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Date 1783
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1
- Mr. Hospey (?)Walker
- 1783
- Not on view
2
- Soldier with Country Women Selling Ribbons, near a Military Camp
- 1788
- Not on view
3
- Patrick Heatly
- between 1783 and 1787
- On view
4
- The Bathing Place at Ramsgate
- ca. 1788
- Not on view
5
- Mausoleum at Outatori near Trichinopoly
- ca. 1788
- Not on view
6
- Coastal Landscape with a Shepherd and His Flock
- between 1783 and 1784
- Not on view
7
- Vesuvius from Posillipo
- ca. 1788
- On view
8
- The Salmon Leap, Leixlip
- 1783
- Not on view
9
- Warren Hastings
- 1783-1784
- On view
10
- View of the Campi Flegrei from the Camaldolese Convent near Naples
- 1783
- Not on view
11
- George Biggin
- 1783
- Not on view
12
- Get Thee Behind Me, Satan
- between 1783 and 1787
- On view at YUAG
13
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
14
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
15
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
16
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
17
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
18
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
19
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
20
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
21
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
22
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
23
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
24
- There is No Natural Religion
- ca. 1788
- On view
25
- Love Songs, Class II. Headpiece
- 1783
26
- Love Songs, Class II. Tailpiece
- 1783
27
- Love Songs, Class III. Tailpiece
- 1783
28
- Love Songs, Class IV. Headpiece
- 1783
29
- Miscellaneous Songs, Headpiece
- 1783
30
- Love Songs, Class I. Headpiece
- 1783
31
- Love Songs, Class I. Tailpiece
- 1783
32
- Love Songs, Class III. Headpiece
- 1783
33
- Love Songs, Class IV. Tailpiece
- 1783
34
- Love Songs, Class V. Headpiece
- 1783
35
- Drinking Songs, Headpiece
- 1783
36
- Miscellaneous Songs, Tailpiece
- 1783
37
- Ancient Ballads, Headpiece
- 1783
38
- Ancient Ballads, Tailpiece
- 1783
39
- Bolingbroke and the Fiend
- ca. 1788-89
40
- Lady Clanricarde, Portrait of a Lady
- 1783
41
- Lady Amelia Hume
- 1783
42
- John, Lord Cardiff
- 1783
43
- A Peasant of Mount Erix
- between 1783 and 1789
44
- The Three Marys
- 1783
45
- A River by a Rocky Bank with Figures, Possibly in India
- between 1783 and 1789
46
- The Inflexible Porter, a Tragedy
- 1783
47
- Sir Harbord Harbord Bart
- 1783
48
- Chase of a Cutter
- 1783
49
- The Battle of Agincourt
- 1783
50
- The Battle of Agincourt
- 1783
51
- The Elevation of the Brazen Serpent in the Wilderness
- 1783
52
- The Elevation of the Brazen Serpent in the Wilderness
- 1783
53
- Front, Side View, and Back Front, of a Modern fine Gentleman
- 1783
54
- Building of a Cutter
- 1783
55
- The Battle of Agincourt
- 1783
56
- Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
- 1783
57
- View of Mr. Hatchett's Capital House in Long Acre
- 1783
58
- Chapel of Henry V at Westminster
- 1783–1799
59
- The Encampment in St. James's Park MDCCLXXX
- 1783
60
- St. James's Park
- 1783
61
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
62
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
63
- Mademoiselle Baccelli
- 1783
64
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
65
- The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
- after 1783
66
- Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
- between 1783 and 1796
67
- Author Reading from a Manuscript to Four Ladies
- undated
68
- A Fashionable Audience
- undated
69
- Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
- after work dated 1783
70
- Cephalus and Procris
- 1783
71
- The Power of Beauty
- 1783
72
- Love Caressed
- 1783
73
- Georgiana, Countess Spencer
- 1783
74
- Chiswick House in Middlesex, the Seat of Duke of Devonshire
- 1783
75
- Cecilia
- 1783
76
- A Sacrifice To Cupid
- 1783
77
- Beauty
- 1783
78
- Meekness
- 1783
79
- Prosperity
- 1783
80
- Prudence, Holding A Land Mirror, And An Arrow With A Serpant
- 1783
81
- The Triumph of Beauty and Love
- 1783
82
- G. B. Cipriani, RA
- 1783
83
- A Transfer of East India Stock
- 1783
84
- Sir Barnard Turner
- 1783
85
- George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
- 1783
86
- Sappho Embracing Love
- 1783
87
- Cherub Whispering To Woman Holding Letter
- 1783
88
- Carlo Khan's Triumphal Entry into Leadenhall Street
- 1783
89
- Young Lady in Feathered Hat
- 1783
90
- Diana, The Huntress
- 1783
91
- Polyhemus, Playing The Panpipes For Galatea
- 1783
92
- Vatican from the road to Ponte Mola
- 1783
93
- Tassisudon
- 1783
94
- The Former Winter Capital of Bhutan at Punakha Dzong
- 1783
95
- Lismore Castle, Ireland
- 1783
96
- Design for an Unidentifued House in the Palladian Style
- undated
97
- North East View of Mr. Hare's New House
- 1783
98
- Shipping on a Stormy Day
- undated
99
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
100
- Portrait of a Lady
- 1783