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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
2
Creator
Bartolozzi, Francesco, 1727–1815
1
Hogarth, William, 1697–1764
1
Luti, Benedetto, 1666–1724
1
Date
1808
40
1811
30
1859
29
1812
25
1776
19
1809
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1824
18
1813
14
1819
13
1830
13
1807
12
1630
11
1816
11
1896
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1774
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1784
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1825
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1823
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1925
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1700
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1754
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1757
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1780
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1802
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1822
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1834
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1690
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1814
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1827
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1907
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1920
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1930
4
1732
3
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1751
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1755
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1761
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1770
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1771
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1777
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1782
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1667
2
1683
2
1685
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1704
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1728
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1731
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1733
2
1738
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1747
2
1748
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1750
2
1752
2
1756
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1758
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1762
2
1763
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2
1778
2
On-site Access
Accessible by appointment in the Study Room
2
Image Use
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2
Image Available
Available
2
Classification
Prints
2
Creator Gender
male
2
Period
18th century
2
Materials & Techniques
etching (printing process)
1
laid paper
1
line engraving
1
stipple engraving
1
wove paper
1
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42
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31
Work Type
intaglio print
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2
Genre
animal art
1
cityscape
1
religious and mythological subject
1
Subject Terms
animal art
1
apples
1
architecture
1
balls
1
bear
1
chasing
1
city
1
clouds
1
dog (animal)
1
during the foot-race Hippomenes drops the three golden apples; Atalante stops to pick them up, and is thus beaten
1
forest
1
gambling
1
man
1
mythological figures
1
plants
1
racing
1
religious and mythological subject
1
river
1
running
1
sandals
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Associated People
Atalante
1
Hippomenes
1
Credit Line
Yale Center for British Art, Gift of Thomas S. Holman, New York, NY
1
Yale Center for British Art, Paul Mellon Collection
1
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Date
1763
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Work Type
intaglio print
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Width [cm]
26
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1
William Hogarth, 1697–1764
The Bruiser
1763
2
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763