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Date 1776

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101. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Twelve Original Views in Italy

Twelve Original Views in Italy
Creator:
after Richard Wilson, ca. 1712–1782
Date:
1776
Materials & Techniques:
Twelve etchings in a bound volume on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Standing Classical Male Figure with Spear

Standing Classical Male Figure with Spear
Creator:
John Opie, 1761–1807
Date:
undated
Materials & Techniques:
Black and red chalk with touches of white chalk on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 18 x 11 1/2in. (45.7 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert B. Simon

105. Cassandra, "Troilus and Cressida", Act II, Scene IV

Cassandra, "Troilus and Cressida", Act II, Scene IV
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1776
Materials & Techniques:
Engraving, oval image
Dimensions:
Sheet: 13 1/2 x 11 1/4in. (34.3 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

106. Mrs. Morris

Mrs. Morris
Creator:
John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 11 7/8 inches (40.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. The Right Reverent Thomas Newton, D.D.

The Right Reverent Thomas Newton, D.D.
Creator:
James Watson, 1740–1790
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 5/16 × 14 1/16 inches (46.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Lady Charles Spencer

Lady Charles Spencer
Creator:
William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 11/16 × 14 3/8 inches (50 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Miss Harriet Powell

Miss Harriet Powell
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 8 3/4 inches (28.6 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

110. Sal Dab giving Monsieur a Receipt in Full

Sal Dab giving Monsieur a Receipt in Full
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

111. James Harris

James Harris
Creator:
Print made by James Basire, 1730–1802
Date:
after 1776
Materials & Techniques:
Etching and line engraving on medium, moderately textured, cream wove paper, laid in mount
Dimensions:
Sheet: 6 7/16 × 4 1/8 inches (16.4 × 10.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

112. Mr. Sheridan in the Character of Oedipus

Mr. Sheridan in the Character of Oedipus
Creator:
Print made by Burnet Reading, 1749/50–1838
Date:
1776
Materials & Techniques:
Etching, engraving, and stipple
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

113. Lady Preparing for Evening at a Ball

Lady Preparing for Evening at a Ball
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Engraving in brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

114. Bell's British Theatre Comedies

Bell's British Theatre Comedies
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

115. Virgin and Child

Virgin and Child
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1776
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 12 1/2 inches (44.1 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

116. Night Watchman

Night Watchman
Creator:
Print made by John Bogle, 1746–1804
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

117. Mrs. Montagu

Mrs. Montagu
Creator:
John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 20 1/2 × 14 5/8 inches (52.1 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Edwin

Edwin
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 9 3/16 inches (30.1 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

119. Burchell Reading the Ballad

Burchell Reading the Ballad
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/8 x 10 1/16 inches (36.5 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

120. Emma, or the Child of Sorrow

Emma, or the Child of Sorrow
Creator:
Print made by Valentine Green, 1739–1813
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 9 9/16 inches (31.5 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

121. Angel Gesticulating

Angel Gesticulating
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Baroness Howe's Villa & Pope's Grotto

Baroness Howe's Villa & Pope's Grotto
Creator:
James C. Allen, active 1821–1831
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Lady Gertrude, Marchioness Of Halifax

Lady Gertrude, Marchioness Of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."

Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1776
Materials & Techniques:
Etching
Dimensions:
Sheet: 15 5/16 x 12 1/4in. (38.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Mrs. Montagu

Mrs. Montagu
Creator:
John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. St. Caecilia (Miss Lindley)

St. Caecilia (Miss Lindley)
Creator:
William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. The Seat of St. Thomas Wilson, Bart., at Charlton in Kent

The Seat of St. Thomas Wilson, Bart., at Charlton in Kent
Creator:
William Watts, 1752–1851
Date:
1776
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Major Robert Rogers, Commander in Chief of the Indians in the Back Settlements of America

Major Robert Rogers, Commander in Chief of the Indians in the Back Settlements of America
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

129. The Rape of Cephalus By Aurora

The Rape of Cephalus By Aurora
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Mrs. Sheridan

Mrs. Sheridan
Creator:
William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 19 3/4 x 14in. (50.2 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. The Blessed Effects of Venality

The Blessed Effects of Venality
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

132. A View of Tivoli Looking Towards Rome

A View of Tivoli Looking Towards Rome
Creator:
John Warwick Smith, 1749–1831
Date:
ca. 1781
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross

An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

134. Upon the Aare between Unterseen and the Lake of Brientz

Upon the Aare between Unterseen and the Lake of Brientz
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Lake of Geneva from the Canton of Berne

The Lake of Geneva from the Canton of Berne
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, gray wash, brown wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 14 inches (24.1 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Between Chamonix and Martigny

Between Chamonix and Martigny
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Portrait of a Divine Called Reverend John Wesley

Portrait of a Divine Called Reverend John Wesley
Creator:
John Downman, 1750–1824
Date:
ca. 1781
Materials & Techniques:
Black and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Mount: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. The Falls of the Reichenbach

The Falls of the Reichenbach
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink with gray wash and green wash on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Interlaken

Interlaken
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. The Welch Bridge at Shrewsbury

The Welch Bridge at Shrewsbury
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1776
Materials & Techniques:
Etching and line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/16 inches (19.4 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

141. A View of the Prince's House at Kew

A View of the Prince's House at Kew
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 9/16 × 10 1/16 inches (19.2 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

142. N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton

N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/8 inches (19.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

143. Edwinsford, the Seat of R. Banks Hodgkinson Esqr.

Edwinsford, the Seat of R. Banks Hodgkinson Esqr.
Creator:
Print made by William Watts, 1752–1851
Date:
1776
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 9 7/8 inches (18.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

144. The Apparition of the Armed Head: Macbeth

The Apparition of the Armed Head: Macbeth
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Lear and Cordelia

Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Kennington Common

Kennington Common
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1776
Materials & Techniques:
Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Lear and Cordelia

Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:
Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Ferdinand and Ariel

Ferdinand and Ariel
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Ophelia's Death

Ophelia's Death
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:
Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Antigonus Disposing of Perdita

Antigonus Disposing of Perdita
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:
Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Master Wynn in the Character of St. John

No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 17 13/16 inches (34.6 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

153. Stallion and Mare

No cover image available
Creator:
George Townly Stubbs, 1748–1815
Date:
1776
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 18 3/4 x 22 3/4in. (47.6 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. View of Chinsura from the River

No cover image available
Creator:
William Hodges, 1744–1797
Date:
ca. 1781
Materials & Techniques:
Gray wash, pen and black/grey wash and graphite on laid paper, laid down on 19th century wash mount
Dimensions:
Sheet: 19 7/16 x 26 1/2in. (49.4 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Design for a Doorway

No cover image available
Creator:
John Yenn, 1750–1821
Date:
ca. 1781
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 21 × 11 3/4 inches (53.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Design for a Doorway

No cover image available
Creator:
John Yenn, 1750–1821
Date:
ca. 1781
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 20 7/8 × 15 inches (53 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Roche Abbey, near Sandbeck

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. View near Sheffield

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. South View of the Manor near Sheffield

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. View of Heaton Mill, near Newcastle

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. West View of Sheffield Manor

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Trinity Church, Sheffield

No cover image available
Creator:
Thomas Beilby, 1747–1826
Date:
1776
Materials & Techniques:
Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Bacchus

No cover image available
Creator:
John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 17 3/4 inches (60.3 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Agrippina

No cover image available
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 28 1/2 inches (54 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

165. Lydia

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 13 3/4 inches (31.8 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

166. Warwick Castle from the Lodge Hill

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1776
Materials & Techniques:
Sepia
Dimensions:
Sheet: 11 3/4 x 17 3/4in. (29.8 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. The Horse Race at Rome During the Carnival

No cover image available
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Erasistratus, the Physician, discovers the love of Antiochus for Sratonice

No cover image available
Creator:
Valentine Green, 1739–1813
Date:
1776
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend

No cover image available
Creator:
Thomas Watson, 1743–1781
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/4 × 27 1/8 inches (56.5 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Miss Shuttle-Cock / Ladies like Shuttlecocks are now array'd, The tail is Cork'd & feather'd is the Head.

No cover image available
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Landscape with Cattle

No cover image available
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 3 3/8 inches (24.1 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

172. Miss Harriet Powell

No cover image available
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Marchioness of Wharton

No cover image available
Creator:
Richard Earlom, 1743–1822
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 11 3/8in. (40.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Lydia

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 15/16 × 13 1/8 inches (30.3 × 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

175. The Entrance of Warwick Castle from the Lower Court

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1776
Materials & Techniques:
Aquatint, printed in brown ink
Dimensions:
Sheet: 12 5/8 x 17 3/4in. (32.1 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Circus of Caracalla

No cover image available
Creator:
Print made by Edward Rooker, 1724–1774
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Torre Delle Grotte near Naples

No cover image available
Creator:
Print made by William Hodges, 1744–1797
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Baths of Dioclesian

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. In the Strada Nomentana

No cover image available
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Temple of Romulus and Remus

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Castle of Ischia

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Bridge of Augustus at Rimini

No cover image available
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Banks of the Tiber

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Pompey's Bridge at Terni

No cover image available
Creator:
Print made by James Gandon, 1742–1823
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Villa of Mæcenus at Tivoli

No cover image available
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. In the Villa Adriana

No cover image available
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Temple of Peace

No cover image available
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1776
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Spine: 10 inches (25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.

Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.
Creator:
Hamilton, William, Sir, 1730–1803
Date:
MDCCLXXVI [1776]
Physical Description:
2 volumes : color illustrations (engravings), 1 color map (engraving) ; 47 cm (fol.)
Collection:
Rare Books and Manuscripts

189. A new treatise on the method of breeding, breaking, and training, horses / by William Ward ...

No cover image available
Creator:
Ward, William, active 1776
Date:
1776
Physical Description:
xvi, 200 p. : 4 fold. pl. (incl. front.) ; 23 cm.
Collection:
Rare Books and Manuscripts

190. De anima brutorum commentaria.

No cover image available
Creator:
Soldini, Francesco Maria
Date:
anno MDCCLXXVI [1776]
Physical Description:
[10], 256 p., [8] leaves of plates : ill. ; 22 cm.
Collection:
Rare Books and Manuscripts

191. Taylor & Skinner's Survey and maps of the roads of North Britain or Scotland / George Taylor, Andrew Skinner.

No cover image available
Creator:
Taylor, George (Geographer), active 1778
Date:
1776
Physical Description:
1 atlas ([3], 61 p., 1 folded leaf of plates) : 62 maps ; 22 x 53 cm. folded to 22 x 15 cm.
Collection:
Rare Books and Manuscripts

192. An abstract of the act of Parliament made in the fourteenth year of the reign of His present Majesty, King George III. intitled, An act for the further and better regulation of buildings and party-walls, and for the more effectually preventing mischief by fire, within the cities of London and Westminster ... Calculated for the use of builders, and workmen in general.

No cover image available
Creator:
Matthews, John, 1748–
Date:
1776
Physical Description:
viii, 76, [12] p. 3 fold. plates. 20 cm.
Collection:
Rare Books and Manuscripts

193. A new display of the beauties of England, or, A description of the most elegant or magnificent public edifices, royal palaces, noblemen's and gentlemen's seats, and other curiosities, natural or artificial, in different parts of the kingdom.

No cover image available
Date:
1776
Physical Description:
2 v. : ill. ; 22 cm. (8vo)
Collection:
Rare Books and Manuscripts

194. [Selections from A new book of landskips].

No cover image available
Date:
[1776]
Physical Description:
[16] leaves, [9] leaves of plates : chiefly ill. ; 23 cm.
Collection:
Rare Books and Manuscripts

195. Catalogue d'une belle collection de tableaux originaux des bons maitres des trois écoles : figures, bustes de marbre & de bronze, d'ancienne porcelaine de la Chine & du Japon : lacques, pierres gravées & autres, médailles, estampes & objets curieux, qui composent le cabinet de feu M. le Duc de S. Aignan : dont la vent se fera le lundi 17 juin 1776, en son Hôtel rue Saint Avoye : par J.B.P. Lebrun.

No cover image available
Creator:
Le Brun, Jean-Baptiste-Pierre, 1748–1813
Date:
MDCCLXXVI [1776]
Physical Description:
50 pages ; 20 cm
Collection:
Rare Books and Manuscripts

196. An essay on architecture.

No cover image available
Creator:
Lowth, Thomas Henry, 1753 or 4–1778
Date:
1776]
Physical Description:
1 p.., 21 p. 28 cm.
Collection:
Rare Books and Manuscripts

197. A book of ceilings : composed in the style of the antique grotesque / designed and etched by George Richardson, architect = Livre de plat-fonds : composés d'après les grotesques antiques / dessinés et gravés par George Richardson, architecte.

No cover image available
Creator:
Richardson, George, ca.1738–ca.1813
Date:
MDCCLXXXI [1776]
Physical Description:
[2], ii, ii, 11, [5] pages, [50] leaves of plates : chiefly illustrations ; 57 cm
Collection:
Rare Books and Manuscripts

198. Anne Rushout commonplace book.

No cover image available
Creator:
Rushout, Anne, approximately 1768–1849
Date:
circa 1776-circa 1832
Physical Description:
1 v. (270 p.) : ill. ; 21 cm.
Collection:
Rare Books and Manuscripts

199. A new and accurate description of all the direct and principal cross roads in Great Britain ... : the whole executed on a plan entirely new, and far preferable to that of any work of the kind extant / by Daniel Paterson, assistant to the quarter-master-general of His Majesty’s forces.

No cover image available
Creator:
Paterson, Daniel, 1738–1825
Date:
MDCCLXXVI [1776]
Physical Description:
viii, xxiii, [1] pages, 238 columns, [1] page, [1] folded leaf of plates : 1 map ; 18 cm (12mo)
Collection:
Rare Books and Manuscripts

200. Bond of Indemnity ... : manuscript.

No cover image available
Date:
1776
Physical Description:
1 item ; 33 x 20 cm
Collection:
Rare Books and Manuscripts