Date: 1745 / Subject Terms: pediments - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Date 1745

Subject Terms pediments

1. Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639

Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Plan and View of a Cave, Temple, or Tomb

Plan and View of a Cave, Temple, or Tomb

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east

No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 15/16 x 11 5/8 inches (37.9 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Elevation of the Front of the 1st temple fronting the sea

Elevation of the Front of the 1st temple fronting the sea

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 11 1/16 inches (38.1 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection