Date: 1730 / Image Available: Unavailable - YCBA Collections Search Search Results

1. Study of Physiognomy of face

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 8in. (32.4 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Four Studies of heads from classical figures

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Three studies of classical sculpture of Farnese Hercules

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 11 1/4in. (24.1 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Study of statue of an Egyptian man

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 8 1/2in. (31.1 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Studies of classical sculptures of Cesi Juno and Zingara

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 9 1/2in. (28.7 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Study of head from classical figures

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Pen and black and brown ink and graphite on tracing paper on medium, slightly textured, cream tracing paper
Dimensions:: Sheet: 10 x 8 1/2in. (25.4 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Two studies of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Four chalk studies of heads

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Study of classical scultpure of Castor and Pollux

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Pen and black ink over graphite on tracing paper on medium, slightly textured, cream tracing paper
Dimensions:: Sheet: 12 1/4 x 9in. (31.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Two Studies of classical sculpture of Farnese Hercules

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on tracing paper on medium, slightly textured, cream tracing paper
Dimensions:: Sheet: 12 1/4 x 9 3/8in. (31.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Study of head of man with helmet

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Study of head from classical figure

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9in. (37.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Study of classical figure of man

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Pen and ink over graphite on tracing paper on medium, slightly textured, cream tracing paper
Dimensions:: Sheet: 12 1/4 x 9 1/4in. (31.1 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Collection of Proofs after Palladio (Seven published, from Fabbriche Antiche - five unpublished). London, 1730.

Creator:: after Andrea Palladio, 1508–1580
Date:: 1730
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Six studies of heads from classical figures

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 7 3/8in. (16.8 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. William Cavendish, 4th Duke of Devonshire, Marquess of Hartington

Creator:: Print made by John Brooks, active 1730–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 14 3/8 inches (51.8 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A short treatise of artificial stone, as 'tis now made, and converted into all manner of curious embellishments, and proper ornaments, of architecture: containing the most beautiful, the strongest, and the cheapest method, of adorning buildings of all sorts. Being an excellent and most useful art, well known to the ancients, but lost to the world for many ages; now retriev'd. By Richard Holt, gent. ...

Creator:: Holt, Richard
Date:: 1730
Physical Description:: viii, 55 p. 19 cm.
Collection:: Rare Books and Manuscripts

47. Britannia depicta, or, Ogilby improv'd : being a correct coppy of Mr. Ogilby's actual survey of all [the] direct & principal cross roads in England and Wales : wherein are exactly delineated & engraven, all [the] cities, towns, villages, churches, seats &c. scituate on or near the roads, with their respective distances in measured and computed miles ... / by Eman. Bowen engraver.

Creator:: Ogilby, John, 1600–1676
Date:: 1749
Physical Description:: 1 atlas (5, [3] pages, [2], 273, [1] pages of plates) : illustrations, maps, coats of arms ; 21 cm
Collection:: Rare Books and Manuscripts

48. Peinture Anglaise 1730-1850.

Creator:: Bazin, Germain
Date:: n.d
Collection:: Rare Books and Manuscripts

49. Warwick waggons, and pack-horses, are removed from the Bell-Inn in West-Smithfield, to the Red-Lyon-Inn ... : where all gentlemen, merchants, tradesmen, and others, may be accomodated with carriage, at reasonable rates : performed (if God permit) by Nich. Rothwell ...

Date:: ca. 1730]
Physical Description:: 1 sheet ([1] p.) ; 28 cm.
Collection:: Rare Books and Manuscripts

50. Short and direct method of painting in water-colours / written by the late ingenious Mr. Smith.

Creator:: Smith, John, fl. 1673–1680
Date:: 1730
Physical Description:: 22 p. ; 22 cm.
Collection:: Rare Books and Manuscripts

51. Le paradis perdu : poëme heroique de Milton / traduit de l'Anglois conformement à l'original avec les remarques de Mr. Addison ; une dissertation critique de Mr. Constantyn de Magny ; et La chute de l'homme : poëme françois, par Mr. Durand ...

Creator:: Milton, John, 1608–1674
Date:: 1730
Physical Description:: 3 v. : ill. ; 17 cm.
Collection:: Rare Books and Manuscripts

