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Date 1765

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Subject Terms military art

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A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, graphite and black chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 × 15 13/16 inches (50.8 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Salute
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 8 3/4 inches (25.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
Creator:
Benjamin West, 1738–1820
Date:
between 1765 and 1766
Materials & Techniques:
Graphite, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/8 x 8 1/4 inches (25.7 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
Creator:
Benjamin West, 1738–1820
Date:
between 1765 and 1766
Materials & Techniques:
Gray wash and black ink with scratching out on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 8 1/16 inches (25.2 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Charles Shirreff, ca. 1750–1829
Date:
undated
Materials & Techniques:
Watercolor and white gouache on ivory in original gold frame; lock of hair and miniature metal weapons on back
Dimensions:
Frame: 3 × 2 3/8 × 1/4 inches (7.6 × 6 × 0.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund