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Date 1783
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1
- Mr. Hospey (?)Walker
- 1783
- Not on view
2
- Mausoleum at Outatori near Trichinopoly
- ca. 1788
- Not on view
3
- Soldier with Country Women Selling Ribbons, near a Military Camp
- 1788
- Not on view
4
- Patrick Heatly
- between 1783 and 1787
- On view
5
- The Bathing Place at Ramsgate
- ca. 1788
- Not on view
6
- Vesuvius from Posillipo
- ca. 1788
- On view
7
- Coastal Landscape with a Shepherd and His Flock
- between 1783 and 1784
- Not on view
8
- Warren Hastings
- 1783-1784
- On view
9
- The Salmon Leap, Leixlip
- 1783
- Not on view
10
- View of the Campi Flegrei from the Camaldolese Convent near Naples
- 1783
- Not on view
11
- George Biggin
- 1783
- Not on view
12
- Get Thee Behind Me, Satan
- between 1783 and 1787
- On view at YUAG
13
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
14
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
15
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
16
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
17
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
18
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
19
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
20
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
21
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
22
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
23
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
24
- There is No Natural Religion
- ca. 1788
25
- Lady Clanricarde, Portrait of a Lady
- 1783
26
- Bolingbroke and the Fiend
- ca. 1788-89
27
- Vatican from the road to Ponte Mola
- 1783
28
- Shipping on a Stormy Day
- undated
29
- Sailing Ships and Small Boats in Rough Sea off the Coast
- undated
30
- Portrait of a Lady
- 1783
31
- North East View of Mr. Hare's New House
- 1783
32
- Tassisudon
- 1783
33
- The Former Winter Capital of Bhutan at Punakha Dzong
- 1783
34
- A Peasant of Mount Erix
- between 1783 and 1789
35
- A River by a Rocky Bank with Figures, Possibly in India
- between 1783 and 1789
36
- The Three Marys
- 1783
37
- East Side of Mr. Hare's New House
- 1783
38
- Lismore Castle, Ireland
- 1783
39
- Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
- between 1783 and 1796
40
- A Fashionable Audience
- undated
41
- George Wolrige of Garlinneck
- undated
42
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
43
- Author Reading from a Manuscript to Four Ladies
- undated
44
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
45
- Design for an Unidentifued House in the Palladian Style
- undated
46
- Lucan-House
- 1783
47
- Mount Palatine
- 1783
48
- Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
- after work dated 1783
49
- Girl in a Brown Dress
- undated
50
- Grandison, Plate XXVIII
- 1783
51
- Twelve Illustrations of Robinson Crusoe
- 1783
52
- The Fall of Agandecca
- 1783
53
- Mademoiselle Baccelli
- 1783
54
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
55
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
56
- Fainasollis, Borbar and Fingal
- 1783
57
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
58
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
59
- The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
- after 1783
60
- The Society for the Encouragement of the Arts (2 copies)
- after 1783
61
- The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
62
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
63
- A View of Paddington Green
- 1783
64
- The Encampment in St. James's Park MDCCLXXX
- 1783
65
- St. James's Park
- 1783
66
- John, Lord Cardiff
- 1783
67
- Cleopatra And Meleagar
- 1783
68
- Mrs. Abington As Thalia
- 1783
69
- Polyhemus, Playing The Panpipes For Galatea
- 1783
70
- Dunkerswell Abbey, August 20, 1783
- 1783
71
- Landing a Catch of Mackerel, Hastings
- undated
72
- Mrs. Smith
- 1783
73
- Sir William James
- 1783
74
- Tarbert Castle
- undated
75
- Young Lady in Feathered Hat
- 1783
76
- Paulus Aemelius
- 1783
77
- Diana, The Huntress
- 1783
78
- Sappho Embracing Love
- 1783
79
- Cherub Whispering To Woman Holding Letter
- 1783
80
- A Transfer of East India Stock
- 1783
81
- Cecilia
- 1783
82
- A Sacrifice To Cupid
- 1783
83
- The Triumph of Beauty and Love
- 1783
84
- Meekness
- 1783
85
- G. B. Cipriani, RA
- 1783
86
- Carlo Khan's Triumphal entry into Leadenhall Street
- 1783
87
- George, Prince of Wales
- 1783
88
- Sir Harbord Harbord
- 1783
89
- John Henderson
- 1783
90
- The Feathered Fair, Feeding the Feathered Fowl
- 1783
91
- Chase of a Cutter
- 1783
92
- Building of a Cutter
- 1783
93
- Lady Amelia Hume
- 1783
94
- The Tempest, Act I Sc. 3
- 1783
95
- Chapel of Henry V at Westminster
- 1783–1799
96
- Lady Elizabeth Harriet Bulkeley (née Warren)
- 1783
97
- A Boatload
- undated
98
- Junction of Parties
- 1783
99
- A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
- 1783
100
- A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
- 1783