Date: 1763 / Image Use: Free to Use - YCBA Collections Search Search Results

1. Zebra

Creator:: George Stubbs, 1724–1806
Date:: 1763
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/2 × 50 1/4 inches (102.9 × 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)

Creator:: Arthur Devis, 1712–1787
Date:: 1763
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/8 x 25 inches (76.5 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Mr. Ernest Hillman, Jr.
On View:: Not on view

3. British Gentlemen at Sir Horace Mann's Home in Florence

Creator:: Thomas Patch, 1725–1782
Date:: between 1763 and 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 37 15/16 x 48 15/16 inches (96.4 x 124.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Philosopher Giving a Lecture on the Orrery

Creator:: Joseph Wright of Derby, 1734–1797
Date:: ca. 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 17 5/8 x 23 1/2 inches (44.8 x 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Mary and Joseph Outside the Inn

Creator:: John Runciman, 1744–1768
Date:: 1763 to 1768
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Charles Carroll of Carrollton

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: 1763
Materials & Techniques:: Oil on canvas
Dimensions:: 30 1/4 x 25 1/4 inches (76.8 x 64.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Sir Jeffery Amherst

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: ca. 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. General Thomas Gage

Creator:: John Singleton Copley, 1738–1815
Date:: ca. 1768
Materials & Techniques:: Oil on canvas mounted on masonite
Dimensions:: 50 x 39 3/4 inches (127 x 101 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Portrait of a Man, Probably a Self-Portrait

Creator:: Hugh Barron, 1745–1791
Date:: ca. 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 29 x 24 1/2 inches (73.7 x 62.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Death of Lucretia

Creator:: Gavin Hamilton, 1723–1798
Date:: 1763 to 1767
Materials & Techniques:: Oil on canvas
Dimensions:: 84 x 104 inches (213.4 x 264.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Caroline Conway, Lady Aylesbury

Creator:: Anne Seymour Damer, 1748–1828
Date:: 18th century-19th century
Materials & Techniques:: Verona marble relief, mounted on rose velvet in an oval ebonized wood frame
Dimensions:: Overall: 13 x 11 inches (33 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

12. John Wilkes, Esq.

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 15 1/2 x 10 1/4in. (39.4 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A.

13. The Bruiser

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

14. Elevation and Plan of Arch at Makther

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, gray wash, pen and black ink, red pencil on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 3/8 × 19 1/8 inches (64.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Arch of Trajan Mactar Modern Makther set in Landscape

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, gray wash, pen and black ink on moderately textured, thick, cream laid paper
Dimensions:: Sheet: 19 1/4 × 25 1/2 inches (48.9 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Entrance Gate, Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite with pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 5/8 inches (40 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Details of Temple Above Spring at Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Pen and black ink with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Temple Above Spring at Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 21 3/4 inches (40.3 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Entrance Gate Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 1/2 inches (55.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Sketch of Arches in Perspective

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 13/16 × 21 9/16 inches (40.2 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Vulture

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 × 12 1/8 inches (38.1 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Heterohyrax brucei (Yellow-Spotted Rock Hyrax)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen iand brown ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Gypaetus barbatus (Bearded Vulture)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Heterohyrax brucei (Yellow-Spotted Rock Hyrax)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 5/8 × 4 3/4 inches (6.7 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Sagittarius serpentarius (Secretary Bird)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Bee Cuckoo

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 11 1/2 inches (34 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Thames with Sion House

Creator:: John Fisher, Bishop of Salisbury, 1748–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Portrait of a Gentleman

Creator:: Nathaniel Hone, 1718–1784
Date:: 1763
Materials & Techniques:: Enamel on porcelain
Dimensions:: Image: 1 1/4 x 1 1/8 inches (3.2 x 2.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Stalls in St. George's Chapel, Windsor Castle

Creator:: John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 15/16 × 9 9/16 inches (50.6 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. An Actor

Creator:: Samuel De Wilde, 1748–1832
Date:: undated
Materials & Techniques:: Watercolor, graphite, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 9 1/4 inches (38.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Portrait of a Man

Creator:: Joseph Wright of Derby, 1734–1797
Date:: ca. 1768
Materials & Techniques:: Black chalk, white chalk and brown chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 14 1/2 x 11 1/4 inches (36.8 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Aquaduct at Cherchel

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 × 25 1/4 inches (48.3 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Aquaduct at Cherchel

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Ruins of Temples at Saltronza

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 31 3/4 inches (55.6 × 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Sketch of Temple Ruins

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 20 3/4 inches (39.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Drawing of Temple Ruins and Figures

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 inches (45.1 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Sketches of Temple Columns

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 21 1/4 inches (38.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf

Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf

Creator:: Luigi Balugani, 1737–1770
Date:: ca. 1768
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Dik-dik

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and brown ink and graphite on vellum
Dimensions:: Sheet: 5 1/2 × 6 3/8 inches (14 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Madoqua (Dik-dik)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and brown ink, over gaphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 5 3/4 inches (11.4 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Head of a Man with a Beard Looking to the Left

Creator:: Samuel De Wilde, 1748–1832
Date:: undated
Materials & Techniques:: black ink and brown ink with gray and brown wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 5 1/2 inches (16.8 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 9 5/8 inches (30.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Felis caligata (Booted Lynx)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and black ink, over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Jerboa

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Pen and black ink, watercolor, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 2 birds "Aroust el Bahar"

Creator:: Luigi Balugani, 1737–1770
Date:: ca. 1768
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 13 1/2 inches (44.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

Creator:: Luigi Balugani, 1737–1770
Date:: ca. 1768
Materials & Techniques:: Pen and black ink, gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 8 5/8 inches (27.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

Creator:: Luigi Balugani, 1737–1770
Date:: ca. 1768
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Cinquieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Du Desarmement Aprés la Parade au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Premiere Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Troisieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Quatrieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. De la Parade du Cavé sur le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. De la Parade de Prime sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Demi Volte sur les Coups Forcés au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. De la Volte sur la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Capriccio with Edinburgh Castle and Arthur's Seat

Creator:: Paul Sandby, 1731–1809
Date:: before 1773
Materials & Techniques:: Etching
Dimensions:: Image: 8 3/8 x 6 9/16in. (21.3 x 16.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Position pour la Garde en Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Seconde Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Venus and Cupid

Creator:: Print made by John Greenwood, 1727–1792
Date:: ca. 1768
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 12 15/16 inches (44.4 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. David Hume

Creator:: Print made by Joseph Collyer, 1748–1827
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:: Sheet: 7 1/16 × 4 1/2 inches (17.9 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

99. Landscape with Two Trees and Castle

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/4in. (27.8 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

100. Miss Eyebright

Creator:: Print made by unknown artist
Date:: between 1763 and 1779
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 5 1/16 x 4 1/2in. (12.9 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Date 1763

Image Use Free to Use

Search Results

1. Zebra

2. Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)

3. British Gentlemen at Sir Horace Mann's Home in Florence

4. Philosopher Giving a Lecture on the Orrery

5. Mary and Joseph Outside the Inn

6. Charles Carroll of Carrollton

7. Sir Jeffery Amherst

8. General Thomas Gage

9. Portrait of a Man, Probably a Self-Portrait

10. The Death of Lucretia

11. Caroline Conway, Lady Aylesbury

12. John Wilkes, Esq.

13. The Bruiser

14. Elevation and Plan of Arch at Makther

15. Arch of Trajan Mactar Modern Makther set in Landscape

16. Entrance Gate, Zaghouan

17. Details of Temple Above Spring at Zaghouan

18. Temple Above Spring at Zaghouan

19. Entrance Gate Zaghouan

20. Sketch of Arches in Perspective

21. Vulture

22. Heterohyrax brucei (Yellow-Spotted Rock Hyrax)

23. Gypaetus barbatus (Bearded Vulture)

24. Heterohyrax brucei (Yellow-Spotted Rock Hyrax)

25. Sagittarius serpentarius (Secretary Bird)

26. Bee Cuckoo

27. The Thames with Sion House

28. Portrait of a Gentleman

29. Tivoli

30. Stalls in St. George's Chapel, Windsor Castle

31. An Actor

32. Portrait of a Man

33. Aquaduct at Cherchel

34. Aquaduct at Cherchel

35. Ruins of Temples at Saltronza

36. Sketch of Temple Ruins

37. Drawing of Temple Ruins and Figures

38. Sketches of Temple Columns

39. Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf

40. Dik-dik

41. Madoqua (Dik-dik)

42. Head of a Man with a Beard Looking to the Left

43. Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves

44. Felis caligata (Booted Lynx)

45. Jerboa

46. 2 birds "Aroust el Bahar"

47. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

48. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

49. Cinquieme Position du Salut

50. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

51. Du Desarmement sur le Coup de Tierce

52. Position Aprés Avoir Desarmé sur le Coup de Quarte

53. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

54. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

55. Position de la Garde Italienne de L'Epée & Poignard

56. Du Desarmement Aprés la Parade au Dehors des Armes

57. Risposte Aprés Avoir Trompé la Parade du Poignard

58. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

59. Position pour la Garde en Quarte et le Coup de Quarte

60. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

61. Position pour le Garde en Tierce et le Coup de Tierce

62. Position de la Garde de Tierce et le Coup de Seconde

63. Position de la Garde en Quarte, et le Coup de Quarte Basse

64. Position de la Garde en Quarte, et le Coup de Flanconnade

65. Premiere Position du Salut

66. Troisieme Position du Salut

67. Quatrieme Position du Salut

68. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

69. De la Parade de Tierce, sur le Coup de Tierce

70. De la Parade de Seconde sur le Coup de Seconde

71. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

72. De la Parade du Cavé sur le Coup de Flanconnade

73. De la Parade Dequinte sur le Coup de Quinte

74. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes