Date: 1776 - YCBA Collections Search Search Results

101. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Caricature of Matthew Darly

Creator:: Print made by Matthew Darly, active 1754–1778
Date:: 1776
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 13/16 × 4 inches (12.3 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Garrick as Abel Drugger in "The Alchemist"

Creator:: Print finished by John Dixon, ca. 1740–1811
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 12 1/4 inches (42.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Strensham, the ancient Seat of the Russells

Creator:: William Watts, 1752–1851
Date:: 1776
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Ticket for the Masked Ball at Ranelagh

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1776
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III.

Creator:: Valentine Green, 1739–1813
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 23 1/4 inches (47.9 x 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Shakespeare

Creator:: Thomas Cook, 1744–1818
Date:: 1776
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 10 1/2 x 8 1/8in. (26.7 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

108. Night - River Landscape with a Ruined Abbey

Creator:: John Laporte, 1761–1839
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper mounted to thick, cream card
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Day - Landscape with Rapids and Cattle

Creator:: John Laporte, 1761–1839
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream laid paper mounted to card
Dimensions:: Sheet: 10 3/8 × 15 1/8 inches (26.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Morning - River Scene with Figures near a Cottage

Creator:: John Laporte, 1761–1839
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Evening - Landscape with a Ruined Castle

Creator:: John Laporte, 1761–1839
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Dudley Priory in Worcestershire, Plate 2

Creator:: M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 5/8 x 9 1/4 inches (19.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Dudley Priory in Worcestershire, Plate 1

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Lady Gertrude, Marchioness of Halifax

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1776
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Lady Gertrude, Marchioness of Halifax

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1776
Materials & Techniques:: Line engraving and stipple engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Kennington Common

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1776
Materials & Techniques:: Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. The Blessed Effects of Venality

Creator:: Print made by unknown artist
Date:: 1776
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

127. An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross

Creator:: Print made by unknown artist
Date:: 1776
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

128. Portrait of a Divine Called Reverend John Wesley

Creator:: John Downman, 1750–1824
Date:: ca. 1781
Materials & Techniques:: Black and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Mount: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Ophelia's Death

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:: Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. The Apparition of the Armed Head: Macbeth

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Ferdinand and Ariel

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:: Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. A View of Tivoli Looking Towards Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. The Welch Bridge at Shrewsbury

Creator:: Print made by Benjamin Green, ca. 1736–ca. 1800
Date:: 1776
Materials & Techniques:: Etching and line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 10 1/16 inches (19.4 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

138. Edwinsford, the Seat of R. Banks Hodgkinson Esqr.

Creator:: Print made by William Watts, 1752–1851
Date:: 1776
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 9 7/8 inches (18.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

139. A View of the Prince's House at Kew

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 9/16 × 10 1/16 inches (19.2 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

140. N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 10 1/8 inches (19.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

141. Isola Madre, Lago Maggiore

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper, laid down on original mount
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor

Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1776
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 13/16 x 13 1/2in. (24.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Standing Classical Female Figure

Creator:: John Opie, 1761–1807
Date:: undated
Materials & Techniques:: Black chalk, white chalk, and red chalk on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 18 1/8 x 9 1/8in. (46 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert B. Simon

144. Twelve Original Views in Italy

Creator:: after Richard Wilson, ca. 1712–1782
Date:: 1776
Materials & Techniques:: Twelve etchings in a bound volume on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Study of a Classical Female Figure

Creator:: John Opie, 1761–1807
Date:: undated
Materials & Techniques:: Brown wash and graphite; verso: watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 9 1/4 inches (35.9 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert B. Simon

146. Study of a Draped Classical Torso

Creator:: John Opie, 1761–1807
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 13 1/8 × 9 1/8 inches (33.3 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert B. Simon

147. Standing Classical Male Figure with Spear

Creator:: John Opie, 1761–1807
Date:: undated
Materials & Techniques:: Black and red chalk with touches of white chalk on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 18 x 11 1/2in. (45.7 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert B. Simon

148. Interlaken

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Upon the Aare between Unterseen and the Lake of Brientz

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Between Chamonix and Martigny

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. The Falls of the Reichenbach

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Pen and black ink with gray wash and green wash on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. The Lake of Geneva from the Canton of Berne

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, gray wash, brown wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 14 inches (24.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Lydia

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 15/16 × 13 1/8 inches (30.3 × 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

154. Lydia

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 13 3/4 inches (31.8 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

155. Marchioness of Wharton

Creator:: Richard Earlom, 1743–1822
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 11 3/8in. (40.3 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Miss Harriet Powell

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. South View of the Manor near Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. West View of Sheffield Manor

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Trinity Church, Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Agrippina

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 28 1/2 inches (54 × 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

161. Stallion and Mare

Creator:: George Townly Stubbs, 1748–1815
Date:: 1776
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 3/4 x 22 3/4in. (47.6 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Master Wynn in the Character of St. John

Creator:: Print made by John Dean, 1754–1798
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 17 13/16 inches (34.6 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

163. Bacchus

Creator:: John Raphael Smith, 1752–1812
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 3/4 × 17 3/4 inches (60.3 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend

Creator:: Thomas Watson, 1743–1781
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/4 × 27 1/8 inches (56.5 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. The Horse Race at Rome During the Carnival

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Design for a Doorway

Creator:: John Yenn, 1750–1821
Date:: ca. 1781
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 20 7/8 × 15 inches (53 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Design for a Doorway

Creator:: John Yenn, 1750–1821
Date:: ca. 1781
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 21 × 11 3/4 inches (53.3 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Roche Abbey, near Sandbeck

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. View near Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. View of Heaton Mill, near Newcastle

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. View of Chinsura from the River

Creator:: William Hodges, 1744–1797
Date:: ca. 1781
Materials & Techniques:: Gray wash, pen and black/grey wash and graphite on laid paper, laid down on 19th century wash mount
Dimensions:: Sheet: 19 7/16 x 26 1/2in. (49.4 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. The Entrance of Warwick Castle from the Lower Court

Creator:: Paul Sandby, 1731–1809
Date:: 1776
Materials & Techniques:: Aquatint, printed in brown ink
Dimensions:: Sheet: 12 5/8 x 17 3/4in. (32.1 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Warwick Castle from the Lodge Hill

Creator:: Paul Sandby, 1731–1809
Date:: 1776
Materials & Techniques:: Sepia
Dimensions:: Sheet: 11 3/4 x 17 3/4in. (29.8 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Landscape with Cattle

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 3 3/8 inches (24.1 x 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

175. Erasistratus, the Physician, discovers the love of Antiochus for Sratonice

Creator:: Valentine Green, 1739–1813
Date:: 1776
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Miss Shuttle-Cock / Ladies like Shuttlecocks are now array'd, The tail is Cork'd & feather'd is the Head.

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Temple of Peace

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Circus of Caracalla

Creator:: Print made by Edward Rooker, 1724–1774
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Baths of Dioclesian

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Torre Delle Grotte near Naples

Creator:: Print made by William Hodges, 1744–1797
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Banks of the Tiber

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Temple of Romulus and Remus

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Bridge of Augustus at Rimini

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Pompey's Bridge at Terni

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. In the Villa Adriana

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. In the Strada Nomentana

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Castle of Ischia

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Villa of Mæcenus at Tivoli

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.

Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.

Creator:: Hamilton, William, Sir, 1730–1803
Date:: MDCCLXXVI [1776]
Physical Description:: 2 volumes : color illustrations (engravings), 1 color map (engraving) ; 47 cm (fol.)
Collection:: Rare Books and Manuscripts
Credit Line:: 22711747070008651|Yale Center for British Art, Paul Mellon Collection

190. New idylles, by Gessner. Tr. by W. Hooper, M.D. With a letter to M. Fuslin, on landscape painting, and the Two friend of Bourbon, a moral tale, by M. Diderot.

Creator:: Gessner, Salomon, 1730–1788
Date:: 1776
Physical Description:: 3 p. ., 129 p. plates. 30 cm.
Collection:: Rare Books and Manuscripts

191. The school of wisdom; or repository of the most valuable curiosities of art & nature ... Compiled from various authors.

Date:: 1776
Physical Description:: xii, 324 p. 18 cm.
Collection:: Rare Books and Manuscripts

192. An inquiry into the nature and causes of the wealth of nations / by Adam Smith, LL. D. and F.R.S., formerly professor of moral philosophy in the University of Glasgow ; in two volumes.

Creator:: Smith, Adam, 1723–1790
Date:: MDCCLXXVI [1776]
Physical Description:: 2 volumes ; 29 cm (4to)
Collection:: Rare Books and Manuscripts
Credit Line:: 22679713940008651|Yale Center for British Art, Paul Mellon Collection

193. Le antiche camere delle terme di Tito e le loro pitture restituite al pubblico da Ludovico Mirri Romano, delineate, incise, dipinte, col prospetto, pianta inferiore e superiore e loro spaccati, descritte dall' abate Giuseppe Carletti Romano ...

Creator:: Carletti, Giuseppe
Date:: 1776
Physical Description:: xcvi, [4] p. 32 cm. & atlas of 61 plates (8 fold.) 65 x 77 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: 22677387930008651|Yale Center for British Art, Paul Mellon Collection

194. A key to civil architecture, or, The universal British builder : containing the principles and properties of building clearly demonstrated with illustrations and definitions, both theoretical and practical ... : to which is added a treatise of arithmetic ... / by Thomas Skaife.

Creator:: Skaife, Thomas
Date:: 1776
Physical Description:: iv, [8]-387 p., [2] leaves of plates (some folded) : ill. ; 22 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: 22605954350008651|Yale Center for British Art, Paul Mellon Collection

195. Catalogue d'une belle collection de tableaux originaux des bons maitres des trois écoles : figures, bustes de marbre & de bronze, d'ancienne porcelaine de la Chine & du Japon : lacques, pierres gravées & autres, médailles, estampes & objets curieux, qui composent le cabinet de feu M. le Duc de S. Aignan : dont la vent se fera le lundi 17 juin 1776, en son Hôtel rue Saint Avoye : par J.B.P. Lebrun.

Creator:: Le Brun, Jean-Baptiste-Pierre, 1748–1813
Date:: MDCCLXXVI [1776]
Physical Description:: 50 pages ; 20 cm
Collection:: Rare Books and Manuscripts
Credit Line:: 22709619840008651|Yale Center for British Art, Paul Mellon Collection

196. An election ball : in poetical letters from Mr. Inkle, at Bath, to his wife at Glocester : with a poetical address to John Miller, Esq. at Batheaston villa / by the Author of the New Bath guide.

Creator:: Anstey, Christopher, 1724–1805
Date:: 1776
Physical Description:: 64 p. : ill. ; 24 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: 22641080080008651|Yale Center for British Art, Paul Mellon Fund

197. Darly's comic-prints of characters, caricatures, macaronies, &c. ...

Date:: Jany. 1, 1776, according to act of Parlt. (39 Strand)
Physical Description:: [240] prints : etchings ; 46 cm
Collection:: Rare Books and Manuscripts

198. The American military pocket atlas : being an approved collection of correct maps, both general and particular, of the British colonies ; especially those which now are, or probably may be the theatre of war : taken principally from the actual surveys and judicious observations of Engineers de Brahm and Romans ; Cook, Jackson, and Collet ; Maj. Holland, and other officers, employed in His Majesty's fleets and armies.

Date:: [1776]
Physical Description:: 1 atlas ([3], vi-viii, [2] pages, [6] folded leaves of plates) : maps ; 23 cm
Collection:: Rare Books and Manuscripts
Credit Line:: 22730452180008651|Yale Center for British Art, Paul Mellon Collection

199. Ugbrooke Park: a poem.

Creator:: Reeve, Joseph, 1733–1820
Date:: 1776
Physical Description:: 3 p.., [5]-29 p. 26 cm.
Collection:: Rare Books and Manuscripts

200. A book of ceilings : composed in the style of the antique grotesque / designed and etched by George Richardson, architect = Livre de plat-fonds : composés d'après les grotesques antiques / dessinés et gravés par George Richardson, architecte.

Creator:: Richardson, George, ca.1738–ca.1813
Date:: MDCCLXXXI [1776]
Physical Description:: [2], ii, ii, 11, [5] pages, [50] leaves of plates : chiefly illustrations ; 57 cm
Collection:: Rare Books and Manuscripts
Credit Line:: 22640643950008651|Yale Center for British Art, Paul Mellon Collection

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Date 1776

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101. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

102. Caricature of Matthew Darly

103. Garrick as Abel Drugger in "The Alchemist"

104. Strensham, the ancient Seat of the Russells

105. Ticket for the Masked Ball at Ranelagh

106. Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III.

107. Shakespeare

108. Night - River Landscape with a Ruined Abbey

109. Day - Landscape with Rapids and Cattle

110. Morning - River Scene with Figures near a Cottage

111. Evening - Landscape with a Ruined Castle

112. Edgar's Tower at Worcester

113. Dudley Priory in Worcestershire, Plate 2

114. Edgar's Tower at Worcester

115. Dudley Priory in Worcestershire, Plate 1

116. Dudley Priory in Worcestershire, Plate 2

117. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

118. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

119. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

120. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

121. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

122. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

123. Lady Gertrude, Marchioness of Halifax

124. Lady Gertrude, Marchioness of Halifax

125. Kennington Common

126. The Blessed Effects of Venality

127. An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross

128. Portrait of a Divine Called Reverend John Wesley

129. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

130. Ophelia's Death

131. The Apparition of the Armed Head: Macbeth

132. Ferdinand and Ariel

133. Lear and Cordelia

134. Antigonus Disposing of Perdita

135. Lear and Cordelia

136. A View of Tivoli Looking Towards Rome

137. The Welch Bridge at Shrewsbury

138. Edwinsford, the Seat of R. Banks Hodgkinson Esqr.

139. A View of the Prince's House at Kew

140. N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton

141. Isola Madre, Lago Maggiore

142. Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor

143. Standing Classical Female Figure

144. Twelve Original Views in Italy

145. Study of a Classical Female Figure

146. Study of a Draped Classical Torso

147. Standing Classical Male Figure with Spear

148. Interlaken

149. Upon the Aare between Unterseen and the Lake of Brientz

150. Between Chamonix and Martigny

151. The Falls of the Reichenbach

152. The Lake of Geneva from the Canton of Berne

153. Lydia

154. Lydia

155. Marchioness of Wharton

156. Miss Harriet Powell

157. South View of the Manor near Sheffield

158. West View of Sheffield Manor

159. Trinity Church, Sheffield

160. Agrippina

161. Stallion and Mare

162. Master Wynn in the Character of St. John

163. Bacchus

164. The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend

165. The Horse Race at Rome During the Carnival

166. Design for a Doorway

167. Design for a Doorway

168. Roche Abbey, near Sandbeck

169. View near Sheffield

170. View of Heaton Mill, near Newcastle

171. View of Chinsura from the River

172. The Entrance of Warwick Castle from the Lower Court

173. Warwick Castle from the Lodge Hill

174. Landscape with Cattle

175. Erasistratus, the Physician, discovers the love of Antiochus for Sratonice