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Collection
Prints and Drawings
32
Creator
Serres, John Thomas, 1759–1825
18
Monro, Thomas Dr., 1759–1833
11
Hills, Robert, 1769–1844
1
Ibbetson, Julius Caesar, 1759–1817
1
Linnell, John, 1729–1796
1
Monro, School
1
Renton, John, 1774–c.1841
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1784
83
1772
79
1764
68
1791
52
1799
49
1793
44
1775
39
1774
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32
1771
29
1786
27
1795
25
1762
22
1755
21
1739
16
1748
16
1794
16
1797
16
1759
15
1782
15
1796
15
1788
14
1789
14
1768
12
1778
12
1872
12
1758
11
1787
11
1792
11
1800
11
1744
10
1790
10
1700
9
1783
9
1746
8
1776
8
1747
7
1749
7
1766
7
1798
7
1760
6
1769
6
1773
6
1777
6
1779
6
1742
5
1745
5
1763
5
1740
4
1750
4
0
3
1756
3
1770
3
1781
3
1785
3
1804
3
1701
2
1757
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1780
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1801
2
1808
2
1809
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1813
2
1674
1
1699
1
1765
1
1767
1
1806
1
1811
1
1814
1
1816
1
1823
1
1825
1
1827
1
1830
1
1835
1
1836
1
1840
1
1857
1
On-site Access
Accessible by appointment in the Study Room
32
Image Use
Free to Use
32
Image Available
Available
32
Classification
Drawings & Watercolors
32
Creator Gender
male
32
Collective Title
History of the Acorn
1
Period
18th century-19th century
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32
Materials & Techniques
wove paper
27
watercolor
22
graphite
20
black chalk
9
gray wash
8
black ink
3
brown ink
3
laid paper
2
charcoal
1
scratching out
1
white chalk
1
Height [cm]
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48
Work Type
drawing
32
watercolor
30
Genre
landscape
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32
marine art
1
Subject Terms
landscape
31
sea
18
cliffs
16
coast
13
hills
13
trees
10
rocks (landforms)
5
beach
4
bushes
3
forest
3
castle
2
grasses
2
lake
2
lighthouse
2
mountains
2
peninsula
2
road
2
water
2
branches
1
buildings
1
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Subject Terms
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Associated Places
United Kingdom
7
England
6
Europe
4
Devon
2
Gibraltar
2
Cader Idris
1
Cornwall
1
Dorset
1
Dover
1
Dover castle
1
Falmouth
1
Freshwater Bay
1
Isle of Wight
1
Italy
1
Kent
1
Salcombe
1
Start Point
1
Swanage
1
Swanage Bay
1
Ventnor
1
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Associated Places
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Exhibition History
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
31
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
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Date
1774
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Period
18th century-19th century
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Genre
landscape
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1
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
undated
2
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
undated
3
Dr. Thomas Monro, 1759–1833
Composition of Rocks and Pine Trees
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4
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
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5
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
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6
Dr. Thomas Monro, 1759–1833
Composition inspired by Richard Wilson's Paintings of Cader Idris
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7
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
undated
8
Dr. Thomas Monro, 1759–1833
Composition: Marshland Landscape
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9
Dr. Thomas Monro, 1759–1833
Seashore with Sand Dunes
undated
10
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
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11
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
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12
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
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13
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
14
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
15
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
16
John Thomas Serres, 1759–1825
The Start, West North West
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17
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
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18
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
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19
Attributed to John Renton, 1774–c.1841
Lake and Mountains
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20
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
21
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
22
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
23
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
24
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
25
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
26
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
27
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
28
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
29
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
30
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
31
Dr. Thomas Monro, 1759–1833
Landscape
undated
32
attributed to Robert Hills, 1769–1844
Landscape with Trees
undated