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Collection
Prints and Drawings
78
Paintings and Sculpture
12
Creator
Burney, Edward Francis, 1760–1848
27
Cozens, Alexander, 1717–1786
7
Cozens, John Robert, 1752–1797
7
Green, William, 1760–1823
7
Brunias, Agostino, 1728–1796
6
Sandby, Paul, 1731–1809
6
Gainsborough, Thomas, 1727–1788
4
Harcourt, Mary, 1749 or 1750–1833
4
Unknown artist
4
Boydell, John, 1720–1804
3
Payne, William, active 1850s
3
Rooker, Michael "Angelo", 1746–1801
3
Earlom, Richard, 1743–1822
2
Farington, Joseph, 1747–1821
2
Kearsley, George, 1758–1813
2
Lorrain, Claude, 1600–1682
2
Ashford, William, approximately 1746–1824
1
Browne, John, 1741–1801
1
Chatelain, Jean Baptist Claude, 1710–1771
1
Cooper, Richard the Elder, 1701–1764
1
more
Creator
»
Date
1791
689
1867
237
1800
191
1814
131
1767
121
1764
116
1784
94
1775
[remove]
90
1745
86
1790
84
1772
81
1820
80
1793
76
1799
71
1835
63
1850
62
1762
60
1805
57
1841
57
1795
55
1836
55
1786
53
1792
53
1808
51
1830
50
1860
50
1810
49
1825
48
1780
47
1857
45
1783
44
1774
43
1785
43
1827
42
1840
42
1776
41
1782
41
1818
41
1859
40
1771
39
1815
37
1778
36
1789
36
1797
36
1833
36
1755
35
1794
34
1813
34
1817
34
1834
34
1802
32
1812
32
1740
31
1864
31
1749
30
1807
30
1796
29
1821
29
1829
29
1787
28
1861
28
1809
27
1811
27
1826
27
1770
26
1773
26
1816
26
1822
26
1855
26
1804
25
1819
25
1925
25
1788
24
1847
24
1863
24
1746
23
1801
23
1803
23
1831
23
1832
23
1837
23
1842
23
1865
23
1759
22
1768
22
1824
22
1870
22
1880
22
1748
21
1798
21
1845
20
1866
20
1739
19
1838
19
2000
19
1700
18
1765
18
1779
18
1828
18
1854
18
On-site Access
Accessible by appointment in the Study Room
78
Not on view
12
Image Use
Free to Use
89
Under Certain Circumstances
1
Image Available
Available
88
Unavailable
2
Classification
Drawings & Watercolors
65
Paintings
12
Prints
10
Drawing & Watercolors-Architectural
3
Creator Gender
male
88
female
4
unknown
4
Collective Title
Beaumont Album
7
Liber Veritatis
2
Iconographie Anglaise par Reynolds et Autres
1
The Houghton Gallery
1
Period
18th century
51
18th century-19th century
37
Materials & Techniques
laid paper
49
watercolor
40
graphite
35
black ink
29
wove paper
25
pens
21
brown ink
15
gray wash
15
pen
15
painting (technique)
12
canvas
11
oil paint
11
brown wash
10
gray ink
10
etching (printing process)
6
ground (material)
6
black chalk
4
line engraving
4
varnish
4
white chalk
4
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
95
Unknown
1
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
13
to
158
Unknown
1
Work Type
drawing
68
watercolor
52
painting
12
intaglio print
9
Genre
landscape
74
genre subject
19
architectural subject
11
cityscape
5
animal art
2
marine art
2
portrait
2
religious and mythological subject
2
sporting art
2
literary theme
1
Subject Terms
landscape
[remove]
90
trees
56
river
25
mountains
19
genre subject
16
hills
15
men
14
women
14
bridge (built work)
12
architectural subject
11
valley (landform)
11
Grand Tour
9
clouds
9
costume
8
horses (animals)
8
cliffs
7
rocks (landforms)
7
boats
6
buildings
6
castle
6
more
Subject Terms
»
Associated Places
Europe
22
United Kingdom
16
England
13
Italy
5
West Indies
5
Devon
2
East Sussex
2
Florence
2
France
2
Greater London
2
Rhône
2
Surrey
2
Switzerland
2
Arno
1
Avenches
1
Bath
1
Bellosguardo
1
Brighton
1
Caribbean
1
Castel Gandolfo
1
more
Associated Places
»
Associated People
Apollo
1
Ariel (character in The Tempest)
1
Elliot, Ann (1743–1769), courtesan and actress
1
Marsyas
1
Miranda (character in The Tempest)
1
Prospero (character in The Tempest)
1
Robinson, Richard (1708–1794), Bishop
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
13
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Caribbean - Crossroads of the World (El Museo del Barrio, 2012-06-12 - 2013-01-06)
2
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (National Gallery of Scotland, 2009-11-07 - 2010-02-07)
2
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Nottingham Castle Museum and Art Gallery, 2009-07-25 - 2009-10-18)
2
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Royal Academy of Arts, 2010-03-13 - 2010-06-13)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
Prospects of Empire : Slavery and Ecology in Eighteenth-century Atlantic Britain (The Lewis Walpole Library, 2014-11-17 - 2015-05-01)
2
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
' Art on the Line ' : the Royal Academy Exhibitions at Somerset House 1780-1836 (The Courtauld Gallery, 2001-10-17 - 2002-01-20)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
54
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
19
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
7
Yale Center for British Art, Gift of James Wilson, YCBA Docent
3
Yale Center for British Art, Gift of Renée and Geoffrey H. Hartman, Yale PhD 1953
2
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection
1
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1
Thomas Patch, 1725–1782
A Panoramic View of Florence from Bellosguardo
1775
Not on view
2
Elias Martin, 1739–1818
Mountain Landscape with Banditti
ca. 1780
Not on view
3
Francis Wheatley, 1747–1801
A Gentleman and his Dog in a Landscape
ca. 1780
Not on view
4
Sawrey Gilpin, 1733–1807
Three Hunters in a Rocky Landscape
1775
Not on view
5
unknown artist
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
6
William Ashford, 1746–1824
Landscape with Haymakers and a Distant View of a Georgian House
ca. 1780
Not on view
7
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
8
Agostino Brunias, 1728–1796
A Linen Market with a Linen-stall and Vegetable Seller in the West Indies
ca. 1780
Not on view
9
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
10
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
11
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
12
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
13
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
14
William Payne, active 1850s
Mill on the Tavy
undated
15
style of Paul Sandby, 1731–1809
Study of a Tree
ca. 1780
16
William Pars, 1742–1782
A View at Lucerne
1775
17
Attributed to Peter Rashleigh, active 1775
Distant View of a Town
1775
18
Edward Francis Burney, 1760–1848
River Landscape with Boats
undated
19
Edward Francis Burney, 1760–1848
River Landscape with Bridge
undated
20
Edward Francis Burney, 1760–1848
Chepstow Castle
undated
21
Edward Francis Burney, 1760–1848
Tilbury Fort
undated
22
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
23
Edward Francis Burney, 1760–1848
Hilly Landscape with House
undated
24
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
25
Edward Francis Burney, 1760–1848
The Boatman
undated
26
Edward Francis Burney, 1760–1848
View at Rympton
undated
27
William Payne, active 1850s
Figures by a Ruined Arch
undated
28
William Payne, active 1850s
Distant View of Exmouth from Exeter
undated
29
John Nixon, ca. 1760–1818
On the Sands at Brighton: Figures Walking on the Shore
undated
30
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
31
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
32
Mary Harcourt, 1750–1833
Lake Morat from Avenches
ca. 1780
33
Mary Harcourt, 1750–1833
An Arch in the Vault of an Overgrown Ruin
ca. 1780
34
Moses Griffith, 1747–1819
Bevere House near North Claines, Worcestershire
ca. 1780
35
William Green, 1760–1823
Landscape, Castle by a River
undated
36
William Green, 1760–1823
Landscape with Vale and Mountains
undated
37
William Green, 1760–1823
Landscape, Castle and Cattle
undated
38
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
39
unknown artist
Hill Hall, Essex
ca. 1780
40
unknown artist
A Temple
ca. 1780
41
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
42
William Green, 1760–1823
Landscape with River and a Bridge
undated
43
unknown artist
Brighton Town and Church
ca. 1780
44
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
45
Edward Francis Burney, 1760–1848
View in Surrey
undated
46
Edward Francis Burney, 1760–1848
Landscape with Pasture Gate
undated
47
Edward Francis Burney, 1760–1848
Mowbray Park
undated
48
Edward Francis Burney, 1760–1848
Pastural
undated
49
Edward Francis Burney, 1760–1848
Norbury Park
undated
50
Edward Francis Burney, 1760–1848
Country House
undated
51
Edward Francis Burney, 1760–1848
Richmond
undated
52
Edward Francis Burney, 1760–1848
Road in the Forest
undated
53
Edward Francis Burney, 1760–1848
View at Margate
undated
54
Edward Francis Burney, 1760–1848
The Bridge
undated
55
Edward Francis Burney, 1760–1848
View near Bristol
undated
56
Edward Francis Burney, 1760–1848
View near Bristol
undated
57
Edward Francis Burney, 1760–1848
View at Margate
undated
58
Edward Francis Burney, 1760–1848
River Landscape with Castle
undated
59
Edward Francis Burney, 1760–1848
Bridge and Tower
undated
60
Edward Francis Burney, 1760–1848
Landscape with Church
undated
61
John Taylor, 1739–1838
Untitled
1775
62
John Raphael Smith, 1752–1812
Reverend Richard Robinson, Archibishop of Armagh
1775
63
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
undated
64
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Apollo and Marsyas
1775
65
Print made by John Browne, 1741–1801
The Sportsman
1775
66
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
67
John Robert Cozens, 1752–1797
View of Florence from South Bank of the Arno
ca. 1780
68
John Robert Cozens, 1752–1797
Castel Gandolfo
ca. 1780
69
John Robert Cozens, 1752–1797
Perpendicular Rock and Trees
ca. 1780
70
Print made by Richard Earlom, 1743–1822
A Landscape with Cattle
1775
71
William Woollett, 1735–1785
Snowden Hill
1775
72
Thomas Rowlandson, 1756–1827
A Woodcutter's Picnic
undated
73
Thomas Gainsborough, 1727–1788
A Moonlit Landscape with Cattle by a Pool
ca. 1780
74
Richard Cooper the Elder, 1701–1764
Oval Hilly Landscape
ca. 1780
75
Print made by Michael "Angelo" Rooker, 1746–1801
Wynn Stay in Denbighshire, the Seat of Sir Watkin Williams Wynn Bart
1775
76
Print made by Michael "Angelo" Rooker, 1746–1801
Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
1775
77
John Robert Cozens, 1752–1797
Distant View of an Imaginary City
ca. 1780
78
John Robert Cozens, 1752–1797
Fanale di villa Franca
ca. 1780
79
Alexander Cozens, 1717–1786
Mountainous Landscape
ca. 1780
80
John Robert Cozens, 1752–1797
A Waterfall
ca. 1780
81
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures on Horseback Crossing a Bridge
between 1775 and 1780
82
Print made by Michael "Angelo" Rooker, 1746–1801
North East View of Sir John Elvil's House on Englefield Green near Egham in Surry
1775
83
pupil of Alexander Cozens, 1717–1786
A Road in a Mountain Landscape with Trees to the Right
ca. 1780
84
Joseph Farington, 1747–1821
View of Skiddaw and Derwentwater
ca. 1780
85
Thomas Gainsborough, 1727–1788
Wooded Landscape with Gypsy Encampment
between 1775 and 1780
86
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures outside a Cottage Door
between 1775 and 1780
87
Alexander Cozens, 1717–1786
Mountain Tops (A Mountain Study)
ca. 1780
88
John Robert Cozens, 1752–1797
Waterfall at Terni
ca. 1780
89
William Green, 1760–1823
Landscape in the Lake District
undated
90
William Green, 1760–1823
Lowdore
undated