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Collection
Prints and Drawings
4
Creator
Hills, Robert, 1769–1844
2
Ward, James, 1769–1859
2
Date
1786
32
1772
9
1771
8
1784
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4
1789
4
1766
3
1779
3
1783
3
1700
2
1739
2
1743
2
1748
2
1761
2
1764
2
1781
2
1782
2
1793
2
1795
2
1796
2
1746
1
1756
1
1759
1
1773
1
1777
1
1792
1
1798
1
1799
1
1805
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1808
1
1814
1
On-site Access
Accessible in the Study Room
4
Image Use
Free to Use
4
Image Available
Available
4
Classification
Drawings & Watercolors
4
Creator Gender
male
4
Period
18th century-19th century
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4
Materials & Techniques
wove paper
4
graphite
3
brown ink
2
watercolor
2
brown wash
1
gray wash
1
pen
1
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38
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51
Work Type
drawing
3
watercolor
3
Genre
animal art
1
figure study
1
landscape
1
portrait
1
still life
1
Subject Terms
animal art
1
barn
1
birds
1
branches
1
costume
1
drawing master
1
farmer
1
figure study
1
hat
1
landscape
1
portrait
1
shadows
1
skeleton
1
sleeping
1
still life
1
studies (visual works)
1
trees
1
Associated Places
Ashtead
1
England
1
Europe
1
Surrey
1
United Kingdom
1
Exhibition History
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
4
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Date
1784
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Period
18th century-19th century
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34
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1
James Ward, 1769–1859
Eagles
undated
2
James Ward, 1769–1859
A Human Skeleton
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3
Robert Hills, 1769–1844
Figure Studies: A Farm Worker, Mr. Samuel, the Drawing Master Reclining and Dozing, and a Slight Sketch of a Man in a Hat
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4
Robert Hills, 1769–1844
Trees and Barns in Ashstead Park, Surrey
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