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Date 1750
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101
- The March to Finchley
- 1750
102
- The Earthquake Scare in Piccadilly
- 1750
103
- Portraits of Four Indian Kings of Canada: Sa Ga Yeath Pieth Tow, King of the Maquas
- ca. 1755
104
- The Banana Tree, Plate 16
- 1750
105
- No.1 Turpin Going to Start to York, King Shot
- undated
106
- No.8 Death of Glorious Black Bess
- undated
107
- No.2 Leaping Hornsey Toll Gate
- undated
108
- No.3 Edmonton, Hark Away Dick
- undated
109
- No.4 The Brothers' Gibbet at Gonerly
- undated
110
- No.6 The Phantom Horseman
- undated
111
- No.5 Poor Bess Revived
- undated
112
- No.7 Bess Swimming the Ouse
- undated
113
- Queen Mary II
- 1750
114
- The South East Prospect of Westminster
- 1750
115
- A Perspective View of Ranelagh House and Garden
- 1750
116
- River and Mountain, with Ruins
- between 1750 and 1759
117
- Design for Funerary Monument
- undated
118
- Design for Funerary Monument
- undated
119
- Door-way in Wall of South Precints of Westminster Abbey
- undated
120
- Plan of Lambeth Palace
- 1750
121
- Francis Smith, Architect
- ca. 1755
122
- Louis Laguerre, Bernard Lens and Charles Jervas
- Between 1750 and 1775
123
- Sir Godfrey Kneller
- undated
124
- George Jameson
- undated
125
- Edward VI and His Court
- 1750
126
- Travelling Palanquins
- ca. 1800
127
- Tree and Distant Hills
- between 1750 and 1755
128
- Landscape with Mountain and Lake
- 1750s
129
- Couple Dancing
- undated
130
- A Judge of Distress like Hers
- undated
131
- The Introduction
- undated
132
- Miss Peagreen's Papa & Mama Walking in the Public Walks at a Bathing Place
- undated
133
- The Proposal
- undated
134
- Conquering a Chromatic Passage
- undated
135
- Design for Funerary Monument
- undated
136
- Design for Funerary Monument
- undated
137
- Design for Funerary Monument
- undated
138
- New designs for Chinese temples, triumphal arches, garden seats, palings &c. ...
- 1750-1752
139
- A plan of Rome
- 1750
140
- A geometrical plan of the city and suburbs of Bristol
- [175-?]
141
- A survey of the city and suburbs of Bristol
- 1750
142
- The beauties of Stow, or, A description of the pleasant seat, and noble gardens, of the right honourable Lord Viscount Cobham
- 1750
143
- Reynolds, Joshua, Sir, 1723–1792
- Notes on Pliny
- 1750
- Archives
144
- An Accurate Map of Hindoostan, Drawn from the Latest Authorities
- late 18th century?
- Archives
145
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
146
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
147
- British, Neoclassical frame
- 2nd half of 18th century
148
- British, Neoclassical frame
- 3rd quarter of 18th century
149
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
150
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
151
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
152
- Irish Provincial Rococo frame
- 3rd quarter of 18th century
153
- British Neoclassical frame
- 2nd half of 18th century
154
- British, Rococo frame
- 3rd quarter of 18th century
155
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
156
- British 'Carlo Maratta' frame
- 3rd quarter of 18th century
157
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
158
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
159
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
160
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
161
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
162
- British provincial 'Carlo Maratta' frame
- 3rd quarter of 18th century
163
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
164
- British, Neoclassical frame
- 3rd quarter of 18th century
165
- British, Neoclassical frame
- 2nd half of 18th century
166
- British, Neoclassical frame
- 2nd half of 18th century
167
- British, 'Carlo Maratta' frame component
- 2nd half of 18th century
168
- British, Neoclassical frame
- 2nd half of 18th century
169
- British, Neoclassical frame
- 2nd half of 18th century
170
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
171
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
172
- British, 'Carlo Maratta' frame component
- 2nd half of 18th century
173
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
174
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
175
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
176
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
177
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
178
- British, Louis XIV style frame
- 2nd half of 18th century
179
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
180
- British (?), Neoclassical frame
- 3rd quarter of 18th century
181
- British (?), Neoclassical frame
- 3rd quarter of 18th century
182
- Italian 'Salvator Rosa' frame
- 2nd half of 18th century
183
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
184
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
185
- British Rococo frame
- 2nd half of 18th century
186
- British Louis XV style frame
- 3rd quarter of 18th century
187
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
188
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
189
- British, Louis XIV style frame
- 2nd half of 18th century
190
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
191
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
192
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
193
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
194
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
195
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
196
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
197
- British, Rococo frame
- 3rd quarter of 18th century
198
- British, Rococo with fronton frame
- 3rd quarter of 18th century
199
- British, Rococo with fronton frame
- 3rd quarter of 18th century
200
- British, 'Carlo Maratta' frame
- 2nd half of 18th century