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Collection
Prints and Drawings
194
Rare Books and Manuscripts
3
Creator
Bartolozzi, Francesco, 1727–1815
33
Blake, William, 1757–1827
28
Unknown artist
23
Gillray, James, 1756–1815
21
Stothard, Thomas, 1755–1834
18
Ritson, Joseph, 1752–1803
17
Cipriani, Giovanni Battista, 1727–1785
15
Bowles, Carington, 1724–1793
14
Smith, John Raphael, 1752–1812
13
Reynolds, Joshua, Sir, 1723–1792
12
Barry, James, 1741–1806
7
Gainsborough, Thomas, 1727–1788
6
Mortimer, John Hamilton, 1740–1779
6
Bunbury, Henry William, 1750–1811
5
Green, Valentine, 1739–1813
5
Kauffmann, Angelica, 1741–1807
5
Sayers, James, 1748–1823
5
Burke, Thomas, 1749–1815
4
Cornell, Thomas, active 1780–1792
4
Cosway, Richard, 1742–1821
4
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Creator
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Date
1800
803
1834
601
1789
418
1802
376
1827
367
1794
351
1835
348
1825
343
1795
333
1792
324
1830
314
1793
311
1833
301
1797
298
1700
292
1799
290
1782
284
1803
283
1791
280
1820
273
1808
271
1804
269
1836
260
1826
251
1546
248
1823
227
1796
226
1798
219
1809
219
1821
215
1780
212
1832
212
1801
211
1790
209
1824
200
1807
199
1783
[remove]
197
1739
192
1812
190
1828
189
1837
185
1788
182
1811
182
1814
182
1630
181
1784
173
1813
173
1810
169
1816
167
1818
167
1831
165
1850
165
1819
153
1805
151
1822
149
1786
144
1755
142
1754
141
1785
141
1787
141
1806
138
1778
136
1817
136
1775
134
1838
129
1815
128
1745
126
1770
124
1771
124
1779
123
1781
121
1859
121
1829
120
1776
114
1750
113
2000
112
1989
110
1880
109
1900
106
0
105
1772
104
1999
103
1751
100
1765
98
1839
97
1769
95
1876
95
1762
93
1773
90
1882
90
1777
89
1890
89
1897
89
1674
88
1840
88
1855
88
1738
87
1768
87
1896
86
1767
84
On-site Access
Accessible in the Study Room
196
On view
1
Image Use
Free to Use
193
Under Certain Circumstances
4
Image Available
Available
181
Unavailable
16
Classification
Prints
[remove]
197
Creator Gender
male
174
unknown
26
female
6
Collective Title
A Select Collection of English Songs
17
There Is No Natural Religion, Copy B
12
Iconographie Anglaise par Reynolds et Autres
6
Period
18th century
188
18th century-19th century
6
Materials & Techniques
laid paper
55
stipple engraving
35
etching (printing process)
28
line engraving
28
mezzotint
27
wove paper
21
color printing
11
relief etching
11
watercolor
5
hand coloring
4
black ink
1
brown ink
1
engraver's proof
1
soft-ground etching
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
67
Unknown
66
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
309
Unknown
67
Work Type
intaglio print
96
relief print
11
engraving
3
frontispiece
2
watercolor
2
Genre
literary theme
47
portrait
35
genre subject
20
religious and mythological subject
19
military art
4
landscape
3
marine art
3
historical subject
2
cityscape
1
sporting art
1
Subject Terms
literary theme
25
portrait
16
caricature
13
trees
13
caricatures
12
satire
12
tropics
11
men
10
text
10
beach
9
dog (animal)
6
oval
6
religious and mythological subject
6
vine
6
costume
5
man
5
woman
5
branches
4
coat
4
fire
4
more
Subject Terms
»
Associated Places
Ariccia
1
Bedfordshire
1
Church of Santa Maria dell'Assunzione
1
England
1
Europe
1
Italy
1
Lazio
1
Palazzo Chigi
1
Roma
1
United Kingdom
1
West Indies
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
3
Abington, Frances (1737–1815), actress
2
Pinto de Sousa Coutinho, Luis, first Viscount Balsemão (1735–1804 )
2
Africana, Cornelia (191 or 190 BC–100 BC)
1
Artemis
1
Cavendish [née Spencer], Georgiana, duchess of Devonshire (1757–1806), political hostess
1
Cephalus
1
Deane, Silas (1737–1789) American merchant, politician and diplomat
1
Defoe, Daniel, 1661?-1731
1
Diana
1
God
1
Gracchus, Gaius (154 BC–121 BC), Roman Populares politician
1
Gracchus, Tiberius (163 or 162 BC–133 BC), Roman Populares politician
1
Henderson, John (bap. 1747, d. 1785), British actor and draftsman
1
Hume, Sir Abraham, second baronet (1749–1838), collector of art and precious stones
1
Joseph (son of Jacob)
1
Kauffmann, Angelica (1741–1807), history and portrait painter
1
Manners, Lord Robert (1758–1782), naval officer
1
Pina Manique, Diogo Inácio (1733–1805), magistrate
1
Procris
1
more
Associated People
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
27
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
27
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
3
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
2
A Primer of Printmaking Processes (Yale University Art Gallery, 1993-09-01 - 1993-11-28)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Red Letter Days - British Sporting Art of the 18th and 19th Centuries (Sweetbriar College Art Galleries, 1990-11-09 - 1991-02-10)
1
Rembrandt in Eighteenth Century England (Yale Center for British Art, 1983-10-19 - 1983-12-30)
1
The Black Figure in the European Imaginary (Cornell Fine Arts Museum, 2017-01-20 - 2017-05-15)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
Three Centuries of Comic Art-Eighteenth Century Satire: John Collet (Museum of Art and Archaelogy, University of Missouri-Columbia, 1998-06-06 - 1998-08-23)
1
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
151
Yale Center for British Art, Paul Mellon Fund
15
Yale Center for British Art, Yale University Art Gallery Collection
12
Yale Center for British Art; Yale University Art Gallery Collection
12
22653444280008651|Yale Center for British Art, Paul Mellon Collection
3
Yale Center for British Art
1
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection
1
Language
English
3
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Date
1783
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1
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
2
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
3
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
4
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
5
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
6
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
7
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
8
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
9
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
10
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
11
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
12
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
On view
13
Print made by William Blake, 1757–1827
Love Songs, Class II. Headpiece
1783
14
Print made by William Blake, 1757–1827
Love Songs, Class II. Tailpiece
1783
15
Print made by William Blake, 1757–1827
Love Songs, Class III. Tailpiece
1783
16
Print made by William Blake, 1757–1827
Love Songs, Class IV. Headpiece
1783
17
Print made by William Blake, 1757–1827
Miscellaneous Songs, Headpiece
1783
18
Print made by William Blake, 1757–1827
Love Songs, Class I. Headpiece
1783
19
Print made by William Blake, 1757–1827
Love Songs, Class I. Tailpiece
1783
20
Print made by William Blake, 1757–1827
Love Songs, Class III. Headpiece
1783
21
Print made by William Blake, 1757–1827
Love Songs, Class IV. Tailpiece
1783
22
Print made by William Blake, 1757–1827
Love Songs, Class V. Headpiece
1783
23
Print made by William Blake, 1757–1827
Drinking Songs, Headpiece
1783
24
Print made by William Blake, 1757–1827
Miscellaneous Songs, Tailpiece
1783
25
Print made by William Blake, 1757–1827
Ancient Ballads, Headpiece
1783
26
Print made by William Blake, 1757–1827
Ancient Ballads, Tailpiece
1783
27
Valentine Green, 1739–1813
Lady Amelia Hume
1783
28
Edward Fisher, 1722–1785
John, Lord Cardiff
1783
29
unknown artist
The Inflexible Porter, a Tragedy
1783
30
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
31
Benjamin Thomas Pouncey, active 1772–1799
Chase of a Cutter
1783
32
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
33
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
34
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
35
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
36
unknown artist
Front, Side View, and Back Front, of a Modern fine Gentleman
1783
37
Benjamin Thomas Pouncey, active 1772–1799
Building of a Cutter
1783
38
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
