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Collection
Frames
2
Prints and Drawings
1
Creator
Unknown framemaker
2
Reynolds, Joshua, Sir, 1723–1792
1
Shropshire, Walter, active 1767–1785
1
Watson, Thomas, 1743–1781
1
Date
1745
11
1796
9
1977
9
1788
6
1791
6
1779
5
1782
5
1793
5
1801
5
1802
5
1783
4
1785
4
1792
4
1800
4
1700
3
1730
3
1770
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1775
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3
1799
3
1803
3
1804
3
1675
2
1735
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1740
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1762
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1778
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1781
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1786
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1790
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1797
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1805
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1828
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1842
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1969
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1979
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1617
1
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1725
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1731
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1758
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1763
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1765
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1771
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1787
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1
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1
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1
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1
1897
1
1903
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1914
1
1918
1
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1
1930
1
1939
1
1951
1
1965
1
1966
1
1967
1
1968
1
1970
1
1972
1
1974
1
1976
1
On-site Access
Accessible in the Study Room
1
Image Use
Free to Use
3
Image Available
Available
3
Classification
Frames
2
Prints
1
Creator Gender
male
1
Period
18th century
3
Materials & Techniques
gold leaf
2
later gilding
2
oil gilding
2
original gilding
2
wood
2
compo
1
laid paper
1
mezzotint
1
water gilding
1
Height [cm]
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Height [cm] range end
Current results range from
62
to
65
Width [cm]
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Current results range from
38
to
114
Work Type
frame
2
intaglio print
1
Genre
portrait
1
Subject Terms
frame alteration: no alteration
1
frame alteration: yes
1
frame cross-section: Concave
1
frame cross-section: Entablature
1
frame feature: One of a pair
1
frame ornament: Acanthus leaf back edge; beading with leaf corners; ribbon-&-stave at sight edge
1
frame ornament: Torus of imbricated laurel leaves with centre and intermediate bindings; beading at sight
1
frame status: Original
1
frame status: Out of period
1
frame style: 'Carlo Maratta' frame
1
frame style: Neoclassical
1
portrait
1
Associated People
Lamb, Elizabeth, Viscountess Melbourne (ca. 1751–1818), political hostess and agricultural improver
1
Lamb, Peniston (1770–1805)
1
Credit Line
Yale Center for British Art
2
Yale Center for British Art, Paul Mellon Fund
1
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Date
1775
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Height [cm]
65
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1
Print made by Thomas Watson, 1743–1781
Elizabeth Lady Melbourne with Her Son, the Honourable. Peniston Lamb
1775
2
unknown framemaker
British, 'Carlo Maratta' frame
4th quarter of 18th century
3
unknown framemaker
British or Irish (?), Neoclassical frame
4th quarter of 18th century