The Sun rises ruddy, and turbid, and just touches the tops of the highest ground (Design for Plate 1)
undated
4
William Hoare, 1706/7–1792/99
Alexander Pope (1688-1744)
after 1739-40
5
Francois Vivares, 1709–1780
Horseman and Dog Leaving Stableyard of Inn and Riding Along Road Towards Village
1739
6
Francois Vivares, 1709–1780
Two Clerics Wandering Amongst Monastic Ruins Beside Sea or Lake
1739-1750
7
Francois Vivares, 1709–1780
Two Men Looking at Classical Ruins with Obelisk in Center
1739
8
Francois Vivares, 1709–1780
Man with Basket and Staff Beside Classical Ruins
1739
9
Francois Vivares, 1709–1780
Windmill Beside Winding River with Two Buildings on Opposite Bank
1739
10
Francois Vivares, 1709–1780
Man and Woman with Bundle Looking at a Classical Ruin
1739
11
Francois Vivares, 1709–1780
Three Men and a Woman Looking at Classical Ruins
1739
12
Francois Vivares, 1709–1780
Woman and Three Men Looking at Classical Ruins
1739
13
Francois Vivares, 1709–1780
Woman Spinning Beside a Well and Group of Buildings
1739
14
Francois Vivares, 1709–1780
Man Rowing Boat on River, Boy Fishing from Riverbank, House and Outbuildings Beside River
1739
15
Francois Vivares, 1709–1780
Woman, Cowherd and Two Cows on River Bank, Buildings on Opposite River Bank
1739
16
Francois Vivares, 1709–1780
Woman on River Bank with Sailing Boat on River, Buildings on Opposite Bank, Windmill in Distance
1739
17
Francois Vivares, 1709–1780
Two Men Beside Ruined Arch Observing Farmyard Scene with Man Driving Horse and Wagon along Lane
1739-1750
18
Francois Vivares, 1709–1780
Three Arched Bridge over River with Town Along Riverbank. Three Men in Rowing Boat on River
1739-1750
19
Francois Vivares, 1709–1780
Two Men and a Grazing Horse in Front of a windmill and a Horse
1739
20
Francois Vivares, 1709–1780
Horseman Crossing Three Arched Bridge over River. Ruins in the Distance
1739
21
Francois Vivares, 1709–1780
Shepherd with Flock Beside Which Winds under a Bridge Beside a Ruined Tower
1739-1750
22
Francois Vivares, 1709–1780
Classical Ruin with Pillars and Steps, on River Bank with Buildings in Distance
1739
23
Francois Vivares, 1709–1780
Horseman About to Cross a Two Arched Bridge with Gateway and Buildings on Opposite Bank
1739
24
Francois Vivares, 1709–1780
Lovers in a Classical Ruin
1739
25
Francois Vivares, 1709–1780
Man Crossing Footbridge over Creek Beside Ruined Castle. Large Sailing Ship in Bay
1739
26
Francois Vivares, 1709–1780
Two Fishermen on River Bank Beside Ruined Inn. Buildings in Distance on Opposite Bank
1739
27
Francois Vivares, 1709–1780
Two Men Looking at Classical Ruin Beside River. Two Men Rowing Boat in Distance
1739
28
Francois Vivares, 1709–1780
Horseman and Shepherd and Flock Beside Tree and in Front of Buildings and Dovecote
1739
29
Francois Vivares, 1709–1780
Man on Two Path Pulling Covered Boat Along River. Ruin on Opposite Side
1739
30
Francois Vivares, 1709–1780
Two Fisherman on Riverbank with Round Dovecote on Opposite Bank. Buildings in the Distance
1739
31
Francois Vivares, 1709–1780
Plate 4: Horseman, Shepherd and Flock Travelling on Road in Front of Classical Ruin
1739
32
Francois Vivares, 1709–1780
Man Rowing Across River. Buildings on Both Banks
1739
33
Francois Vivares, 1709–1780
Men Feeding Horse Beside Tree Stump. Travellers on Road Beside River. Ruins in the Distance
1739
34
Francois Vivares, 1709–1780
Traveller and Galloping Horseman on Road in Front of Church
1739
35
Francois Vivares, 1709–1780
Fisherman on River Bank in Front of House and Round Dovecote
1739
36
Francois Vivares, 1709–1780
Man rowing a boat along river. Buildings with a round tower and walled garden on opposite bank
1739
37
Francois Vivares, 1709–1780
Shepherd, woman and two sheep in front of cottage with steps up to doorway
1739
38
Francois Vivares, 1709–1780
Man rowing a boat along river. Buildings with a round tower and walled garden on opposite bank
1739
39
Francois Vivares, 1709–1780
Windmill and tree on left bank of river, house on right bank, wooden bridge in between
1739
40
Francois Vivares, 1709–1780
Duckshooters in a rowing boat on a river. Man with a staff on near bank. Houses on opposite bank
1739
41
Francois Vivares, 1709–1780
Two boats being rowed across river, one full of Kegs. Six arched bridge crossing river. Three fisherman on near bank beside a tower
1739
42
Francois Vivares, 1709–1780
Traveller approaching farm building, other buildings along roadside. Knarled tree at right side
1739
43
Francois Vivares, 1709–1780
Woman and child approaching ruined obelisk on plinth. Houses on opposite river bank
1739
44
Francois Vivares, 1709–1780
Traveller watching horseman and pedestrian approaching rambling houise within a walled garden
1739
45
Francois Vivares, 1709–1780
Herdsman with two cows approaching buildings with a square tower
1739
46
Francois Vivares, 1709–1780
Horseman and three pedestrians approaching an Inn beside a river
1739
47
Francois Vivares, 1709–1780
Man Playing Pipe to Shepherdess Beside River and Shack
1739
48
Francois Vivares, 1709–1780
Man Punting Along River Beside Huts. Woman and Child Sitting on Bank
1739
49
Francois Vivares, 1709–1780
Man with Stick Walking Along Lane Past Rustic Buildings
1739
50
Francois Vivares, 1709–1780
Classical Ruins with Columns and Arches
1739
51
Francois Vivares, 1709–1780
Two Men Looking at Classical Ruins, a Tomb (?) to the Right
1739
52
Francois Vivares, 1709–1780
Fisherman on river bank, rowing boat on river and buildings on oppposite bank
1739
53
Francois Vivares, 1709–1780
Man crossing bridge over river to building with a bell tower on roof
1739
54
Francois Vivares, 1709–1780
Shepherd, Woman and two sheep in front of cottage with steps up to doorway
1739
55
Francois Vivares, 1709–1780
Windmill and tree on left bank of river, house on the right bank, wooden bridge in between
1739
56
Francois Vivares, 1709–1780
Fisherman on river bank by a fence and tree. Buildings with a round tower and smoking chimney on opposite bank
1739
57
Francois Vivares, 1709–1780
Fisherman on river bank by a fence and tree. Buildings with a round and smoking chimney on opposite bank
1739
58
Francois Vivares, 1709–1780
Cow being milked beside shed on river bank, cottage on oposite side. Church Tower in distance
1739
59
Francois Vivares, 1709–1780
Cow being milked beside shed on river bank, cottage on opposite bank. Church tower in distance
1739
60
Francois Vivares, 1709–1780
Three travellers and a dog on a winding road passing houses and round dovecote
1739
61
Francois Vivares, 1709–1780
Shepherd and flock beside ruined arch. Cottage in background
1739
62
Francois Vivares, 1709–1780
Shepherd and flock beside ruined arch. Cottgae in background
1739
63
Francois Vivares, 1709–1780
Shepherd driving flock along road pass cottages towards high bridge over river
1739
64
Francois Vivares, 1709–1780
Three travellers and a goat on a winding road passing three cottages. Other buildings in distance
1739
65
Francois Vivares, 1709–1780
Man drawing water at a well. Traveller and dog walking along road past a house and a shed. Windmill in the distance
1739
66
Francois Vivares, 1709–1780
Man holding dogs forepaw standing beside path to cottage with smoking chimney. Barn on left, Church in distance across river
1739
67
Francois Vivares, 1709–1780
Traveller entering walled town through archway. Shepherd and flock beside road to town
1739-1747
68
Francois Vivares, 1709–1780
Man with dog and goat resting outside Inn with walled garden. Horse drinking through to right of entrance to Inn
1739-1747
69
Francois Vivares, 1709–1780
Traveller on winding road with horses on either side. Church in distance across river
1739
70
Francois Vivares, 1709–1780
Man fishing on river bank. Sailing boats on river. Houses and distant windmill along river bank
1739-1747
71
Francois Vivares, 1709–1780
Man seated on river bank. Two fishermen in a boat hauling nets. Large house on opposite bank with walled garden
1739-1747
72
Francois Vivares, 1709–1780
Men loading rowing boat on river. Inn, windmill and other buildings on opposite bank
1739
73
Francois Vivares, 1709–1780
Two mwn walking along road between buildings. Tree in centre of image
1739
74
Francois Vivares, 1709–1780
House, with bird house at it's gable, on near river bank. Houses and a walled garden on far river bank
1739
75
Francois Vivares, 1709–1780
Knarled tree on left river bank with church in distance. Building with round tower on right bank
1739
76
Francois Vivares, 1709–1780
Windmill, house with smoking chimney, and device for winding up rope on river bank. Houses in distance on opposite bank
1739
77
Francois Vivares, 1709–1780
Man fishing from River bank. Three houses on right river bank
1739
78
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
79
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
undated
80
Rev. William Gilpin, 1724–1804
The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)
undated
81
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
undated
82
Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
undated
83
Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
undated
84
Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
undated
85
Rev. William Gilpin, 1724–1804
The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
undated
86
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
87
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
undated
88
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 24)
undated
89
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
undated
90
Rev. William Gilpin, 1724–1804
The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
undated
91
Rev. William Gilpin, 1724–1804
The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
undated
92
Rev. William Gilpin, 1724–1804
The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
undated
93
Rev. William Gilpin, 1724–1804
The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
undated
94
Rev. William Gilpin, 1724–1804
As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
undated
95
Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
undated
96
Rev. William Gilpin, 1724–1804
The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
undated
97
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
undated
98
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
undated
99
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
undated
100
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)