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Date 1760

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Powerscourt, County Wicklow, Ireland
Creator:
George Barret, ca. 1728/32–1784
Date:
between 1760 and 1762
Materials & Techniques:
Oil on canvas
Dimensions:
28 7/8 x 38 1/4 inches (73.3 x 97.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Norton Hall, Cheshire: Ground Plan with Designs for a Canal
Creator:
unknown artist
Date:
between 1760 and 1776
Materials & Techniques:
Pen and black ink, gray wash, and pen and brown ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 5/8 × 15 inches (24.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Terrace, Looking East
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1765
Materials & Techniques:
Gouache and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Norman Gate and Deputy Governor's House
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1765
Materials & Techniques:
Gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Terrace, Windsor Castle, Looking West
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1765
Materials & Techniques:
Gouache and watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 21 1/2 inches (38.1 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Plan of Principal Floor
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1765
Materials & Techniques:
Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 15/16 x 24 3/8 inches (40.5 x 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection