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Collection
Prints and Drawings
5
Creator
Bruce, James, 1730–1794
3
Hogarth, William, 1697–1764
2
Date
1797
81
1794
49
1795
36
1790
35
1788
29
1770
26
1789
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21
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15
1785
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1771
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1745
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5
1751
5
1709
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1717
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1718
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1729
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1740
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1746
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1752
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1763
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1720
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1728
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1730
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1734
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1736
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1738
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1739
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1747
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1753
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1798
1
On-site Access
Accessible in the Study Room
5
Image Use
Free to Use
5
Image Available
Available
5
Classification
Drawings & Watercolors
5
Creator Gender
male
5
Period
18th century
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5
Materials & Techniques
graphite
5
laid paper
3
black ink
2
brown ink
2
pen
2
red chalk
1
vellum (skin)
1
watercolor
1
wove paper
1
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32
Work Type
drawing
5
watercolor
1
Genre
religious and mythological subject
3
figure study
1
historical subject
1
Subject Terms
religious and mythological subject
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5
columns
2
curtain
2
deaths
2
epitaphs
2
halo
2
saint
2
skeleton
2
bald
1
boots
1
bracelets
1
breaking
1
breeches (trousers)
1
cloak
1
dove
1
figures
1
headband
1
lamb
1
loincloths
1
muscles
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Exhibition History
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
5
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1745
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religious and mythological subject
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1
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
3
James Bruce, 1730–1794
Sketch of Man, Woman and Child
undated
4
James Bruce, 1730–1794
St Agnes (after Domenichino)
undated
5
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated