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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
19
Paintings and Sculpture
1
Creator
Serres, John Thomas, 1759–1825
16
Monro, Thomas Dr., 1759–1833
2
Boydell, John, 1720–1804
1
Earlom, Richard, 1743–1822
1
Lorrain, Claude, 1600–1682
1
Wright, Joseph, 1734–1797
1
Date
1774
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20
1767
15
1799
11
1836
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1800
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1780
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1820
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1782
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1814
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1793
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4
1775
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1784
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1823
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1834
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1847
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1755
3
1764
3
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3
1790
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1796
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1807
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1809
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1824
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1839
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1860
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1880
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1925
3
1730
2
1746
2
1768
2
1778
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1802
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1811
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1920
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1947
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1970
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1674
1
1735
1
1743
1
1750
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1762
1
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1
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1
1773
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1
1786
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1797
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1805
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1808
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1816
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1821
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1828
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1
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1
1864
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1
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1873
1
1874
1
On-site Access
Accessible by appointment in the Study Room
19
Not on view
1
Image Use
Free to Use
20
Image Available
Available
20
Classification
Drawings & Watercolors
18
Paintings
1
Prints
1
Creator Gender
male
20
Collective Title
Liber Veritatis
1
Period
18th century-19th century
18
18th century
2
Materials & Techniques
watercolor
16
wove paper
16
graphite
15
brown ink
3
black chalk
2
black ink
1
canvas
1
etching (printing process)
1
laid paper
1
mezzotint
1
oil paint
1
painting (technique)
1
white chalk
1
Height [cm]
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117
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141
Work Type
drawing
18
watercolor
17
intaglio print
1
painting
1
Genre
landscape
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20
marine art
2
architectural subject
1
genre subject
1
Subject Terms
sea
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20
landscape
19
cliffs
15
coast
12
hills
9
beach
5
rocks (landforms)
3
castle
2
grasses
2
lighthouse
2
marine art
2
peninsula
2
sand
2
water
2
Grand Tour
1
architectural subject
1
beauty
1
boats
1
buildings
1
cargo
1
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Associated Places
England
4
Europe
4
United Kingdom
4
Gibraltar
2
Italy
2
Cornwall
1
Devon
1
Dorset
1
Falmouth
1
Isle of Wight
1
Naples
1
Salcombe
1
Swanage
1
Swanage Bay
1
Ventnor
1
Exhibition History
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
18
Yale Center for British Art, Bequest of Pamela Askew
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer
1
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Date
1774
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landscape
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sea
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1
Joseph Wright of Derby, 1734–1797
Cavern, near Naples
1774
Not on view
2
Dr. Thomas Monro, 1759–1833
Seashore with Sand Dunes
undated
3
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
undated
4
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
undated
5
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
6
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
7
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
undated
8
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
9
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
10
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
undated
11
John Thomas Serres, 1759–1825
The Start, West North West
undated
12
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
13
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
14
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
15
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
16
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
17
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
18
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
19
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
20
Print made by Richard Earlom, 1743–1822
View with several Vessels lying close to the Shore
1774