Collection of Proof Engravings after Palladio for Burlington
1730
2
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
3
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
4
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
5
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
6
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
7
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
8
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
9
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
10
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
11
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
12
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
13
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
14
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
15
Giles Hussey, 1710–1788
Six studies of heads from classical figures
between 1730 and 1768
16
Print made by John Brooks, active 1730–1756
William Cavendish, 4th Duke of Devonshire, Marquess of Hartington
undated
17
Giles Hussey, 1710–1788
Study of statue of an Egyptian man
between 1730 and 1768
18
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
19
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
20
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
21
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
22
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
23
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
24
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
25
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
26
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
27
Giles Hussey, 1710–1788
Two Studies of classical sculpture of Farnese Hercules
between 1730 and 1768
28
Giles Hussey, 1710–1788
Three studies of classical sculpture of Farnese Hercules
between 1730 and 1768
29
Giles Hussey, 1710–1788
Study of classical scultpure of Castor and Pollux
between 1730 and 1768
30
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
31
Print made by Arthur Pond, ca. 1705–1758
Album of Arthur Pond's Prints in Imitation of Drawings
ca. 1730-1740
32
Print made by Charles Knapton, 1700–1760
River Landscape with Three Women
ca. 1730-1740
33
Print made by Charles Knapton, 1700–1760
Album of Prints in Imitation of Drawings
ca. 1730-1740
34
Print made by Arthur Pond, ca. 1705–1758
The Virgin and Child Seated with St Joseph
ca. 1730-1740
35
Print made by Charles Knapton, 1700–1760
Landscape with a River
ca. 1730-1740
36
Print made by Charles Knapton, 1700–1760
Landscape with a Seated Figure Cleaning a Gun
ca. 1730-1740
37
Print made by Charles Knapton, 1700–1760
Landscape with a Ruined Bridge and Figures
ca. 1730-1740
38
Print made by Charles Knapton, 1700–1760
Landscape with a River in the Middle Distance
ca. 1730-1740
39
Print made by Charles Knapton, 1700–1760
Landscape with Two Figures Talking under a Rocky Cliff
ca. 1730-1740
40
Print made by Charles Knapton, 1700–1760
View of a Ruin, with Four Figures by a Pool
ca. 1730-1740
41
Print made by Arthur Pond, ca. 1705–1758
Classical Scene, Group of Five Figures
ca. 1730-1740
42
Print made by Charles Knapton, 1700–1760
Landscape with Figures Bathing in a River
ca. 1730-1740
43
Print made by Charles Knapton, 1700–1760
Landscape with a Tree in the Foreground
ca. 1730-1740
44
Print made by Charles Knapton, 1700–1760
Landscape with Ruins
ca. 1730-1740
45
Print made by Charles Knapton, 1700–1760
Landscape with Five Figures, One Pushing a Wheelbarrow
ca. 1730-1740
46
Print made by Charles Knapton, 1700–1760
Landscape with Two Travellers Talking
ca. 1730-1740
47
Print made by Charles Knapton, 1700–1760
Interior of the Pantheon in Rome
ca. 1730-1740
48
Print made by Charles Knapton, 1700–1760
Seascape
ca. 1730-1740
49
Print made by Arthur Pond, ca. 1705–1758
Il Gobbo dei Carracci
ca. 1730-1740
50
Giles Hussey, 1710–1788
Study of classical figure of man
between 1730 and 1768
51
Giles Hussey, 1710–1788
Studies of classical sculptures of Cesi Juno and Zingara
between 1730 and 1768
52
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
53
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
54
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
55
Giles Hussey, 1710–1788
Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
between 1730 and 1768
56
Giles Hussey, 1710–1788
Two studies of head from classical figure
between 1730 and 1768
57
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
58
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
59
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
60
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
61
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
62
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
63
Giles Hussey, 1710–1788
Study of Physiognomy of face
between 1730 and 1768
64
after Andrea Palladio, 1508–1580
A Collection of Proofs after Palladio (Seven published, from Fabbriche Antiche - five unpublished). London, 1730
1730
65
Halfpenny, William, d. 1755
Practical architecture, or, A sure guide to the true working according to the rules of that science, representing the five orders : with their several doors & windows taken from Inigo Jones & other celebrated architects ...
1730
66
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
67
Oakley, Edward, active 18th century
The magazine of architecture, perspective, & sculpture
MDCCXXX [1730]
68
Warwick waggons, and pack-horses, are removed from the Bell-Inn in West-Smithfield, to the Red-Lyon-Inn ... : where all gentlemen, merchants, tradesmen, and others, may be accomodated with carriage, at reasonable rates : performed (if God permit) by Nich. Rothwell ..
ca. 1730]
69
Langley, Batty, 1696–1751
The young builder's rudiments, or, The principles of geometry, mechanicks, mensuration and perspective, geometrically demonstrated
1730
70
Sympson, Joseph, -1736
[Engravings of horses]
[ca. 1730?]
71
Milton, John, 1608–1674
Le paradis perdu
1730
72
Bazin, Germain. no_linkage
Peinture Anglaise 1730-1850
n.d
73
Artlove, Mrs. no_linkage
The art of japanning, varnishing, pollishing, and gilding.
1730
74
Gent, Thomas, 1693–1778
The antient and modern history of the famous city of York
1730
75
Seutter, Matthäus, 1678–1757
Recens edita totius Novi Belgii, in America Septentrionali siti
[1730]
76
Pascoli, Lione, 1674–1744
Vite de' pittori, scultori, ed architetti moderni ..
1730-1736
77
Ogilby, John, 1600–1676
Britannia depicta, or, Ogilby improv'd
1749
78
Smith, John, fl. 1673–1680
Short and direct method of painting in water-colours
1730
79
Orlandi, Pellegrino Antonio, 1660–1727
Repertorium sculptile-typicum
1730
80
Holt, Richard. no_linkage
A short treatise of artificial stone,
1730
81
Reynolds, Joshua, Sir, 1723–1792
Commonplace book: given to young Reynolds by his father