Print made by John Faber the Younger, ca. 1695–1756
A Venetian Courtesan
1739
6
Print made by John Faber the Younger, ca. 1695–1756
Lady with Glass
1739
7
Print made by John Faber the Younger, ca. 1695–1756
A School of Boys
1739
8
Print made by John Faber the Younger, ca. 1695–1756
A School of Girls
1739
9
Print made by John Faber the Younger, ca. 1695–1756
Cupid in the Character of Bacchus
1739
10
Jacobus Houbraken, 1698–1780
Sir Walter Ralegh
1739
11
Jacobus Houbraken, 1698–1780
Henry Bennet, 1st Earl of Arlington
1739
12
Print made by John Baptist Jackson, 1701–1780
The Entombment
1739
13
William Henry Toms, ca. 1700–ca. 1750
The Southeast Prospect of the King Henry the VII's Chapel at Westminster
1739
14
William Henry Toms, ca. 1700–ca. 1750
St. Brigit alias St. Brides Church
1739
15
John Faber the Younger, ca. 1695–1756
Her Most Excellent Majesty, Queen Caroline
1739
16
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
17
Print made by John Faber the Younger, ca. 1695–1756
A School of Girls
1739
18
Print made by Thomas Chambars, ca. 1724–1789
Richard Boyle, Earl of Burlington
undated
19
William Henry Toms, ca. 1700–ca. 1750
Guild Hall
1739
20
John Faber the Younger, ca. 1695–1756
Alexander Pope
ca. 1744
21
Print made by Giles King, active 1732–1746
A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
ca. 1744
22
Print made by J. Carwitham, active 1720–1740
A South-West View of the City of New York in North America
1739
23
Print made by Carington Bowles, 1724–1793
The Aelian Bridge and Castle of St. Angelo, with part of the City of Rome
undated
24
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
25
Print made by Thomas Chambars, ca. 1724–1789
Sir Balthazar Gerbier
undated
26
Print made by Arthur Pond, ca. 1705–1758
Caricature of Baron Stosch and Marcantonio Sabbatini
1739
27
Print made by Thomas Chambars, ca. 1724–1789
Francesco Cleyn
undated
28
Print made by Thomas Chambars, ca. 1724–1789
Samuel Cooper
undated
29
Print made by Thomas Chambars, ca. 1724–1789
Sir Balthazar Gerbier
undated
30
Print made by Thomas Chambars, ca. 1724–1789
Grinling Gibbons
undated
31
Print made by Thomas Chambars, ca. 1724–1789
Cornelius Polenburg
undated
32
Print made by Arthur Pond, ca. 1705–1758
Self-portrait of Arthur Pond
1739
33
Print made by Thomas Chambars, ca. 1724–1789
Lewis Francis Roubiliac
undated
34
Print made by Thomas Chambars, ca. 1724–1789
Lewis Francis Roubiliac
undated
35
Print made by Thomas Chambars, ca. 1724–1789
Michael Rysbrack
undated
36
Print made by Thomas Chambars, ca. 1724–1789
Enoch Seeman
undated
37
Print made by Thomas Chambars, ca. 1724–1789
Enoch Seeman
undated
38
Print made by Thomas Chambars, ca. 1724–1789
Cornelius Ketel
undated
39
Jacobus Houbraken, 1698–1780
Frederick Duke of Schomberg
1739
40
Jacobus Houbraken, 1698–1780
Sr. Walter Ralegh
1739
41
Print made by Thomas Chambars, ca. 1724–1789
Edward Courtney, Earl of Devonshire
undated
42
Print made by Thomas Chambars, ca. 1724–1789
Horatio Gentileschi and Edward Mascall
undated
43
Print made by Thomas Chambars, ca. 1724–1789
John Baptiste Monnoyer
undated
44
Print made by Thomas Chambars, ca. 1724–1789
Sebastian Ricci
undated
45
Print made by Thomas Chambars, ca. 1724–1789
John Sybrecht
undated
46
Print made by Thomas Chambars, ca. 1724–1789
Sir Peter Paul Rubens
undated
47
Print made by Thomas Chambars, ca. 1724–1789
Nicholas Stone Sr. and Nicholas Stone Jr
undated
48
Print made by Thomas Chambars, ca. 1724–1789
Sir John Vanbrugh
undated
49
Print made by Thomas Chambars, ca. 1724–1789
Abraham Vanderdort
undated
50
Print made by Thomas Chambars, ca. 1724–1789
Paul Van Somer
undated
51
Print made by Thomas Chambars, ca. 1724–1789
Peter Oliver
undated
52
Print made by Thomas Chambars, ca. 1724–1789
Peter Tillemans
undated
53
Print made by Thomas Chambars, ca. 1724–1789
Sir Antonio More
undated
54
Print made by Thomas Chambars, ca. 1724–1789
Nicholas Laniere
undated
55
Print made by Thomas Chambars, ca. 1724–1789
Gerard Honthorst
undated
56
Print made by Thomas Chambars, ca. 1724–1789
William Hogarth
undated
57
Jacobus Houbraken, 1698–1780
Frederick, Duke of Schonberg
1739
58
Print made by Thomas Chambars, ca. 1724–1789
William van der Velde, Junior
undated
59
Print made by Thomas Chambars, ca. 1724–1789
Sir Godfrey Kneller and John Zackary Kneller
undated
60
Print made by Thomas Chambars, ca. 1724–1789
Sir John Medina
undated
61
Print made by Thomas Chambars, ca. 1724–1789
Horatio Gentileschi and Edward Mascall
undated
62
Print made by Thomas Chambars, ca. 1724–1789
Sir John Medina
undated
63
Print made by Thomas Chambars, ca. 1724–1789
John Baptiste Monnoyer
undated
64
Print made by Thomas Chambars, ca. 1724–1789
Sir Antonio More
undated
65
Print made by Thomas Chambars, ca. 1724–1789
Claude la Fevre and Mr. John Hayls
undated
66
Print made by Thomas Chambars, ca. 1724–1789
Nicholas Hilliard
undated
67
Jacobus Houbraken, 1698–1780
Thomas Cromwell, Earl of Essex
1739
68
unknown artist
Areley Hall
1739
69
George Vertue, 1684–1756
View of the Interior Court of the Royal Exchange
1739
70
Print made by Thomas Chambars, ca. 1724–1789
George Vertue, Engraver
undated
71
Print made by Thomas Chambars, ca. 1724–1789
Henry Cornelius Vroom
undated
72
Print made by Thomas Chambars, ca. 1724–1789
Robert Walker
undated
73
Nathaniel Buck, active 1727–1753
The North Prospect of Woolwich in the County of Kent
1739
74
Print made by Nathaniel Parr, active 1742–1751
A Prospect of the Palace of Chantilli
1739
75
Print made by Thomas Bowles III, ca. 1712–1767
The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour
undated
76
Print made by Thomas Chambars, ca. 1724–1789
George Vertue, Engraver
undated
77
Joseph Sympson, active 1725–died 1736
A Dark Grey Hunter upon full Chace
1739
78
Nathaniel Buck, active 1727–1753
The North West Prospect of Greenwich in the County of Kent
1739
79
Print made by Arthur Pond, ca. 1705–1758
Self-portrait of Arthur Pond
1739
80
Print made by Jacobus Houbraken, 1698–1780
Henry Bennet, Earl of Arlington
1739
81
Print made by Jacobus Houbraken, 1698–1780
Frederick Duke of Schonberg
1739
82
Print made by George Vertue, 1684–1756
William Cavendish of Newcastle
1739
83
Print made by Jacobus Houbraken, 1698–1780
William Lord Russel
1739
84
Print made by Jacobus Houbraken, 1698–1780
Lieutenant General John Lambert
1739
85
Print made by Jacobus Houbraken, 1698–1780
Charles Lord Talbot, Lord High Chancellor
1739
86
Print made by Jacobus Houbraken, 1698–1780
Henry Bennet Earl of Arlington
1739
87
Print made by Jacobus Houbraken, 1698–1780
John Russell, first Earl of Bedford
1739
88
Print made by Jacobus Houbraken, 1698–1780
Thomas Cromwell, Earl of Essex
1739
89
Print made by George Vertue, 1684–1756
William Cavendish, Duke of Newcastle
1739
90
Print made by unknown artist
Pascal Paoli, General of the Corsicans
undated
91
unknown artist
Cumberland Landscape
undated
92
William Mason, 1724–1797
Interior of an Inn
undated
93
William Mason, 1724–1797
Exterior of an Inn
undated
94
Rev. William Gilpin, 1724–1804
The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
undated
95
Rev. William Gilpin, 1724–1804
The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
undated
96
Rev. William Gilpin, 1724–1804
The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
undated
97
Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
undated
98
Rev. William Gilpin, 1724–1804
The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
undated
99
Rev. William Gilpin, 1724–1804
As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
undated
100
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)