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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
13
Creator
Gwin, James, 1700–1769
12
Marlow, William, 1740–1813
1
Date
1745
73
1787
49
1831
33
1832
33
1800
25
1764
22
1795
22
1830
22
1818
21
1947
20
1791
19
1819
18
1827
18
1836
17
1762
16
1773
15
1808
15
1833
15
1700
14
1780
14
1796
14
1763
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13
1772
13
1785
13
1802
12
1817
12
1786
11
1834
11
1771
10
1775
10
1779
10
1790
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1798
10
1804
10
1820
10
1823
10
1829
10
1835
10
1789
9
1792
9
1793
9
1816
9
1776
8
1784
8
1788
8
1807
8
1811
8
1815
8
1822
8
1825
8
1860
8
2005
8
1748
7
1777
7
1783
7
1810
7
1814
7
1821
7
1838
7
1847
7
1690
6
1755
6
1767
6
1778
6
1799
6
1826
6
1837
6
1750
5
1770
5
1781
5
1782
5
1794
5
1797
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1803
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1805
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1809
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1813
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1824
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1828
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1842
5
1941
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1950
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2004
5
1738
4
1759
4
1765
4
1774
4
1806
4
1812
4
1865
4
1908
4
1915
4
1929
4
1944
4
1948
4
1949
4
1960
4
0
3
1725
3
1735
3
On-site Access
Accessible by appointment in the Study Room
13
Image Use
Free to Use
13
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13
Classification
Drawings & Watercolors
13
Creator Gender
male
13
Collective Title
Desseins Originaux des Attitudes Continuée dans L'École des Armes
12
Period
18th century
13
Materials & Techniques
graphite
13
gray ink
13
laid paper
13
pen
13
black ink
12
gray wash
12
watercolor
1
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29
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41
Work Type
drawing
13
watercolor
13
Genre
sporting art
12
cityscape
1
landscape
1
Subject Terms
Grand Tour
1
boy
1
cityscape
1
hills
1
landscape
1
trees
1
valley (landform)
1
Associated Places
Italy
1
Lazio
1
Tivoli
1
Exhibition History
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
13
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Date
1763
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38
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1
William Marlow, 1740–1813
Tivoli
ca. 1768
2
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
3
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
4
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
5
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
6
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
7
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
8
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
9
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
10
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
11
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
12
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
13
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763