The Rt. Hon. Joseph Addison, Mathew Prior Esq., Mr. Alexander Pope, and Mr. William Congreve
ca. 1750
412
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
413
Thomas Major, 1714–1799
The Royal Palace of Windsor
1745
414
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
415
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
416
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
417
Isaac Taylor, 1730–1807
Town and Country Magazine - Frontispiece for Vol. IV, 1772
undated
418
Isaac Taylor, 1730–1807
Town and Country Magazine, Frontispiece for Vol. X for 1778
undated
419
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
420
Print made by Pierre Charles Canot, ca. 1710–1777
Night and a Ship on Fire
1745
421
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
422
Print made by Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
1745
423
Print made by Pierre Charles Canot, ca. 1710–1777
A Ship in Distress
1745
424
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
425
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
426
Alexander Bannerman, ca. 1730–1780
Verrio
undated
427
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
428
Print made by Alexander Bannerman, ca. 1730–1780
Frederick Zucchero
undated
429
Alexander Bannerman, ca. 1730–1780
Gerard Zoust, Edema and Grifiere
undated
430
James Bruce, 1730–1794
Abyssinian Lady of Quality
undated
431
George Vertue, 1684–1756
King William the Conquerer
1745
432
Isaac Taylor, 1730–1807
Frontispiece Vol. VII, No. I for 1775 from Town and Country Magazine
undated
433
Isaac Taylor, 1730–1807
Town and Country Magazine - Frontispiece for 1769 (1st issue therefore no Vol. no.)
undated
434
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
435
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
436
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
437
Isaac Taylor, 1730–1807
Frontispiece for Town and Country Magazine, for Vol. II, No. 1
undated
438
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
439
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
440
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
441
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
442
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
443
Isaac Taylor, 1730–1807
Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1
undated
444
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
445
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
446
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
447
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
448
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
449
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
450
William Henry Toms, ca. 1700–ca. 1750
The Tower of London
ca. 1750
451
James Stow, ca. 1770–after 1820
The Globe Theatre, Bankside, Southwark
undated
452
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
453
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
454
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
455
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
456
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
457
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
458
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
459
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
460
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
461
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
462
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
463
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
464
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
465
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
466
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
467
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
468
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
469
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
470
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
471
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
472
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
473
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
474
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
475
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
476
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
477
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
478
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
479
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
480
Andrew Miller, Died 1763
Oliver Cromwell and General Lambert
1745
481
William Henry Toms, ca. 1700–ca. 1750
Veue de St. James's Park pris de Rosamond's Pond
1745
482
Print made by Pierre Charles Canot, ca. 1710–1777
Shipwreck
1745
483
James Roberts the Elder, 1725–1799
The South East View of Brook House
ca. 1750
484
Capt. Francis Grose, 1731–1791
Cowdray Court from the Lodging House
undated
485
Francois Vivares, 1709–1780
A View of Hopping Mill, Ware
1745
486
Print made by Francois Vivares, 1709–1780
A View of Anchor Church (Derbyshire)
1745
487
Alexander Bannerman, ca. 1730–1780
Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
undated
488
Alexander Bannerman, ca. 1730–1780
Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
undated
489
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
490
Alexander Bannerman, ca. 1730–1780
Francis Wouters
undated
491
Alexander Bannerman, ca. 1730–1780
Sir Christopher Wren and Hugh Howard
undated
492
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
493
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
494
John Spilsbury, 1730–1795
Benjamin West, Engraver
undated
495
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
496
L. Truchy, 1721–1764
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot
1745
497
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Marriage A-la-Mode, Plate I: The Contract
1745
498
Print made by Bernard Baron, 1696–1762
Marriage A-la-Mode, Plate III: The Scene with the Quack