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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
18
Creator
Bruce, James, 1730–1794
14
Borra, Giovanni Battista, 1713–1770
3
Heckel, Augustin, 1690–1770
1
Date
1745
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18
1751
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1818
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1772
6
1823
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1792
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1700
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1764
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1800
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1812
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1822
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1827
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1831
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1835
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1845
3
1987
3
1735
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1780
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1
1906
1
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1
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1
1917
1
1930
1
1971
1
2006
1
On-site Access
Accessible by appointment in the Study Room
18
Image Use
Free to Use
18
Image Available
Available
18
Classification
Drawing & Watercolors-Architectural
16
Drawings & Watercolors
2
Creator Gender
male
18
Period
18th century
18
Materials & Techniques
laid paper
18
graphite
17
black ink
13
gray wash
6
brown ink
5
pen
1
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59
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41
Work Type
drawing
18
watercolor
4
Genre
architectural subject
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18
landscape
1
Subject Terms
architectural subject
18
capitals
3
entablature
3
Corinthian order
2
columns
2
friezes
2
moldings
2
Greco-Roman
1
Ionic
1
bridge (built work)
1
caryatids
1
piers (foundation components)
1
putti
1
river
1
ruins
1
scale (rule)
1
temple
1
Associated Places
Ege kiyilari
3
Turkey
3
Asia
2
Denizli Ili
1
England
1
Ephesus
1
Hierapolis
1
Izmir Ili
1
Milâs
1
Mugla Ili
1
Pamukkale
1
Surrey
1
Thames
1
United Kingdom
1
Walton
1
Exhibition History
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
18
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1
James Bruce, 1730–1794
Slight graphite sketch of ruins of Hieron of Temples at Shietla
undated
2
James Bruce, 1730–1794
Capitol Thamugas
undated
3
James Bruce, 1730–1794
Measured drawing of section of pediments of temple Baalbec
undated
4
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
5
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
6
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
7
James Bruce, 1730–1794
No. 22 sketch of temple at Baalbec and Palmyra
undated
8
James Bruce, 1730–1794
Internal Order of the Cell of the most entire Temple at Baalbec
undated
9
James Bruce, 1730–1794
Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
undated
10
James Bruce, 1730–1794
Temple at Baalbec: Three Temples amongst other Ruins
undated
11
James Bruce, 1730–1794
Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
undated
12
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
13
James Bruce, 1730–1794
No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
undated
14
James Bruce, 1730–1794
Elevation of Front of most entire Temple at Baalbec
undated
15
James Bruce, 1730–1794
Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
undated
16
James Bruce, 1730–1794
Temple at Baalbec: Sheet of Sketches of Columns
undated
17
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State
undated
18
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750