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Collection
Prints and Drawings
38
Paintings and Sculpture
2
Creator
Cozens, John Robert, 1752–1797
14
Dayes, Edward, 1763–1804
5
Boydell, John, 1720–1804
2
Davis, Samuel, 1760–1819
2
Hodges, William, 1744–1797
2
Robertson, George, 1749–1788
2
Tremenheere, Henry Pendarves Capt., c.1763–1841
2
Barralet, John Melchior, active 1750–1787
1
Beaumont, George Howland, Sir, 1753–1827
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Carracci, Annibale, 1560–1609
1
Ellis, William, 1747–1810
1
Gore, Charles, 1729–1807
1
Green, Valentine, 1739–1813
1
Grose, Francis Capt., 1731–1791
1
Mason, James, 1710–1783
1
More, Jacob, 1740–1793
1
Morland, George, 1763–1804
1
Reynolds, Joshua, Sir, 1723–1792
1
Sandby, Paul, 1731–1809
1
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Date
1791
718
1834
338
1867
255
1836
201
1835
191
1826
188
1827
184
1800
168
1802
155
1830
146
1825
145
1820
133
1833
129
1764
123
1767
123
1793
113
1818
109
1775
107
1784
97
1816
95
1832
94
1772
91
1745
89
1803
88
1758
83
1814
82
1792
79
1837
78
1790
77
1799
74
1829
71
1811
69
1801
68
1828
68
1841
68
1795
67
1762
66
1808
65
1859
65
1821
64
1805
63
1819
62
1823
61
1847
60
1812
59
1850
58
1810
57
1813
57
1831
57
1789
54
1822
53
1838
52
1860
50
1783
49
1780
48
1786
48
1817
48
1776
47
1804
47
1824
46
1845
46
1815
45
1774
43
1785
42
1840
42
1857
42
1782
41
1807
41
1771
40
1778
[remove]
40
1777
39
1797
39
1809
39
1851
39
1755
38
1794
37
1839
37
1855
34
1787
33
1788
33
1796
33
1861
31
1864
31
1870
30
1842
29
1880
29
1844
28
1865
28
1748
27
1770
27
1746
26
1773
26
1846
26
1779
25
1854
25
1768
24
1806
24
1863
24
1900
23
1742
22
On-site Access
Accessible by appointment in the Study Room
38
Not on view
2
Image Use
Free to Use
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40
Image Available
Available
35
Unavailable
5
Classification
Drawings & Watercolors
33
Prints
5
Paintings
2
Creator Gender
male
40
Collective Title
Beaumont Album
13
Period
18th century
27
18th century-19th century
12
Materials & Techniques
graphite
27
laid paper
24
watercolor
15
wove paper
13
varnish
9
black ink
7
gray wash
5
gray ink
4
pen
4
brown ink
3
line engraving
3
canvas
2
etching (printing process)
2
gouache
2
oil paint
2
painting (technique)
2
red chalk
2
blue wash
1
brown wash
1
mezzotint
1
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Materials & Techniques
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88
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112
Work Type
drawing
33
watercolor
18
intaglio print
5
painting
2
Genre
landscape
[remove]
40
genre subject
10
architectural subject
5
cityscape
1
portrait
1
Subject Terms
landscape
31
trees
20
mountains
12
hills
11
rocks (landforms)
8
buildings
7
clouds
6
Grand Tour
5
architectural subject
5
genre subject
5
river
4
boats
3
dog (animal)
3
lake
3
men
3
plants
3
ruins
3
arches
2
bridge (built work)
2
cattle
2
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Subject Terms
»
Associated Places
Europe
19
Italy
14
United Kingdom
7
England
5
Terracina
3
Asia
2
France
2
Portici
2
Salerno
2
Aberconwy and Colwyn
1
Adyar
1
Aiguebelle
1
Alps
1
Ariccia
1
Arve
1
Bharat
1
Borromean Islands
1
Chamonix-Mont-Blanc
1
Charlton
1
Church of Santa Maria dell'Assunzione
1
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Associated Places
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Associated People
Montagu-Scott, Charles William Henry 4th Duke of Buccleuch and 6th Duke of Queensberry KT (1772—1819)
1
Exhibition History
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
12
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
2
Alexander and J. R. Cozens (Art Gallery of Ontario, 1987-01-30 - 1987-03-29)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Deluge (Yale Center for British Art, 2018-12-18 - 2019-03-24)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
From San Juan to Paris and Back : Francisco Oller, His Caribbean, and the Era of Impressionism (Museo de Arte de Puerto Rico, 2016-01-29 - 2016-04-24)
1
From San Juan to Paris and Back : Francisco Oller, His Caribbean, and the Era of Impressionism (The Blanton Museum of Art, 2015-06-14 - 2015-09-06)
1
From San Juan to Paris and Back : Francisco Oller, His Caribbean, and the Era of Impressionism (The Brooklyn Museum of Art, 2015-10-02 - 2016-01-03)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
William Hodges, RA (1744-1797) (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
36
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift of Elizabeth S. Robinson
1
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
1
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Date
1778
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landscape
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1
William Hodges, 1744–1797
The Marmalong Bridge
ca. 1783
Not on view
2
William Hodges, 1744–1797
Otley Bridge on the River Wharfe
ca. 1783
Not on view
3
Thomas Walmsley, 1763–1806
Composition: River Winding between High Rocks
undated
4
Jacob More, 1740–1793
A View at Terracina
1778
5
George Morland, 1763–1804
Peasants in a Grotto
undated
6
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ruins Outside Rome
ca. 1783
7
Charles Gore, 1729–1807
Chamonix, Mer de Glace
between 1778 and 1779
8
Paul Sandby, 1731–1809
View at Charlton, Kent
ca. 1783
9
Samuel Woodforde, 1763–1817
A Rocky Stream
undated
10
John Melchior Barralet, active 1750–1787
The Old Stables, Petworth
1778
11
circle of Edward Dayes, 1763–1804
Milkmaid and Dog in a Landscape
undated
12
Capt. Francis Grose, 1731–1791
Near Torrington, Devonshire
1778
13
Print made by William Woollett, 1735–1785
Solitude
1778
14
John Robert Cozens, 1752–1797
Isola Borromea, Lago Maggiore
ca. 1783
15
Print made by Thomas Vivares, c.1735–c.1790
A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
1778
16
Print made by James Mason, 1710–1783
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
1778
17
Edward Dayes, 1763–1804
Conway Castle, Caernarvonshire
undated
18
Samuel Davis, 1760–1819
From Rungpore [Rangpur]
ca. 1783
19
John Robert Cozens, 1752–1797
At Portici, Evening, August 9
ca. 1783
20
John Robert Cozens, 1752–1797
Near Aiguebelle
ca. 1783
21
Edward Dayes, 1763–1804
Cumberland Landscape
undated
22
John Robert Cozens, 1752–1797
Tivoli
1778
23
John Robert Cozens, 1752–1797
From Mirabella, the Villa of Count Algarotti on the Euganean Hills
ca. 1783
24
John Robert Cozens, 1752–1797
Near Raito on the Gulf of Salerno
ca. 1783
25
John Robert Cozens, 1752–1797
Vietri and Raito
ca. 1783
26
John Robert Cozens, 1752–1797
From the Inn at Terracina
ca. 1783
27
John Robert Cozens, 1752–1797
In the Tyrol
ca. 1783
28
Edward Dayes, 1763–1804
The Island of Hoy, the Orkneys
undated
29
Edward Dayes, 1763–1804
Coast Scene with Mouth of a River
undated
30
Samuel Davis, 1760–1819
Rock Formation Above a Village
undated
31
John Robert Cozens, 1752–1797
Monte Circeo from the Road between Terracina and Velletri
ca. 1783
32
John Robert Cozens, 1752–1797
Cypress in the Garden of the Franciscans at Salerno
ca. 1783
33
John Robert Cozens, 1752–1797
Ariccia
ca. 1783
34
John Robert Cozens, 1752–1797
On the Coast of Salerno
ca. 1783
35
John Robert Cozens, 1752–1797
At Portici
ca. 1783
36
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn from Penzance
undated
37
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn Town
undated
38
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Stanford, the Seat of Sir Edward Winnington, Baronet
undated
39
Print made by Valentine Green, 1739–1813
Charles William Henry Scott, Earl of Dalkeith
1778
40
John White Abbott, 1763–1851
Classical Composition
undated