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Date 1739

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Creator Gilpin, William, 1724–1804

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1. Landscape with Church in Background

Landscape with Church in Background
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash, graphite, pen and black ink, and gray ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 1/4 inches (22.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

2. Landscape

Landscape
Creator:
Possibly by Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/4 × 7 15/16 inches (13.3 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

3. Bridge on the Malton Road from York

Bridge on the Malton Road from York
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 17 3/4 inches (37.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Castle above a Lake with Distant Mountain under Stormy Sky

Castle above a Lake with Distant Mountain under Stormy Sky
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Mountainous Landscape with Trees - High Crags to the Right

Mountainous Landscape with Trees - High Crags to the Right
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper prepared with orange wash
Dimensions:
Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Mountain View

Mountain View
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 7 3/8 inches (13.3 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Elizabeth Manwaring

7. Landscape with Lake and Mountains

Landscape with Lake and Mountains
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash, pen and brown ink, graphite and yellow ground on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 6 3/8 x 10 1/8 inches (16.2 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Fir Trees in a Mountain Landscape

Fir Trees in a Mountain Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper prepared with yellow wash
Dimensions:
Sheet: 6 3/8 x 9 7/8 inches (16.2 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. View Through the Trees

View Through the Trees
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper prepared with brown wash
Dimensions:
Sheet: 5 3/8 × 7 1/2 inches (13.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Elizabeth Manwaring

10. Mountainous landscape with winding river and castle

Mountainous landscape with winding river and castle
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, cream laid paper prepared with pale brown wash
Dimensions:
Sheet: 11 3/8 x 15 1/2in. (28.9 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. River view with Ruins

River view with Ruins
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, cream laid paper prepared with green wash
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

View in Barnscliff, near Scarborough, when Overflowed by the Derwent
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:
Mount: 14 5/8 x 17 1/2 inches (37.1 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Knaresborough Castle, Yorkshire

Knaresborough Castle, Yorkshire
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:
Mount: 14 3/4 x 17 13/16 inches (37.4 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Mountain Landscape with Two Figures on a Winding Road

Mountain Landscape with Two Figures on a Winding Road
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper prepared with yellow wash
Dimensions:
Sheet: 6 7/16 x 9 1/4 inches (16.4 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Snowdon

Snowdon
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper prepared with yellow wash
Dimensions:
Sheet: 6 1/4 x 10 1/16in. (15.9 x 25.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Cumberland Landscape

Cumberland Landscape
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 7 3/4 inches (13 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Wooded Landscape Overlooking an Estuary

Wooded Landscape Overlooking an Estuary
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 19 3/8 inches (14.6 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The evening glow now pervades the Landscape strongly (Design for Plate 25)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Dimensions:
Image: 7 1/8 x 10 3/4in. (18.1 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The evening glow now pervades the Landscape strongly (Design for Plate 24)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. A Withered Top

No cover image available
Creator:
Attributed to Rev. William Gilpin, 1724–1804
Date:
Undated
Materials & Techniques:
Pen and black ink and gray wash on wove paper
Dimensions:
Sheet: 4 1/2 x 7 5/16in. (11.4 x 18.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Sun rises ruddy, and turbid, and just touches the tops of the highest ground (Design for Plate 1)

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Album of Twenty-four Drawings for 'Gilpin's Day'

No cover image available
Creator:
Rev. William Gilpin, 1724–1804
Date:
compiled 1795
Materials & Techniques:
Bound volume of 24 wash drawings and 4 manuscript pages on medium, slightly textured, cream laid paper
Dimensions:
Spine: 12 3/4 inches (32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection