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Royal Sport, Pit Ticket
Creator:
Print made by William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 17 1/8 inches (36.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Melville & Naomi Stone
The Cockpit
Creator:
Print made by William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Etching and engraving on thin, slightly textured, blued white laid paper
Dimensions:
Sheet: 12 3/8 × 15 1/8 inches (31.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mr. Arthur F. Tuttle
The Cockpit
Creator:
Print made by William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 15 inches (32.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
Creator:
unknown artist
Date:
1759
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 13/16 × 18 1/8 inches (40.2 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elizabeth, Countess of Northumberland
Creator:
Edward Fisher, 1722–1785
Date:
between 1759 and 1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 21 1/16 × 15 1/16 inches (53.5 × 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elizabeth, Countess of Northumberland
Creator:
Edward Fisher, 1722–1785
Date:
between 1759 and 1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 7/8 × 14 15/16 inches (53.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection