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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
4
Creator
Gainsborough, Thomas, 1727–1788
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4
Bartolozzi, Francesco, 1727–1815
1
Date
1742
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4
1765
2
1770
2
1771
2
1779
2
1787
2
1740
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1744
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1745
1
1749
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1752
1
1754
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1760
1
1767
1
1782
1
1783
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1785
1
On-site Access
Accessible by appointment in the Study Room
4
Image Use
Free to Use
4
Image Available
Available
4
Classification
Drawings & Watercolors
3
Prints
1
Creator Gender
male
4
Period
18th century
3
18th century-19th century
1
Materials & Techniques
laid paper
3
black chalk
2
white chalk
2
black ink
1
black wash
1
etching (printing process)
1
graphite
1
gray wash
1
pen
1
stipple engraving
1
wove paper
1
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Work Type
drawing
3
intaglio print
1
watercolor
1
Genre
genre subject
2
landscape
2
figure study
1
portrait
1
Subject Terms
man
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4
genre subject
2
landscape
2
trees
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Claude glass
1
artist
1
baby
1
buttons
1
children
1
church
1
clouds
1
coat
1
cows
1
cravat
1
donkey
1
engraving
1
figure study
1
grass
1
graveyard
1
herdsman
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Associated People
Gainsborough, Thomas (1727–1788), painter and printmaker
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
4
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1742
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Gainsborough, Thomas, 1727–1788
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man
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1
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
2
attributed to Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains
1742
3
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
undated
4
copy after Thomas Gainsborough, 1727–1788
Man Holding a Claude Glass
undated