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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
19
Creator
Gwin, James, 1700–1769
17
Balugani, Luigi Antonio Melchiorre, 1737–1771
1
Marlow, William, 1740–1813
1
Date
1800
25
1763
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19
1802
15
1830
13
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1771
12
1810
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0
9
1785
9
1823
8
1780
6
1790
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1791
6
1836
6
1784
5
1795
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1818
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1772
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1775
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1827
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1839
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1746
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1783
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1792
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1796
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1805
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1813
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1814
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1819
3
1820
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1835
3
1837
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1838
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1841
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1730
2
1748
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1757
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1764
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1767
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1773
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1777
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1778
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1793
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1799
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1803
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1806
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1811
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1825
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1831
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1850
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1851
2
1856
2
1860
2
1864
2
1885
2
1942
2
1691
1
1697
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1709
1
1720
1
1728
1
1733
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1736
1
1740
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1755
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1762
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1781
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1789
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1804
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1808
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1816
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1821
1
1824
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1826
1
1828
1
1833
1
1834
1
1840
1
1846
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1847
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1852
1
On-site Access
Accessible by appointment in the Study Room
19
Image Use
Free to Use
19
Image Available
Available
19
Classification
Drawings & Watercolors
19
Creator Gender
male
19
Collective Title
Desseins Originaux des Attitudes Continuée dans L'École des Armes
17
Period
18th century
19
Materials & Techniques
graphite
19
laid paper
19
pen
19
black ink
18
gray ink
18
gray wash
18
watercolor
1
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28
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45
Work Type
drawing
19
watercolor
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19
Genre
sporting art
17
botanical subject
1
cityscape
1
landscape
1
Subject Terms
Grand Tour
1
boy
1
cityscape
1
hills
1
landscape
1
trees
1
valley (landform)
1
Associated Places
Italy
1
Lazio
1
Tivoli
1
Exhibition History
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
19
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Date
1763
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watercolor
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27
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1
William Marlow, 1740–1813
Tivoli
ca. 1768
2
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
3
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
4
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
5
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
6
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
7
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
8
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
9
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
10
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
11
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
12
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
13
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
14
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
15
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
16
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
17
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
18
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
19
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763