Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland
1771
Not on view
4
Thomas Roberts, 1748–1778
Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland
1771
Not on view
5
Thomas Gainsborough, 1727–1788
William Lowndes, Auditor of His Majesty's Court of Exchequer
1771
Not on view
6
Sir Joshua Reynolds, 1723–1792
Frances Abington (née Barton) as Miss Prue in William Congreve’s “Love for Love”
1771
Not on view
7
John Atkinson, active 1770–1775
Kitchen Scene
1771
Not on view
8
John Atkinson, active 1770–1775
Girl Bundling Asparagus
1771
Not on view
9
Henry Walton, 1746–1813
Elizabeth Bridgman (née Walton)
between 1771 and 1775
Not on view
10
Michael "Angelo" Rooker, 1746–1801
Merton College, Oxford
1771
Not on view
11
Samuel Scott, 1701/2–1772
A View of the Tower of London, Supposed on his Majesty's Birthday
1771
Not on view
12
William Marlow, 1740–1813
View on the River Thames at Richmond
ca. 1776
Not on view
13
William Hodges, 1744–1797
A View of Matavai Bay in the Island of Otaheite [Tahiti]
1776
Not on view
14
Henry Walton, 1746–1813
A Country Gentleman
ca. 1776
Not on view
15
Angelica Kauffmann, 1741–1807
Rinaldo and Armida
1771
Not on view
16
Thomas Gainsborough, 1727–1788
An Imaginary Wooded Village with Drovers and Cattle
between 1771 and 1772
Not on view
17
Thomas Gainsborough, 1727–1788
Landscape with cottage and church
between 1771 and 1772
Not on view
18
Nathaniel Hone, 1718–1784
Frances Cole, (née Wager)
ca. 1776
Not on view
19
Modeled by William Hackwood, died 1836
King George III
ca. 1776
Not on view
20
Modeled by William Hackwood, died 1836
Queen Charlotte
ca. 1776
Not on view
21
James Bruce, 1730–1794
No. 2. A. Table of Hieroglyphics found at Axum
1771
22
James Bruce, 1730–1794
No.1 A Table of Hieroglyphics found at Axum
1771
23
John Hamilton Mortimer, 1740–1779
Two Men Fighting Before a Woman
1771
24
George Engleheart, 1753–1829
Major André
between 1771 and 1780
25
Print made by John Finlayson, 1730–1776
Miss Wynyard
1771
26
Print made by Robert Dunkarton, 1744–1811
Mrs. Yates as 'Melancholy' in 'Il Penseroso'
1771
27
Thomas Hearne, 1744–1817
Castle Acre Priory
1771
28
Thomas Jones, 1742–1803
Villa Medici, Rome
ca. 1776
29
Robert Adam, 1728–1792
Headfort House, Ireland: Ceiling of the Eating Parlor
between 1771 and 1775
30
James Lewis, 1751–1820
Drawings of Classical Ornament (A Volume)
1771-1772
31
Robert Adam, 1728–1792
Headfort House, Ireland: Ceiling of the Front Hall
1771
32
Robert Adam, 1728–1792
Headfort House, Ireland: Elevations of the Front Hall
between 1771 and 1775
33
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
34
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of One End of the Parlor
between 1771 and 1775
35
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
36
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
37
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
1771 or 1772
38
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
39
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
40
Robert Adam, 1728–1792
Headfort House, Ireland: Staircase Ceiling
between 1771 and 1775
41
Robert Adam, 1728–1792
Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
42
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
43
Sir Robert Taylor, 1714–1788
Thames Ditton, Surrey: Design for Gothic Church
ca. 1776
44
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
45
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
46
James Heath, 1757–1834
No. 2 A Table of Heiroglyphics found at Axum
1771-1789
47
Thomas Jones, 1742–1803
The Garden of the Villa Borghese
ca. 1776
48
James Heath, 1757–1834
No. 1 - A Table of Hieroglyphics found at Axum
1771-1789
49
Richard Earlom, 1743–1822
The Presentation in the Temple
1771
50
Print made by John Hall, 1739–1797
Comedies
ca. 1776
51
Print made by M. A. Picot, 1782–1838
The Lord of the Vineyard Paying His Labourers
1771
52
Print made by James Basire, 1730–1802
Benjamin Hoadly, Bishop of Winchester
1771
53
Valentine Green, 1739–1813
Mrs Lemaistre
1771
54
Print made by Robert Dunkarton, 1744–1811
Mrs. Jordan as L'Allegro
1771
55
Print made by Valentine Green, 1739–1813
Miss Polly Jones
1771
56
Print made by Valentine Green, 1739–1813
Mrs. Le Maistre
1771
57
Print made by Valentine Green, 1739–1813
Catherine Hunter
1771
58
Print made by Richard Earlom, 1743–1822
Mrs. Gulston
1771
59
Print made by James Watson, 1740–1790
Countess of Cork and Orrery
1771
60
John Blackmore, active 1740–1780
Samuel Foote
1771
61
Print made by William Wynne Ryland, 1732–1783
Diogenes
1771
62
Print made by Juliet Thornton, active 1771
Diogenes
1771
63
William Woollett, 1735–1785
Shooting, Plate IV
1771
64
Print made by Philip Dawe, ca.1750–ca.1790
Courtship for Money
1771
65
James Wilson, c.1735–c.1786
Mary, Lady Boynton (d. 1778)
1771
66
Edward Fisher, 1722–1785
The Honorable George Seymour Conway
1771
67
Valentine Green, 1739–1813
Kitty Hunter
1771
68
Valentine Green, 1739–1813
Miss Cabben
1771
69
Print made by Edward Fisher, 1722–1785
Miss Morris as 'Hope Nursing Love'
1771
70
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
71
Print made by Richard Houston, ca. 1721–1775
Miss Harriet Powell
1771
72
Print made by John Dixon, ca. 1740–1811
Mrs. Blake as Juno
1771
73
Print made by Thomas Watson, 1743–1781
Miss Polly Kennedy
1771
74
Print made by Charles Phillips, 1737– after 1783
Miss Hone
1771
75
Edward Fisher, 1722–1785
Miss Morris, as Hope Nursing Cupid
1771
76
John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert
1771
77
John Finlayson, 1730–1776
Miss Emily Wynyard
1771
78
John Nixon, ca. 1760–1818
Annabella, Lady Blake, as Juno, Receiving the Cestus from Venus
1771
79
Guillaume Philippe Benoist, 1725–ca. 1770
A Geometrical View of the Grand Procession of the Scald Miserable Masons, Designed as they were Drawn up over against Somerset House, in the Strand, on the 27th April, Ano 1742