The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
6
Francois Vivares, 1709–1780
A View of Hopping Mill, Ware
1745
7
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
8
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
9
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
10
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
11
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
12
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
13
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
17
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
18
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
19
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
20
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
21
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
22
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
23
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
24
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
25
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
26
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
27
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
28
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
29
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
30
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
31
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
33
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
34
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
35
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
36
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
37
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
38
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
39
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
40
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
41
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
42
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
43
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
44
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
45
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
46
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
47
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
48
James Bruce, 1730–1794
Figures in a Landscape
undated
49
James Bruce, 1730–1794
Constantine
undated
50
James Bruce, 1730–1794
St. Michael Geesh
undated
51
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
52
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
53
Alexander Cozens, 1717–1786
The Glade
ca. 1750
54
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
55
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
56
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
57
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
58
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
59
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
60
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
61
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
62
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
63
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
64
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
65
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
66
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
67
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
68
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
69
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
70
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
71
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
72
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
73
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right