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Date 1767

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301. The Sacrifice

Creator:: John Goldar, 1729–1795
Date:: 1767
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 14 3/4 inches (33 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. "The King and Noblemen Before the Stag is Turn'd Out"

"The King and Noblemen Before the Stag is Turn'd Out"

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 13 1/2 inches (10.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Hollow Tree

Creator:: Mary Delany, 1700–1788
Date:: 1767
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 3 3/4 inches (11.2 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Ryskamp

304. A London Riot

Creator:: Charles Reuben Ryley, 1752–1798
Date:: undated
Materials & Techniques:: Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen

An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen

Creator:: Charles Reuben Ryley, 1752–1798
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper mounted thin, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 1/4 inches (11.7 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. For the Benefit of Mr. Guadagni

For the Benefit of Mr. Guadagni

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1767
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Study of a Male Bust

Study of a Male Bust

Creator:: unknown artist
Date:: 1767
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, laid paper
Dimensions:: Sheet: 10 1/4 × 6 3/4 inches (26 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. View from Behind the Colonnade, Piazza San Pietro, Rome

View from Behind the Colonnade, Piazza San Pietro, Rome

Creator:: John Brown, 1749–1787
Date:: ca. 1772
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 9 1/2 inches (22.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Ariccia

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 8 1/4 inches (11.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. A survey and valuation of estates the property of Nicholas Smyth Esqr. and his Lady : lying in the several parishes of Condover, Berrington, St. Chadd, Westbury, Pontesbury, and Pulverbatch : and in the several townships of Condover, Ryeton Magna, Ryeton Parva, Dorrington, Chatford, Westley, Little Lyth, Cantop, Alkmoor, Westbury, Pontesbury, Oaks, Wrentnall, Church Pulverbatch and Castle Pulverbatch, in the county of Salop. : made in 1767 / by their most obedt. servt., J. Probert.

A survey and valuation of estates the property of Nicholas Smyth Esqr. and his Lady : lying in the several parishes of Condover, Berrington, St. Chadd, Westbury, Pontesbury, and Pulverbatch : and in the several townships of Condover, Ryeton Magna, Ryeton Parva, Dorrington, Chatford, Westley, Little Lyth, Cantop, Alkmoor, Westbury, Pontesbury, Oaks, Wrentnall, Church Pulverbatch and Castle Pulverbatch, in the county of Salop. : made in 1767 / by their most obedt. servt., J. Probert.

Creator:: Probert, John, active 1764
Date:: 1767
Physical Description:: 1 volume (122 leaves) : illustrations, maps ; 36 cm
Collection:: Rare Books and Manuscripts
Credit Line:: 22977014120008651|Yale Center for British Art, Paul Mellon Collection

311. Fish caught at Bombay. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

312. Natural Description of the Island of Bombay; with its Trees, Fruits, & Vegetable Productions. 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

313. Jackalls, the only Wild Animal of any considerable size, on the Island of Bombay. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

314. Palmyra, or Brab Tree

Creator:: Forbes, James, 1749–1819
Date:: ca. 1770?
Collection:: Archives

315. Papilio Nestor, the Nestor Butterfly, of South America, drawn from Nature. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

316. The ARECA, or Betel-Nut Tree. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

317. An untitled drawing of a tiger

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

318. A Fish on the Coast of Brazil, smaller than nature. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

319. The Cocoa-nut Tree, J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

320. The Dyal or Dominican Bird, With the Fruit called the Carombola; of the natural size. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

321. The Female, or Fruit-bearing Papah-Tree. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

322. The Green Banana-Bird at Rio de Janeiro

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

323. The Horn-Bill, or Double-Beak; on the Malabar-Coast

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

324. The Leaf-Fly or Vegetable Leaf; with the Madhavi, or Crimson Indian-Creeper; a favorite Flower with the Hindoos. J.F. 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

325. The Long-tailed Indian Bee-eater at Bombay: on a Branch of the Pomegranate Tree. J. Forbes 1767

Creator:: Forbes, James, 1749–1819
Date:: 1767
Collection:: Archives

326. The Pompelmous, or Shaddock, at Goa; of the natural size. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

327. The Purple-breasted Humming-Bird, of South America; Drawn from Nature. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

328. The Sanguin, or Lion-Monkey of Brazil: The smallest of the Monkey Tribe

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

329. The Scarlet-Crested Cockatoo; on a sprig of the Ficus Religiosa, or Banian Tree, of Malabar

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

330. The Veuva, or Widow-Bird; at the Brazils; on a branch of the Soap-Tree: of the natural size. J. Forbes

Creator:: Forbes, James, 1749–1819
Date:: 1767?
Collection:: Archives

331. British, Neoclassical frame

British, Neoclassical frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

332. British, 'Carlo Maratta' frame

British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, partially regilded over original oil and water gilding and sanded rail
Dimensions:: Frame: 59 1/4 × 49 3/4 × 3 1/2 inches (150.5 × 126.4 × 8.9 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

333. British, Neoclassical frame

British, Neoclassical frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood and compo, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

334. British, Neoclassical with (later) tondo inlay frame

British, Neoclassical with (later) tondo inlay frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, partially regilded over original oil and water gilding; inlay water gilt and patinated with sanded spandrels
Collection:: Frames
Credit Line:: Yale Center for British Art

335. British, 'Carlo Maratta' frame

British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, partially regilded over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

336. British, 'Carlo Maratta' frame

British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: last third of 18th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art