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1. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
Creator:
Luigi Balugani, 1737–1770
Date:
ca. 1768
Materials & Techniques:
Pen and black ink, gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Tivoli

Tivoli
Creator:
William Marlow, 1740–1813
Date:
ca. 1768
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Quatrieme Position du Salut

Quatrieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. De la Risposte de Quarte apres la Parade de Quarte

De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Position de la Garde Italienne de L'Epée & Poignard

Position de la Garde Italienne de L'Epée & Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Position pour le Garde en Tierce et le Coup de Tierce

Position pour le Garde en Tierce et le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Position pour la Garde en Quarte

Position pour la Garde en Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. De la Parade de Tierce, sur le Coup de Tierce

De la Parade de Tierce, sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. De la Parade Dequinte sur le Coup de Quinte

De la Parade Dequinte sur le Coup de Quinte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

De la Risposte en Quinte de Pied forme sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Risposte Aprés Avoir Trompé la Parade du Poignard

Risposte Aprés Avoir Trompé la Parade du Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Position pour la Garde en Quarte et le Coup de Quarte

Position pour la Garde en Quarte et le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Premiere Position pour tirer L'Epée

Premiere Position pour tirer L'Epée
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection