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Collection
Prints and Drawings
164
Rare Books and Manuscripts
1
Creator
Bartolozzi, Francesco, 1727–1815
31
Unknown artist
21
Gillray, James, 1756–1815
20
Cipriani, Giovanni Battista, 1727–1785
15
Bowles, Carington, 1724–1793
14
Blake, William, 1757–1827
12
Smith, John Raphael, 1752–1812
12
Reynolds, Joshua, Sir, 1723–1792
10
Barry, James, 1741–1806
7
Mortimer, John Hamilton, 1740–1779
6
Bunbury, Henry William, 1750–1811
5
Sayers, James, 1748–1823
5
Burke, Thomas, 1749–1815
4
Cornell, Thomas, active 1780–1792
4
Cosway, Richard, 1742–1821
4
Gainsborough, Thomas, 1727–1788
4
Kauffmann, Angelica, 1741–1807
4
Barralet, John James, 1747–1815
3
Blyth, Robert, 1750–1784
3
Sequeira, Domingos Antonio de, 1768–1837
3
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Creator
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Date
1800
553
1834
551
1789
389
1835
327
1794
315
1827
313
1792
308
1825
308
1797
288
1833
287
1793
278
1795
261
1799
257
1830
256
1791
254
1804
251
1700
243
1836
234
1802
211
1798
209
1775
208
1808
205
1796
202
1820
201
1823
197
1832
193
1826
192
1780
185
1801
185
1790
184
1809
184
1812
175
1821
173
1630
172
1803
170
1814
170
1828
167
1783
[remove]
165
1824
165
1807
164
1811
163
1837
163
1813
161
1784
156
1788
156
1818
146
1816
144
1819
140
1850
135
1810
131
1805
130
1786
129
1831
129
1787
128
1782
127
1785
125
1822
125
1745
116
1778
116
1859
114
1806
112
1817
112
1838
109
2000
108
1770
107
1781
104
1815
102
1779
101
1755
99
1829
98
1999
98
1771
92
1765
91
1839
90
1772
88
1776
87
1739
86
0
85
1750
85
1762
82
1773
82
1674
81
1769
81
1767
80
1880
80
1768
78
1900
78
1751
76
1847
72
1855
72
1875
71
1777
70
1890
70
1897
70
1546
68
1667
68
1738
67
1881
67
1550
66
1842
66
On-site Access
Accessible in the Study Room
165
Image Use
Free to Use
164
Under Certain Circumstances
1
Image Available
Available
[remove]
165
Classification
Prints
[remove]
165
Creator Gender
male
145
unknown
22
female
4
Collective Title
There Is No Natural Religion, Copy B
12
Iconographie Anglaise par Reynolds et Autres
5
Period
18th century
157
18th century-19th century
5
Materials & Techniques
stipple engraving
34
laid paper
31
mezzotint
22
wove paper
20
color printing
11
relief etching
11
line engraving
10
etching (printing process)
7
watercolor
4
hand coloring
3
black ink
1
brown ink
1
engraver's proof
1
soft-ground etching
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
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0
to
67
Unknown
61
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
0
to
309
Unknown
62
Work Type
intaglio print
72
relief print
11
watercolor
2
engraving
1
frontispiece
1
Genre
literary theme
31
portrait
31
religious and mythological subject
17
genre subject
15
military art
4
historical subject
2
landscape
2
cityscape
1
marine art
1
sporting art
1
Subject Terms
literary theme
25
portrait
14
caricature
12
caricatures
12
satire
12
trees
12
tropics
11
men
10
text
10
beach
9
dog (animal)
6
oval
6
vine
6
costume
5
man
5
religious and mythological subject
5
woman
5
branches
4
coat
4
fire
4
more
Subject Terms
»
Associated Places
Ariccia
1
Bedfordshire
1
Church of Santa Maria dell'Assunzione
1
England
1
Europe
1
Italy
1
Lazio
1
Palazzo Chigi
1
Roma
1
United Kingdom
1
West Indies
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
3
Abington, Frances (1737–1815), actress
2
Pinto de Sousa Coutinho, Luis, first Viscount Balsemão (1735–1804 )
2
Africana, Cornelia (191 or 190 BC–100 BC)
1
Cephalus
1
Deane, Silas (1737–1789) American merchant, politician and diplomat
1
Defoe, Daniel, 1661?-1731
1
God
1
Gracchus, Gaius (154 BC–121 BC), Roman Populares politician
1
Gracchus, Tiberius (163 or 162 BC–133 BC), Roman Populares politician
1
Henderson, John (bap. 1747, d. 1785), British actor and draftsman
1
Hume, Sir Abraham, second baronet (1749–1838), collector of art and precious stones
1
Kauffmann, Angelica (1741–1807), history and portrait painter
1
Manners, Lord Robert (1758–1782), naval officer
1
Pina Manique, Diogo Inácio (1733–1805), magistrate
1
Procris
1
Samuel
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
11
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
11
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
3
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
2
A Primer of Printmaking Processes (Yale University Art Gallery, 1993-09-01 - 1993-11-28)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
The Black Figure in the European Imaginary (Cornell Fine Arts Museum, 2017-01-20 - 2017-05-15)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
Three Centuries of Comic Art-Eighteenth Century Satire: John Collet (Museum of Art and Archaelogy, University of Missouri-Columbia, 1998-06-06 - 1998-08-23)
1
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
126
Yale Center for British Art, Paul Mellon Fund
12
Yale Center for British Art, Yale University Art Gallery Collection
12
Yale Center for British Art; Yale University Art Gallery Collection
12
Yale Center for British Art
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Language
English
1
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Date
1783
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1
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
2
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
3
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
4
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
5
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
6
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
7
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
8
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
9
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
10
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
11
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
12
