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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Paintings and Sculpture
1
Prints and Drawings
1
Creator
Blyth, Robert, 1750–1784
1
Downman, John, 1750–1824
1
Mortimer, John Hamilton, 1740–1779
1
Date
1808
9
1880
5
1875
4
1794
3
1804
3
1781
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2
1797
2
1826
2
1852
2
1751
1
1753
1
1771
1
1775
1
1788
1
1789
1
1798
1
1801
1
1803
1
1806
1
1809
1
1813
1
1825
1
1827
1
1835
1
1838
1
1839
1
1857
1
On-site Access
Accessible by appointment in the Study Room
1
Not on view
1
Image Use
Free to Use
2
Image Available
Available
2
Classification
Paintings
1
Prints
1
Creator Gender
male
2
Collective Title
A Sentimental Journey through France and Italy, 1768
1
Period
18th century
2
Materials & Techniques
etching (printing process)
1
laid paper
1
oil paint
1
painting (technique)
1
panel (wood)
1
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Work Type
intaglio print
1
painting
1
Genre
literary theme
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2
portrait
1
religious and mythological subject
1
Subject Terms
light
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2
literary theme
2
Sterne, Laurence (1713–1768), writer and Church of England clergyman
1
chain
1
correctional institution
1
ghost
1
jug
1
man
1
manacles
1
mask (costume)
1
portrait
1
prison
1
prisoner
1
religious and mythological subject
1
sadness
1
serpent
1
shackles
1
snake
1
white (color)
1
women
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Associated People
Clytemnestra, wife of Agamemnon and queen of Mycenae (or sometimes Argos) in ancient Greek legend
1
Furies
1
Furies, Dirae (Erinyes), Eumenides; 'Furie' (Ripa)
1
Reverend Mr. Yorick
1
Exhibition History
Gothic Nightmares - Fuseli, Blake and the Romantic Imagination (Tate Britain, 2006-02-15 - 2006-05-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
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1781
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literary theme
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light
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1
John Downman, 1750–1824
The Ghost of Clytemnestra Awakening the Furies
1781
Not on view
2
Print made by Robert Blyth, 1750–1784
The Captive
1781