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Date 1767

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301. Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: 1767
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: 1767
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: 1767
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: 1767
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: 1767
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: 1767
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: 1767
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: 1767
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: 1767
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. A survey and valuation of estates the property of Nicholas Smyth Esqr. and his Lady : lying in the several parishes of Condover, Berrington, St. Chadd, Westbury, Pontesbury, and Pulverbatch : and in the several townships of Condover, Ryeton Magna, Ryeton Parva, Dorrington, Chatford, Westley, Little Lyth, Cantop, Alkmoor, Westbury, Pontesbury, Oaks, Wrentnall, Church Pulverbatch and Castle Pulverbatch, in the county of Salop. : made in 1767 / by their most obedt. servt., J. Probert.

A survey and valuation of estates the property of Nicholas Smyth Esqr. and his Lady : lying in the several parishes of Condover, Berrington, St. Chadd, Westbury, Pontesbury, and Pulverbatch : and in the several townships of Condover, Ryeton Magna, Ryeton Parva, Dorrington, Chatford, Westley, Little Lyth, Cantop, Alkmoor, Westbury, Pontesbury, Oaks, Wrentnall, Church Pulverbatch and Castle Pulverbatch, in the county of Salop. : made in 1767 / by their most obedt. servt., J. Probert.

Creator:: Probert, John, active 1764
Date:: 1767
Physical Description:: 1 volume (122 leaves) : illustrations, maps ; 36 cm
Collection:: Rare Books and Manuscripts
Credit Line:: 22977014120008651|Yale Center for British Art, Paul Mellon Collection

311. Fish caught at Bombay. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

312. Natural Description of the Island of Bombay; with its Trees, Fruits, & Vegetable Productions. 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

313. A Fish on the Coast of Brazil, smaller than nature. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

314. An untitled drawing of a tiger

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

315. Jackalls, the only Wild Animal of any considerable size, on the Island of Bombay. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

316. Palmyra, or Brab Tree

Creator:: Forbes, James, 1749–1819
Date:: ca. 1770?
Collection:: Archives

317. Papilio Nestor, the Nestor Butterfly, of South America, drawn from Nature. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

318. The ARECA, or Betel-Nut Tree. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

319. The Cocoa-nut Tree, J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

320. The Dyal or Dominican Bird, With the Fruit called the Carombola; of the natural size. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

321. The Female, or Fruit-bearing Papah-Tree. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

322. The Green Banana-Bird at Rio de Janeiro

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

323. The Horn-Bill, or Double-Beak; on the Malabar-Coast

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

324. The Leaf-Fly or Vegetable Leaf; with the Madhavi, or Crimson Indian-Creeper; a favorite Flower with the Hindoos. J.F. 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

325. The Long-tailed Indian Bee-eater at Bombay: on a Branch of the Pomegranate Tree. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

326. The Pompelmous, or Shaddock, at Goa; of the natural size. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

327. The Purple-breasted Humming-Bird, of South America; Drawn from Nature. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

328. The Sanguin, or Lion-Monkey of Brazil: The smallest of the Monkey Tribe

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

329. The Scarlet-Crested Cockatoo; on a sprig of the Ficus Religiosa, or Banian Tree, of Malabar

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

330. The Veuva, or Widow-Bird; at the Brazils; on a branch of the Soap-Tree: of the natural size. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

331. British, 'Carlo Maratta' frame

British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

332. British, Neoclassical frame

British, Neoclassical frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

333. British, Neoclassical frame

British, Neoclassical frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood and compo, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

334. British, Neoclassical with (later) tondo inlay frame

British, Neoclassical with (later) tondo inlay frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, partially regilded over original oil and water gilding; inlay water gilt and patinated with sanded spandrels
Collection:: Frames
Credit Line:: Yale Center for British Art

335. British, 'Carlo Maratta' frame

British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

336. British, 'Carlo Maratta' frame

British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, partially regilded over original oil and water gilding and sanded rail
Dimensions:: Frame: 59 1/4 × 49 3/4 × 3 1/2 inches (150.5 × 126.4 × 8.9 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art