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Date 1783
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1
- Mr. Hospey (?)Walker
- 1783
- Not on view
2
- Patrick Heatly
- between 1783 and 1787
- On view
3
- Vesuvius from Posillipo
- ca. 1788
- On view
4
- Coastal Landscape with a Shepherd and His Flock
- between 1783 and 1784
- Not on view
5
- The Bathing Place at Ramsgate
- ca. 1788
- Not on view
6
- Mausoleum at Outatori near Trichinopoly
- ca. 1788
- Not on view
7
- Soldier with Country Women Selling Ribbons, near a Military Camp
- 1788
- Not on view
8
- The Salmon Leap, Leixlip
- 1783
- Not on view
9
- View of the Campi Flegrei from the Camaldolese Convent near Naples
- 1783
- Not on view
10
- Warren Hastings
- 1783-1784
- On view
11
- George Biggin
- 1783
- Not on view
12
- Get Thee Behind Me, Satan
- between 1783 and 1787
- On view at YUAG
13
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
14
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
15
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
16
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
17
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
18
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
19
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
20
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
21
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
22
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
23
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
24
- There is No Natural Religion
- ca. 1788
25
- Bolingbroke and the Fiend
- ca. 1788-89
26
- Lady Clanricarde, Portrait of a Lady
- 1783
27
- Girl in a Brown Dress
- undated
28
- The Three Marys
- 1783
29
- A River by a Rocky Bank with Figures, Possibly in India
- between 1783 and 1789
30
- A Peasant of Mount Erix
- between 1783 and 1789
31
- Author Reading from a Manuscript to Four Ladies
- undated
32
- A Fashionable Audience
- undated
33
- Dunkerswell Abbey, August 20, 1783
- 1783
34
- The Death of Captain Cook
- 1783
35
- Lady Elizabeth Harriet Bulkeley (née Warren)
- 1783
36
- King Street, Guildhall
- 1783
37
- S. E. View of Copenhagen House
- 1783
38
- St. James's Park
- 1783
39
- View of Mr. Hatchett's Capital House in Long Acre
- 1783
40
- A View of Paddington Green
- 1783
41
- The Encampment in St. James's Park MDCCLXXX
- 1783
42
- Chiswick House in Middlesex, the Seat of Duke of Devonshire
- 1783
43
- The Triumph of Beauty and Love
- 1783
44
- A Sacrifice To Cupid
- 1783
45
- Meekness
- 1783
46
- The West India Flower Girl
- undated
47
- A Perspective View of the Cities of London & Westminster
- 1783
48
- The Eclipse at an End - and Political Tilting Discovered
- ca. 1788
49
- All Alive, or the Political Churchyard
- 1783
50
- The Ladies Church Yard
- 1783
51
- The True State of the Junction; or Men of Abilities Call'd For
- 1783
52
- Coalition - The Fox & Badger Both in a Hole
- 1783
53
- Tax on Receipts
- 1783
54
- Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
- 1783
55
- Landing a Catch of Mackerel, Hastings
- undated
56
- The Tempest, Act I Sc. 3
- 1783
57
- Grandison, Plate XXVIII
- 1783
58
- Grandison, Plate XI
- 1783
59
- Mrs. Smith
- 1783
60
- Sir William James
- 1783
61
- Honorable Mrs. Stanhope
- 1783
62
- Lord Robert Manners, Captain R.N
- 1783
63
- George, Prince of Wales
- 1783
64
- Sir Harbord Harbord
- 1783
65
- John Henderson
- 1783
66
- Front, Side View, and Back Front, of a Modern fine Gentleman
- 1783
67
- The Inflexible Porter, a Tragedy
- 1783
68
- The Fall of Agandecca
- 1783
69
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
70
- Fainasollis, Borbar and Fingal
- 1783
71
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
72
- Mademoiselle Baccelli
- 1783
73
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
74
- The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
75
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
76
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
77
- The Society for the Encouragement of the Arts (2 copies)
- after 1783
78
- The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
- after 1783
79
- Twelve Illustrations of Robinson Crusoe
- 1783
80
- Tarbert Castle
- undated
81
- Hon. Mrs. Stanhope
- 1783
82
- The Calling of Samuel
- 1783
83
- The Infant Academy
- 1783
84
- Sir Abraham Hume, Bart. F.R.S
- 1783
85
- The Feathered Fair, Feeding the Feathered Fowl
- 1783
86
- Artist Drawing a Woman's Silhouette
- 1783
87
- Mount Palatine
- 1783
88
- Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
- between 1783 and 1796
89
- Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
- after work dated 1783
90
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
91
- Lucan-House
- 1783
92
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
93
- Vatican from the road to Ponte Mola
- 1783
94
- Lismore Castle, Ireland
- 1783
95
- Cecilia
- 1783
96
- Beauty
- 1783
97
- Prudence, Holding A Land Mirror, And An Arrow With A Serpant
- 1783
98
- Prosperity
- 1783
99
- G. B. Cipriani, RA
- 1783
100
- Chapel of Henry V at Westminster
- 1783–1799