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Date 1762

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Subject Terms dress

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Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:
Contemporary drawn border: 12 1/2 x 16 5/8 inches (31.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Soldiers and Country Women
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fisherfolk with Baskets and Nets
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 3 3/8 x 5 7/8 inches (8.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
Creator:
Print made by James Watson, 1740–1790
Date:
between 1762 and 1764
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 3/8 × 17 3/4 inches (67 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund