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101. Angel Gesticulating

Angel Gesticulating
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. The Rape of Cephalus By Aurora

The Rape of Cephalus By Aurora
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Francis Vivares

Francis Vivares
Creator:
Francois Vivares, 1709–1780
Date:
1776
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 8 1/8 x 6 3/8in. (20.6 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Mrs. Sheridan

Mrs. Sheridan
Creator:
William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 19 3/4 x 14in. (50.2 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Shakespeare

Shakespeare
Creator:
Thomas Cook, 1744–1818
Date:
1776
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 10 1/2 x 8 1/8in. (26.7 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

115. N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton

N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/8 inches (19.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

116. The Blessed Effects of Venality

The Blessed Effects of Venality
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

117. An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross

An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

118. A View of the Prince's House at Kew

A View of the Prince's House at Kew
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 9/16 × 10 1/16 inches (19.2 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

119. Morning - River Scene with Figures near a Cottage

Morning - River Scene with Figures near a Cottage
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Night - River Landscape with a Ruined Abbey

Night - River Landscape with a Ruined Abbey
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper mounted to thick, cream card
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Day - Landscape with Rapids and Cattle

Day - Landscape with Rapids and Cattle
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream laid paper mounted to card
Dimensions:
Sheet: 10 3/8 × 15 1/8 inches (26.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Evening - Landscape with a Ruined Castle

Evening - Landscape with a Ruined Castle
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Caricature of Matthew Darly

Caricature of Matthew Darly
Creator:
Print made by Matthew Darly, active 1754–1778
Date:
1776
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 13/16 × 4 inches (12.3 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Edgar's Tower at Worcester

Edgar's Tower at Worcester
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Dudley Priory in Worcestershire, Plate 1

Dudley Priory in Worcestershire, Plate 1
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Edgar's Tower at Worcester

Edgar's Tower at Worcester
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Study of a Classical Female Figure

Study of a Classical Female Figure
Creator:
John Opie, 1761–1807
Date:
undated
Materials & Techniques:
Brown wash and graphite; verso: watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 9 1/4 inches (35.9 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert B. Simon

130. Standing Classical Female Figure

Standing Classical Female Figure
Creator:
John Opie, 1761–1807
Date:
undated
Materials & Techniques:
Black chalk, white chalk, and red chalk on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 18 1/8 x 9 1/8in. (46 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert B. Simon

131. Twelve Original Views in Italy

Twelve Original Views in Italy
Creator:
after Richard Wilson, ca. 1712–1782
Date:
1776
Materials & Techniques:
Twelve etchings in a bound volume on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Study of a Draped Classical Torso

Study of a Draped Classical Torso
Creator:
John Opie, 1761–1807
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 13 1/8 × 9 1/8 inches (33.3 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert B. Simon

133. Standing Classical Male Figure with Spear

Standing Classical Male Figure with Spear
Creator:
John Opie, 1761–1807
Date:
undated
Materials & Techniques:
Black and red chalk with touches of white chalk on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 18 x 11 1/2in. (45.7 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert B. Simon

134. Isola Madre, Lago Maggiore

Isola Madre, Lago Maggiore
Creator:
John Warwick Smith, 1749–1831
Date:
ca. 1781
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream laid paper, laid down on original mount
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Welch Bridge at Shrewsbury

The Welch Bridge at Shrewsbury
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1776
Materials & Techniques:
Etching and line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/16 inches (19.4 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

136. Edwinsford, the Seat of R. Banks Hodgkinson Esqr.

Edwinsford, the Seat of R. Banks Hodgkinson Esqr.
Creator:
Print made by William Watts, 1752–1851
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 9 7/8 inches (18.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

137. Portrait of a Divine Called Reverend John Wesley

Portrait of a Divine Called Reverend John Wesley
Creator:
John Downman, 1750–1824
Date:
ca. 1781
Materials & Techniques:
Black and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Mount: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. A View of Tivoli Looking Towards Rome

A View of Tivoli Looking Towards Rome
Creator:
John Warwick Smith, 1749–1831
Date:
ca. 1781
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Ferdinand and Ariel

Ferdinand and Ariel
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. The Apparition of the Armed Head: Macbeth

The Apparition of the Armed Head: Macbeth
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Lear and Cordelia

Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:
Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Antigonus Disposing of Perdita

Antigonus Disposing of Perdita
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:
Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Interlaken

Interlaken
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Falls of the Reichenbach

The Falls of the Reichenbach
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink with gray wash and green wash on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Upon the Aare between Unterseen and the Lake of Brientz

Upon the Aare between Unterseen and the Lake of Brientz
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Between Chamonix and Martigny

Between Chamonix and Martigny
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. The Lake of Geneva from the Canton of Berne

The Lake of Geneva from the Canton of Berne
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, gray wash, brown wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 14 inches (24.1 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Ophelia's Death

Ophelia's Death
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:
Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Lear and Cordelia

Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Kennington Common

Kennington Common
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1776
Materials & Techniques:
Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Agrippina

No cover image available
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 28 1/2 inches (54 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

153. Lydia

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 13 3/4 inches (31.8 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

154. Design for a Doorway

No cover image available
Creator:
John Yenn, 1750–1821
Date:
ca. 1781
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 20 7/8 × 15 inches (53 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Stallion and Mare

No cover image available
Creator:
George Townly Stubbs, 1748–1815
Date:
1776
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 18 3/4 x 22 3/4in. (47.6 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Marchioness of Wharton

No cover image available
Creator:
Richard Earlom, 1743–1822
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 11 3/8in. (40.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. View of Chinsura from the River

No cover image available
Creator:
William Hodges, 1744–1797
Date:
ca. 1781
Materials & Techniques:
Gray wash, pen and black/grey wash and graphite on laid paper, laid down on 19th century wash mount
Dimensions:
Sheet: 19 7/16 x 26 1/2in. (49.4 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Master Wynn in the Character of St. John

No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 17 13/16 inches (34.6 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

159. Lydia

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 15/16 × 13 1/8 inches (30.3 × 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

160. Design for a Doorway

No cover image available
Creator:
John Yenn, 1750–1821
Date:
ca. 1781
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 21 × 11 3/4 inches (53.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Roche Abbey, near Sandbeck

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. View near Sheffield

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Trinity Church, Sheffield

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. South View of the Manor near Sheffield

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. West View of Sheffield Manor

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. View of Heaton Mill, near Newcastle

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend

No cover image available
Creator:
Thomas Watson, 1743–1781
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/4 × 27 1/8 inches (56.5 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Miss Harriet Powell

No cover image available
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. The Entrance of Warwick Castle from the Lower Court

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1776
Materials & Techniques:
Aquatint, printed in brown ink
Dimensions:
Sheet: 12 5/8 x 17 3/4in. (32.1 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Warwick Castle from the Lodge Hill

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1776
Materials & Techniques:
Sepia
Dimensions:
Sheet: 11 3/4 x 17 3/4in. (29.8 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Erasistratus, the Physician, discovers the love of Antiochus for Sratonice

No cover image available
Creator:
Valentine Green, 1739–1813
Date:
1776
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Bacchus

No cover image available
Creator:
John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 17 3/4 inches (60.3 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. The Horse Race at Rome During the Carnival

No cover image available
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Temple of Peace

No cover image available
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Torre Delle Grotte near Naples

No cover image available
Creator:
Print made by William Hodges, 1744–1797
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Circus of Caracalla

No cover image available
Creator:
Print made by Edward Rooker, 1724–1774
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Baths of Dioclesian

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Temple of Romulus and Remus

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Banks of the Tiber

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Bridge of Augustus at Rimini

No cover image available
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. In the Strada Nomentana

No cover image available
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Castle of Ischia

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Pompey's Bridge at Terni

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Villa of Mæcenus at Tivoli

No cover image available
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. In the Villa Adriana

No cover image available
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Miss Shuttle-Cock / Ladies like Shuttlecocks are now array'd, The tail is Cork'd & feather'd is the Head.

No cover image available
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Landscape with Cattle

No cover image available
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 3 3/8 inches (24.1 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

188. Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.

Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.
Creator:
Hamilton, William, Sir, 1730–1803
Date:
MDCCLXXVI [1776]
Physical Description:
2 volumes : color illustrations (engravings), 1 color map (engraving) ; 47 cm (fol.)
Collection:
Rare Books and Manuscripts

189. An account of a newly invented beautiful green paint. Lasting in the open air, and daily improving by the winds, sunshine and rains. Prepared by Francis Armstrong ...

No cover image available
Creator:
Armstrong, Francis
Date:
1776
Physical Description:
2 p.., 31 p. 24 cm.
Collection:
Rare Books and Manuscripts

190. Traité des édifices, meubles, habits, machines et ustensils des chinois : gravé sur les originaux dessinés a la Chine / par M. Chambers, architecte anglois ; compris une description de leurs temples, maisons, jardins, &c.

No cover image available
Creator:
Chambers, William, Sir, 1723–1796
Date:
MDCCLXXVI [1776]
Physical Description:
30 p., XX leaves of plates : ill. ; 28 cm.
Collection:
Rare Books and Manuscripts

191. The American military pocket atlas : being an approved collection of correct maps, both general and particular, of the British colonies ; especially those which now are, or probably may be the theatre of war : taken principally from the actual surveys and judicious observations of Engineers de Brahm and Romans ; Cook, Jackson, and Collet ; Maj. Holland, and other officers, employed in His Majesty's fleets and armies.

No cover image available
Date:
[1776]
Physical Description:
1 atlas ([3], vi-viii, [2] pages, [6] folded leaves of plates) : maps ; 23 cm
Collection:
Rare Books and Manuscripts

192. An election ball : in poetical letters from Mr. Inkle, at Bath, to his wife at Glocester : with a poetical address to John Miller, Esq. at Batheaston villa / by the Author of the New Bath guide.

No cover image available
Creator:
Anstey, Christopher, 1724–1805
Date:
1776
Physical Description:
64 p. : ill. ; 24 cm.
Collection:
Rare Books and Manuscripts

193. Ugbrooke Park: a poem.

No cover image available
Creator:
Reeve, Joseph, 1733–1820
Date:
1776
Physical Description:
3 p.., [5]-29 p. 26 cm.
Collection:
Rare Books and Manuscripts

194. A topographical description of such parts of North America as are contained in the (annexed) map of the middle British colonies & in North America. / by T. Pownall, M.P. Late governor, &c. &c. of His Majesty's provinces of Massachusetts Bay and South Carolina, and lieutenant governor of New Jersey.

No cover image available
Creator:
Pownall, Thomas, 1722–1805
Date:
MDCCLXXVI. [1776]
Physical Description:
vi, 46, 16 p., [1] folded leaf of plates : map ; 44 cm (fol.)
Collection:
Rare Books and Manuscripts

195. Traité sur la cavalerie / par M. le Comte Drummond de Melfort, maréchal de camp ès armées du roi, & inspecteur-général des troupes-légeres.

No cover image available
Creator:
Drummond de Melfort, Louis, comte, 1726–1788
Date:
MDCCLXXVI [1776]
Physical Description:
xxij, [2], 505, [3] p., [1], 11 leaves of plates (9 double) : ill. ; 43 cm. + atlas (XXXII double leaves of plates; 65 cm.)
Collection:
Rare Books and Manuscripts

196. A practical essay on a cement and artificial stone : justly supposed to be that of the Greeks and Romans / lately rediscovered by Monsieur Loriot ... ; for the cheap, easy, expeditious and durable construction of all manner of buildings ; and the formation of all kinds of ornaments of architecture, even with the commonest and coarsest materials ; translated from the French ...

No cover image available
Creator:
Loriot, Antoine-Joseph, 1716–1782
Date:
1776
Physical Description:
48 p. ; 25 cm.
Collection:
Rare Books and Manuscripts

197. Die drey reiche der natur.

No cover image available
Creator:
Heppe, Johann Christoph, 1745–1806
Date:
1776-1780
Physical Description:
3 volumes : illustrations ; 23 cm
Collection:
Rare Books and Manuscripts

198. A key to civil architecture, or, The universal British builder : containing the principles and properties of building clearly demonstrated with illustrations and definitions, both theoretical and practical ... : to which is added a treatise of arithmetic ... / by Thomas Skaife.

No cover image available
Creator:
Skaife, Thomas
Date:
1776
Physical Description:
iv, [8]-387 p., [2] leaves of plates (some folded) : ill. ; 22 cm.
Collection:
Rare Books and Manuscripts

199. A description of nine historical prints, representing kings, queens, princes, &c, of the Tudor family. Selected, drawn, and engraved, from the original paintings, by George Vertue, late engraver to the Society of antiquaries of London.

No cover image available
Creator:
Vertue, George, 1684–1756
Date:
1776
Physical Description:
21 p. 9 double pl. (incl. ports.) 60 cm.
Collection:
Rare Books and Manuscripts

200. Journal dédié a Monsieur frere du roi : table generale des journaux anciens et modernes, contenant les jugemens des jounalistes sur les principaux ouvrages en tout genre : suivie d'observations impartiales, & de planches en taille-douce ou en colour : par un société de gens de lettres.

No cover image available
Physical Description:
v. ; 18 cm
Collection:
Rare Books and Manuscripts