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1. A Consultation of Physicians, or The Company of Undertakers

A Consultation of Physicians, or The Company of Undertakers
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Carl Lohmann

2. A Consultation of Physicians, or The Company of Undertakers

A Consultation of Physicians, or The Company of Undertakers
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 7 1/4 inches (26.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Scholars at a Lecture

Scholars at a Lecture
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 7 1/8 inches (21.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Sleeping Congregation

The Sleeping Congregation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 8 3/8 inches (26.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Domestick Employment Washing

Domestick Employment Washing
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
undated
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 1/8 x 9 3/4in. (30.8 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Miss Greenway

Miss Greenway
Creator:
C. Corbutt
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 10 1/4 inches (34.4 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Isaac Watts

Isaac Watts
Creator:
Simon François Ravenet, 1706–1774
Date:
undated
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 1/8 × 6 11/16 inches (23.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Philosopher in Contemplation

The Philosopher in Contemplation
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
undated
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. The Honorable Chaloner Ogle

The Honorable Chaloner Ogle
Creator:
Print made by Robert Tims, active 1740s
Date:
ca. 1741
Materials & Techniques:
Mezzotint; reworked plate
Dimensions:
Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

10. List of Subscribers

List of Subscribers
Creator:
unknown artist
Date:
1736
Materials & Techniques:
Letterpress
Dimensions:
Sheet: 12 7/8 x 16in. (32.7 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Southwest Prospect of the Church of All Hallows Staining

The Southwest Prospect of the Church of All Hallows Staining
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/8 x 12 3/16in. (28.3 x 31cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Southwest Prospect of the Church of St. Helen

The Southwest Prospect of the Church of St. Helen
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Northeast Prospect of the Church of St. Martin, Outwich

The Northeast Prospect of the Church of St. Martin, Outwich
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 3/4 x 12 1/8in. (24.8 x 30.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The South Prospect of the Church of St. Olave in Southwark

The South Prospect of the Church of St. Olave in Southwark
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Mrs. Cholmondley

Mrs. Cholmondley
Creator:
C. Corbutt
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 × 10 11/16 inches (39.5 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Elizabeth, Countess of Northumberland

Elizabeth, Countess of Northumberland
Creator:
Richard Houston, ca. 1721–1775
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 14 3/8 inches (51.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Southeast Prospect of the Church of All Hallows, London Wall

The Southeast Prospect of the Church of All Hallows, London Wall
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/2in. (27.9 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.

The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The South Prospect of the Church of St. Alphage

The South Prospect of the Church of St. Alphage
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 x 13 1/16in. (30.5 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Northwest Prospect of the Church of St. Andrew Undershaft

The Northwest Prospect of the Church of St. Andrew Undershaft
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/4 x 12 1/2in. (28.6 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Due Filosofi

Due Filosofi
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
between 1736 and 1747
Materials & Techniques:
Etching
Dimensions:
Plate: 9 3/4 x 8 1/4in. (24.8 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. The South West View of Melton Constable in the County of Norfolk, Seat of Sir Jacob Astley

The South West View of Melton Constable in the County of Norfolk, Seat of Sir Jacob Astley
Creator:
Samuel Buck, 1696–1779
Date:
ca. 1741
Materials & Techniques:
Colored engraving
Dimensions:
Sheet: 15 x 23 1/4in. (38.1 x 59.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Southwest Prospect of St. Katherine Cree church

The Southwest Prospect of St. Katherine Cree church
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/8 x 12 1/2in. (28.3 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Prospect of St. James Park from Bukingam House

Prospect of St. James Park from Bukingam House
Creator:
Jacques Rigaud, 1681–1754
Date:
1736
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Prospect of Hampton Court from the Garden Side

Prospect of Hampton Court from the Garden Side
Creator:
Jacques Rigaud, 1681–1754
Date:
1736
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 × 28 13/16 inches (42.5 × 73.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Domestic Employment: Washing

Domestic Employment: Washing
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Cape of Good Hope

The Cape of Good Hope
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Fort St. George

Fort St. George
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Tellicherry

Tellicherry
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 x 23 1/2in. (45.7 x 59.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Charles II, King of England, Scotland, France & Ireland

Charles II, King of England, Scotland, France & Ireland
Creator:
Print made by George Vertue, 1684–1756
Date:
1736
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

31. Landscape with Trees in the Foreground

Landscape with Trees in the Foreground
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 10 3/4in. (14.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Landscape with a River

Landscape with a River
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 10 3/4in. (20.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Kingfisher, Clutching a Fish Skeleton

A Kingfisher, Clutching a Fish Skeleton
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 9in. (31.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Landscape with a Tree in the Foreground

Landscape with a Tree in the Foreground
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 8 1/2in. (28.6 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Saint Anthony Pursued by Demons

Saint Anthony Pursued by Demons
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 x 11 1/8in. (43.2 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Caricature Heads of a Pope and Six Cardinals

Caricature Heads of a Pope and Six Cardinals
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Crayon-manner printed in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 x 14in. (21.3 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Il Gobbo dei Carracci

Il Gobbo dei Carracci
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 8 1/8in. (30.5 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A Monkey on a Man's Shoulder, and a Study of Its Face

A Monkey on a Man's Shoulder, and a Study of Its Face
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Crayon manner, printed in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 8 5/8in. (19.1 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Landscape with Two Travellers Talking

Landscape with Two Travellers Talking
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 12 3/8in. (22.2 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. An Eagle Perching on a Branch

An Eagle Perching on a Branch
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 6 3/4in. (27.9 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Caricature of William Conolly

Caricature of William Conolly
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736 to 1747
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 9 3/8in. (36.5 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Raising of Tabitha, St. Peter Kneeled and Praying

The Raising of Tabitha, St. Peter Kneeled and Praying
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 8 1/2in. (20 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Polcinello Invalided with Gout

Polcinello Invalided with Gout
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
between 1736 and 1747
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Polcinello Keeping School in a Barn (La Scuola di Pulcinella)

Polcinello Keeping School in a Barn (La Scuola di Pulcinella)
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
between 1736 and 1747
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. James Paine

James Paine
Creator:
Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/4 × 6 15/16 inches (14.6 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Creator:
Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection