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Reverend Richard Robinson, Archibishop of Armagh
Creator:
John Raphael Smith, 1752–1812
Date:
1775
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 20 7/8 × 15 1/8 inches (53 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Stonehouse Creek, between Plymouth and Dock, Devon
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 14 3/8in. (26.7 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Pelham
Creator:
Print made by William Dickinson, 1746–1823
Date:
1775
Materials & Techniques:
Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 28 1/4 × 21 inches (71.8 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Infant Jupiter
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1775
Materials & Techniques:
Mezzotint (third state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 14 15/16 inches (53 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Magpie
Creator:
John Bewick, 1760–1795
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper mounted to moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 12 1/4 inches (20.3 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Valley
Creator:
Alexander Cozens, 1717–1786
Date:
between 1775 and 1780
Materials & Techniques:
Brushed black ink, graphite, brown wash and gray wash on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Robert Fitzgerald, Second Duke of Leinster
Creator:
John Dixon, ca. 1740–1811
Date:
1775
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 13/16 × 14 1/16 inches (50.4 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rinaldo and Armida
Creator:
Valentine Green, 1739–1813
Date:
1775
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 x 14 15/16 inches (53 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Road in a Mountain Landscape with Trees to the Right
Creator:
pupil of Alexander Cozens, 1717–1786
Date:
ca. 1780
Materials & Techniques:
Brushed black ink, gray wash and brown ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 14 1/8 inches (28.9 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Thomas Watson, 1743–1781
Date:
1775
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 14 5/16 inches (49.2 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, canvas, later gilding over original gilding
Dimensions:
Frame: 11 1/4 × 14 1/4 × 1 5/8 inches (28.6 × 36.2 × 4.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Dimensions:
Frame: 17 5/8 × 14 × 1 7/8 inches (44.8 × 35.6 × 4.8 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art