Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
7
Thomas Patch, 1725–1782
British Gentlemen at Sir Horace Mann's Home in Florence
between 1763 and 1765
Not on view
8
John Singleton Copley, 1738–1815
General Thomas Gage
ca. 1768
Not on view
9
Hugh Barron, 1745–1791
A Man, Probably a Self-Portrait
ca. 1768
Not on view
10
Gavin Hamilton, 1723–1798
The Death of Lucretia
1763 to 1767
Not on view
11
William Hogarth, 1697–1764
John Wilkes, Esq
1763
12
William Hogarth, 1697–1764
The Bruiser
1763
13
James Bruce, 1730–1794
Sketches of Temple Columns
ca. 1768
14
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
15
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
16
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
17
James Bruce, 1730–1794
Jerboa
ca. 1768
18
James Bruce, 1730–1794
Vulture
ca. 1768
19
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
20
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
21
James Bruce, 1730–1794
Dik-dik
ca. 1768
22
James Bruce, 1730–1794
Gypaetus barbatus (Bearded Vulture)
ca. 1768
23
James Bruce, 1730–1794
Bee Cuckoo
ca. 1768
24
James Bruce, 1730–1794
Sagittarius serpentarius (Secretary Bird)
ca. 1768
25
Joseph Wright of Derby, 1734–1797
Portrait of a Man
ca. 1768
26
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
27
William Marlow, 1740–1813
Tivoli
ca. 1768
28
Nathaniel Hone, 1718–1784
Portrait of a Gentleman
1763
29
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
30
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
31
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
32
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
33
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
34
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
35
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
36
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
37
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
38
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
39
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
40
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
41
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
42
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
43
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
44
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
45
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
46
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
47
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
48
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
49
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
50
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
51
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
52
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
53
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
54
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
55
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
56
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
57
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
58
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
59
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
60
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
61
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
62
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
63
James Gwin, 1700–1769
Premiere Position du Salut
1763
64
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
65
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
66
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
67
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
68
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
69
Angelica Kauffmann, 1741–1807
Woman Adjusting a Ribbon in Her Hair. Le Blanc 28
ca. 1768
70
Angelica Kauffmann, 1741–1807
Mother and Child
1763
71
Angelica Kauffmann, 1741–1807
Bust of an Old Man. Le Blanc 34
1763
72
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South East View of the City of New York in North America
1763
73
Antoine de Marcenay de Ghuy, 1724–1811
A la Memoire de l'Illustre Vandike, Peintre de la Nature
1763
74
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
75
Francesco Bartolozzi, 1728–1815
Camillus Rescuing Rome From Brennus
1763
76
Francesco Bartolozzi, 1728–1815
Marcus Furius Camillus Liberating Rome From Brennus
1763
77
unknown artist
A View of the Royal Palace of Hampton Court
1763
78
Print made by Thomas Chambars, ca. 1724–1789
Godfrey Schalcken
1763
79
Print made by Giuseppe Marchi, ca. 1735–1808
Miss Cholmondeley
ca. 1768
80
Print made by James Watson, 1740–1790
Lady Almeria Carpenter
ca. 1768
81
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
82
Print made by unknown artist
Miss Eyebright
between 1763 and 1779
83
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
84
Butler Clowes, active 1768, died 1782
The Hen Peckt Husband
ca. 1768
85
Paul Sandby, 1731–1809
Capriccio with Edinburgh Castle and Arthur's Seat
before 1773
86
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
87
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
88
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
89
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
90
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
91
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
92
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
93
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
94
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
95
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
96
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
97
James Gwin, 1700–1769
Seconde Position du Salut
1763
98
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
99
James Gwin, 1700–1769
Troisieme Position du Salut
1763
100
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes