Matlock Dale, looking toward Black Rock Escarpment
between 1780 and 1785
Not on view
2
Paul Sandby, 1731–1809
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
3
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
4
Paul Sandby, 1731–1809
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
5
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
6
Nicholas Pocock, 1740–1821
The Ranger, Private Ship of War, with her Prizes
1780
7
John Downman, 1750–1824
Mrs. Ives of Catton
1780
8
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
9
Willey Reveley, 1760–1799
Views in the Levant: Rome with Ruins seen Through an Archway
ca. 1785
10
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
11
Print made by Thomas Bowles III, ca. 1712–1767
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
12
Attributed to Willey Reveley, 1760–1799
Views in the Levant: Malta
ca. 1785
13
Willey Reveley, 1760–1799
Views in the Levant: Paestum
ca. 1785
14
Willey Reveley, 1760–1799
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
ca. 1785
15
Willey Reveley, 1760–1799
Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
ca. 1785
16
Print made by James Fittler, 1758–1835
Warwick Castle
1780
17
Thomas Bowles III, ca. 1712–1767
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
18
Print made by John Couse, active 1753–1764
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
19
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of Venice
between 1780 and 1815
20
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
21
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
22
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
23
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
24
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
25
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
26
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
27
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
28
unknown artist
Views in the Levant: Four Men and Horse Beside Wooden House, Distance View of Harbour Town and Sea, England
ca. 1785
29
unknown artist
Views in the Levant: Cattle Grazing with Distant View of Houses and the Sea, St. Lawrence, Isle of Wight