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Date 1783
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1
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
2
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
3
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
4
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
5
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
6
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
7
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
8
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
9
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
10
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
11
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
12
- There is No Natural Religion
- ca. 1788
13
- Lucan-House
- 1783
14
- Sir William James
- 1783
15
- John, Lord Cardiff
- 1783
16
- Lady Amelia Hume
- 1783
17
- Twelve Illustrations of Robinson Crusoe
- 1783
18
- The Tempest, Act I Sc. 3
- 1783
19
- Hon. Mrs. Stanhope
- 1783
20
- The Calling of Samuel
- 1783
21
- The Infant Academy
- 1783
22
- George, Prince of Wales
- 1783
23
- Sir Harbord Harbord
- 1783
24
- John Henderson
- 1783
25
- The Feathered Fair, Feeding the Feathered Fowl
- 1783
26
- Sir Abraham Hume, Bart. F.R.S
- 1783
27
- Mrs. Smith
- 1783
28
- Grandison, Plate XXVIII
- 1783
29
- Grandison, Plate XI
- 1783
30
- Lord Robert Manners, Captain R.N
- 1783
31
- The Death of Captain Cook
- 1783
32
- The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
- after 1783
33
- The Society for the Encouragement of the Arts (2 copies)
- after 1783
34
- Chapel of Henry V at Westminster
- 1783–1799
35
- Sir Harbord Harbord Bart
- 1783
36
- Building of a Cutter
- 1783
37
- Chase of a Cutter
- 1783
38
- S. E. View of Copenhagen House
- 1783
39
- Chiswick House in Middlesex, the Seat of Duke of Devonshire
- 1783
40
- Paulus Aemelius
- 1783
41
- Diana, The Huntress
- 1783
42
- Cephalus and Procris
- 1783
43
- Nymphs Bathing
- 1783
44
- Sappho Embracing Love
- 1783
45
- Cornelia, Mother of the Gracchi
- 1783
46
- A Sun Setting in a Fog, With The Old Hanover Hack Descending
- 1783
47
- A New Administration, or - The State Quacks Administring
- 1783
48
- A Warm Birth for the Old Administration -----
- 1783
49
- The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
- 1783
50
- A Coalition of Parties, Give Justice Her Claims
- 1783
51
- Lady Elizabeth Harriet Bulkeley (née Warren)
- 1783
52
- View of Mr. Hatchett's Capital House in Long Acre
- 1783
53
- King Street, Guildhall
- 1783
54
- All Alive, or the Political Churchyard
- 1783
55
- The Ladies Church Yard
- 1783
56
- The True State of the Junction; or Men of Abilities Call'd For
- 1783
57
- Tax on Receipts
- 1783
58
- Coalition - The Fox & Badger Both in a Hole
- 1783
59
- Charley Boy Crying for the Loss of his Political Father
- ca. 1788
60
- The Union, - Whom --- Has Join'd, Let No Man put Asunder!
- 1783
61
- The West India Flower Girl
- undated
62
- The Patriot Exalted
- ca. 1788
63
- Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
- 1783
64
- A Transfer of East India Stock
- 1783
65
- The Eclipse at an End - and Political Tilting Discovered
- ca. 1788
66
- Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
- 1783
67
- A Perspective View of the Cities of London & Westminster
- 1783
68
- The Encampment in St. James's Park MDCCLXXX
- 1783
69
- St. James's Park
- 1783
70
- The Fall of Agandecca
- 1783
71
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
72
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
73
- Fainasollis, Borbar and Fingal
- 1783
74
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
75
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
76
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
77
- Mademoiselle Baccelli
- 1783
78
- The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
79
- Honorable Mrs. Stanhope
- 1783
80
- Artist Drawing a Woman's Silhouette
- 1783
81
- Cecilia
- 1783
82
- The Triumph of Beauty and Love
- 1783
83
- A Sacrifice To Cupid
- 1783
84
- Meekness
- 1783
85
- Beauty
- 1783
86
- Prudence, Holding A Land Mirror, And An Arrow With A Serpant
- 1783
87
- Prosperity
- 1783
88
- G. B. Cipriani, RA
- 1783
89
- George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
- 1783
90
- Cherub Whispering To Woman Holding Letter
- 1783
91
- Sappho Embracing Love
- 1783
92
- Carlo Khan's Triumphal Entry into Leadenhall Street
- 1783
93
- A Transfer of East India Stock
- 1783
94
- Young Lady in Feathered Hat
- 1783
95
- Polyhemus, Playing The Panpipes For Galatea
- 1783
96
- Coriolanus, Act 5, Scene III
- 1783
97
- A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
- 1783
98
- The Nabob Rumbled or A Lord Advocates Amusement
- 1783
99
- City Malitia (sic) Marching
- ca. 1788
100
- Bonus / Mellior / Optimus
- 1783