39
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
40
James Walker, 1748–1808
View of Mr. Hatchett's Capital House in Long Acre
1783
41
Print made by James Basire, 1730–1802
Chapel of Henry V at Westminster
1783–1799
42
unknown artist
A View of Paddington Green
1783
43
unknown artist
The Encampment in St. James's Park MDCCLXXX
1783
44
unknown artist
St. James's Park
1783
45
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
46
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
47
Print made by John Raphael Smith, 1752–1812
Mademoiselle Baccelli
1783
48
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
49
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
50
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
51
Francesco Bartolozzi, 1728–1815
The Power of Beauty
1783
52
Francesco Bartolozzi, 1728–1815
Love Caressed
1783
53
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
54
William Watts, 1752–1851
Chiswick House in Middlesex, the Seat of Duke of Devonshire
1783
55
Francesco Bartolozzi, 1728–1815
Cecilia
1783
56
Francesco Bartolozzi, 1728–1815
A Sacrifice To Cupid
1783
57
Francesco Bartolozzi, 1728–1815
Beauty
1783
58
Francesco Bartolozzi, 1728–1815
Meekness
1783
59
Francesco Bartolozzi, 1728–1815
Prosperity
1783
60
Francesco Bartolozzi, 1728–1815
Prudence, Holding A Land Mirror, And An Arrow With A Serpant
1783
61
Francesco Bartolozzi, 1728–1815
The Triumph of Beauty and Love
1783
62
Francesco Bartolozzi, 1728–1815
G. B. Cipriani, RA
1783
63
Print made by James Sayers, 1748–1823
A Transfer of East India Stock
1783
64
James Walker, 1748–1808
Sir Barnard Turner
1783
65
Francesco Bartolozzi, 1728–1815
George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
1783
66
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
67
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
68
James Sayers, 1748–1823
Carlo Khan's Triumphal Entry into Leadenhall Street
1783
69
John Raphael Smith, 1752–1812
Young Lady in Feathered Hat
1783
70
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1783
71
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
72
Thomas Milton, 1742/1743–1827
Lucan-House
1783
73
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
74
Print made by Johann Rudolph Schellenberg, 1740–1806
Artist Drawing a Woman's Silhouette
1783
75
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
76
Print made by John Raphael Smith, 1752–1812
The Calling of Samuel
1783
77
Print made by Francis Haward, 1759–1797
The Infant Academy
1783
78
Print made by John Raphael Smith, 1752–1812
Sir Harbord Harbord
1783
79
Print made by John Jones, ca. 1745–1797
John Henderson
1783
80
Print made by John Raphael Smith, 1752–1812
George, Prince of Wales
1783
81
Print made by John Raphael Smith, 1752–1812
Mrs. Smith
1783
82
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
83
Print made by John Jones, ca. 1745–1797
Sir Abraham Hume, Bart. F.R.S
1783
84
Print made by unknown artist
The Feathered Fair, Feeding the Feathered Fowl
1783
85
Print made by William Dickinson, 1746–1823
Lord Robert Manners, Captain R.N
1783
86
John Raphael Smith, 1752–1812
Sir William James
1783
87
Print made by William Sharp, 1749–1824
The Tempest, Act I Sc. 3
1783
88
Print made by William Walker, 1729–1793
Grandison, Plate XXVIII
1783
89
Print made by William Walker, 1729–1793
Grandison, Plate XI
1783
90
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
91
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
92
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
93
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
94
Valentine Green, 1739–1813
Louisa Finch (née Thynne), Countess of Aylesford
1783
95
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
96
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
97
unknown artist
S. E. View of Copenhagen House
1783
98
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Harriet Bulkeley (née Warren)
1783
99
Thomas Malton, 1726–1801
King Street, Guildhall
1783
100
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
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