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
13
Thomas Milton, 1742/1743–1827
Lucan-House
1783
14
Print made by William Sharp, 1749–1824
The Tempest, Act I Sc. 3
1783
15
Print made by William Walker, 1729–1793
Grandison, Plate XXVIII
1783
16
Print made by John Jones, ca. 1745–1797
John Henderson
1783
17
Francesco Bartolozzi, 1728–1815
G. B. Cipriani, RA
1783
18
Francesco Bartolozzi, 1728–1815
Cecilia
1783
19
Francesco Bartolozzi, 1728–1815
A Sacrifice To Cupid
1783
20
Francesco Bartolozzi, 1728–1815
The Triumph of Beauty and Love
1783
21
Francesco Bartolozzi, 1728–1815
Prudence, Holding A Land Mirror, And An Arrow With A Serpant
1783
22
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
23
Francesco Bartolozzi, 1728–1815
Nymphs Bathing
1783
24
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
25
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
26
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
27
Robert Blyth, 1750–1784
The Elevation of the Brazen Serpent in the Wilderness
1783
28
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
29
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
30
Benjamin Thomas Pouncey, active 1772–1799
Building of a Cutter
1783
31
Benjamin Thomas Pouncey, active 1772–1799
Chase of a Cutter
1783
32
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
33
Thomas Burke, 1749–1815
The Battle of Agincourt
1783
34
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
35
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
36
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
37
Francesco Bartolozzi, 1728–1815
Mrs. Abington As Thalia
1783
38
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
39
William Watts, 1752–1851
Chiswick House in Middlesex, the Seat of Duke of Devonshire
1783
40
Francesco Bartolozzi, 1728–1815
Meekness
1783
41
Francesco Bartolozzi, 1728–1815
Beauty
1783
42
Francesco Bartolozzi, 1728–1815
Prosperity
1783
43
Francesco Bartolozzi, 1728–1815
George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
1783
44
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
45
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
46
James Sayers, 1748–1823
Carlo Khan's Triumphal Entry into Leadenhall Street
1783
47
Print made by James Sayers, 1748–1823
A Transfer of East India Stock
1783
48
Valentine Green, 1739–1813
Lady Amelia Hume
1783
49
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
50
James Walker, 1748–1808
Sir Barnard Turner
1783
51
Print made by Francesco Bartolozzi, 1728–1815
Cornelia, Mother of the Gracchi
1783
52
William Watts, 1752–1851
Sion House in Middlesex
1783
53
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
54
Francesco Bartolozzi, 1728–1815
Prudence
1783
55
Print made by Francesco Bartolozzi, 1728–1815
Diego Ignacio de Pina Manique
undated
56
unknown artist
View of the New Public Offices at Somerset House, fronting the Thames
1783
57
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
58
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
59
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
60
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
61
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
62
Print made by unknown artist
The Siphons or Tale of a Tub
1783
63
Print made by John Robert Cozens, 1752–1797
Ariccia
between 1783 and 1789
64
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
65
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
66
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
67
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
68
Print made by John Raphael Smith, 1752–1812
Mademoiselle Baccelli
1783
69
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
70
unknown artist
Front, Side View, and Back Front, of a Modern fine Gentleman
1783
71
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
72
James Bretherton, ca. 1730–1806
A pair: 1. Symptoms of Rearing, 2. Moses
1783
73
Edward Fisher, 1722–1785
John, Lord Cardiff
1783
74
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
75
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
76
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
77
Print made by John Raphael Smith, 1752–1812
The Calling of Samuel
1783
78
Print made by William Dickinson, 1746–1823
Lord Robert Manners, Captain R.N
1783
79
Print made by Johann Rudolph Schellenberg, 1740–1806
Artist Drawing a Woman's Silhouette
1783
80
Print made by John Raphael Smith, 1752–1812
Sir Harbord Harbord
1783
81
Print made by unknown artist
The Feathered Fair, Feeding the Feathered Fowl
1783
82
Print made by William Walker, 1729–1793
Grandison, Plate XI
1783
83
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
84
unknown artist
A Perspective View of the Cities of London & Westminster
1783
85
James Gillray, 1756–1815
Junction of Parties
1783
86
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
87
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
88
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
89
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
90
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
91
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
92
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
93
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
94
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
95
Print made by Pierre Audouin, 1768–1822
Angelica Kauffman
undated
96
Print made by John Raphael Smith, 1752–1812
The Bread and Butter Manufactory, or the Humors of Bagnigge Wells
1783
97
Print made by unknown artist
Amusement for John Bull and His Cousin Paddy, or the Gambols of the American Buffalo, in St. James's Street
1783
98
Print made by James Basire, 1730–1802
Chapel of Henry V at Westminster
1783–1799
99
unknown artist
St. James's Park
1783
100
unknown artist
A View of Paddington Green
1783
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