1
White, Charles, active 1784
1
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1830
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1784
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20
1794
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1775
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1835
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1795
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1832
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1909
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1824
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1947
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2010
4
On-site Access
Accessible by appointment in the Study Room
20
Image Use
Free to Use
20
Image Available
Available
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20
Classification
Drawings & Watercolors
12
Prints
8
Creator Gender
male
17
unknown
3
female
1
Period
18th century
10
18th century-19th century
10
Materials & Techniques
laid paper
10
graphite
9
wove paper
7
gray wash
4
watercolor
4
mezzotint
3
brown wash
2
black chalk
1
black ink
1
brown ink
1
charcoal
1
pens
1
red chalk
1
stipple engraving
1
white chalk
1
Height [cm]
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41
Work Type
drawing
11
watercolor
7
intaglio print
4
Genre
genre subject
7
animal art
5
figure study
3
architectural subject
2
landscape
2
portrait
1
sporting art
1
still life
1
Subject Terms
genre subject
6
animal art
3
horses (animals)
3
landscape
3
sporting art
3
architectural subject
2
farm
2
fence
2
skeleton
2
trees
2
agriculture
1
animals
1
barn
1
basket
1
beams
1
boar
1
bulls (animals)
1
byre (cattle shed)
1
cart
1
cattle
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Associated Places
England
3
United Kingdom
3
Derbyshire
1
Europe
1
Harrow
1
Kent
1
Matlock
1
Exhibition History
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
16
Yale Center for British Art, Paul Mellon Fund
4
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Date
1784
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1
Print made by Henry Kingsbury, active 1750–1780
Girl and Pigeons
1784
2
James Ward, 1769–1859
Head of a Tiger
undated
3
James Ward, 1769–1859
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
4
James Ward, 1769–1859
Sir Charles Blunt at the Death of the Boar
undated
5
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
6
unknown artist
Fox in a Trap & The Constitution Preserved
1784
7
unknown artist
The Political Sampson in Revenge Sets Fire to the Country
1784
8
unknown artist
The May Garland
1784
9
Annibal Scratch, active 1791
The Temple of Purity; or, Master Billy Pit-i-full's Introduction
1784
10
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
undated
11
John Warwick Smith, 1749–1831
Matlock High Tor
1784
12
Robert Hills, 1769–1844
Budds Green, Kent
undated
13
James Ward, 1769–1859
A Human Skeleton
undated
14
James Ward, 1769–1859
A Farm Cart
undated
15
Print made by William Ward, 1766–1826
Elizabeth, Countess of Mexborough
1784
16
Print made by Henry Kingsbury, active 1750–1780
Girl and Pigeons
1784
17
Print made by Charles White, active 1784
Le Moment de la Reflexion
1784
18
Robert Hills, 1769–1844
A Farm at Harrow
undated
19
Samuel Collings, active 1784–1795
A Querulous Committee Meeting
undated
20
Robert Hills, 1769–1844
A Cow Byre
undated