52. The magazine of architecture, perspective, & sculpture : in five parts : Part the first. Geometrical, practical, & usefull [sic] problems ; for ye describing of circles, ovals, arches, groyns (Regular or rampant) & polygons, ye mouldings made use of in architecture; the handrail to stair-cases; ye wreath'd columns; ionic (capital antient & modern) volutes; & to flute columns and pilasters : Part the second. Plain & easy directions, for the construction of ye five orders of architecture , with their imposts & arches, plans, elevations & profiles, (accurately describ'd by feet, inches & parts; likewise by the customary measure of modules & minutes) frontispieces & windows; ornaments for mouldings, capitals & freezes; fretts & flowers; enrich'd pedestals for statues; compartiments [sic] for domes, soffites of arches & pavements; of the proportion and cieling [sic] of rooms; and designs of obelisks : Part the third. On the disposition & regularity of stair-cases; with several necessary improvements, wherein the symetry [sic] requir'd is preserv'd in ye steps & halfpaces, &c. also in ye rangeing [sic] ballisters & ornaments : Part the fourth. A most easy & expeditious method, to delineate in perspective, all designs relating to architecture, after a new manner, wholly free from ye confusion of occult lines : Part the fifth. The parts of human-body describ'd; with ye nature of motion reduc'd to geometrical rules; to which is added, a collection of ye most beautiful antique statues, with their parts describ'd, as measur'd from the originals / engraven on 96 copper plates by Benjn. Cole ; to which is annexed, an alphabetical explanation of ye terms made use of in architecture ; collected from the most approv'd authors, antient & modern, particularly, Palladio, Scamozzi & Vignola, & made a work of general use for gentlemen, architects, sculptors, painters, workmen, & all persons concern'd in building, by Edward Oakley, Architect . M. M.

Creator:: Oakley, Edward, active 18th century
Date:: MDCCXXX [1730]
Physical Description:: [12], 119, [1] p., XCIII leaves of plates : ill., coat of arms, diagrams, plans ; 38 cm.
Collection:: Rare Books and Manuscripts

53. Recens edita totius Novi Belgii, in America Septentrionali siti / delineatio cura et sumtibus Matthaei Seutteri ; chalcographi Augustani.

Creator:: Seutter, Matthäus, 1678–1757
Date:: [1730]
Physical Description:: 1 map : engraving, hand-colored ; 48 x 56 cm., on sheet 52 x 60 cm
Collection:: Rare Books and Manuscripts

54. The antient and modern history of the famous city of York : and in particular manner of its magnificent cathedral, commonly call'd, York-Minster : also, an account of St. Mary's Abbey, and other antient religious houses and churches ... the lives of the archbishops of this see : the government of the northern parts under the Romans ... of the kings of England and other illustrious persons, who have honour'd York with their presence ... down to the third year of the reign of His present Majesty King George the Second : to which is added, a description of the most noted towns in Yorkshire ... / the whole diligently collected by T.G.

Creator:: Gent, Thomas, 1693–1778
Date:: 1730
Physical Description:: viii, 256, [8] p., [10] leaves of plates (some folded) : ill., map ; 17 cm.
Collection:: Rare Books and Manuscripts

55. Repertorium sculptile-typicum: or A complete collection and explanation of the several marks and cyphers by which the prints of the best engravers are distinguished. With an alphabetical index of their names. Translated from the Abcedario pittorico.

Creator:: Orlandi, Pellegrino Antonio, 1660–1727
Date:: 1730
Physical Description:: 69 p. 17 cm.
Collection:: Rare Books and Manuscripts

56. Practical architecture, or, A sure guide to the true working according to the rules of that science, representing the five orders : with their several doors & windows taken from Inigo Jones & other celebrated architects ... / by William Halfpenny.

Creator:: Halfpenny, William, d. 1755
Date:: 1730
Physical Description:: [3], 48 leaves : ill. ; 17 cm.
Collection:: Rare Books and Manuscripts

57. A new drawing book engrav'd from the curious designs of that great master M. Poilly : very proper for all to draw after who are willing to excel in the noble arts of painting, engraving, &c.

Date:: [approximately 1730]
Physical Description:: 11 leaves : illustrations ; 20 x 25 cm
Collection:: Rare Books and Manuscripts

58. Vite de' pittori, scultori, ed architetti moderni ... da Lione Pascoli.

Creator:: Pascoli, Lione, 1674–1744
Date:: 1730-1736
Physical Description:: 2 v. 25 cm.
Collection:: Rare Books and Manuscripts

59. The art of japanning, varnishing, pollishing, and gilding. : Being a collection of very plain directions and receipts. Written for the use of those who have a mind to follow those diverting and useful amusements, and published at the request of several ladies of distinction. / By Mrs. Artlove.

Creator:: Artlove, Mrs
Date:: 1730
Physical Description:: [2], 26, [2] p. (the final 2 p. blank ; 21 cm.(8 vo)
Collection:: Rare Books and Manuscripts

60. The young builder's rudiments, or, The principles of geometry, mechanicks, mensuration and perspective, geometrically demonstrated : together with the five orders of columns in architecture, according to the proportions of the celebrated Palladio : calculated for the use of workmen, gentlemen and others, who delight in designing, drawing, painting, engraving, and gardening, &c. / by B. Langley ; adorn'd with about thirty large copper plates, curiously engrav'd by J. Vandergucht and B. Cole.

Creator:: Langley, Batty, 1696–1751
Date:: 1730
Physical Description:: [8], 130, [2] p., [29] leaves of plates (some folded) : ill. ; 25 cm. (4o.)
Collection:: Rare Books and Manuscripts

61. [Engravings of horses]

Creator:: Sympson, Joseph, -1736
Date:: [ca. 1730?]
Physical Description:: 11 prints : engravings
Collection:: Rare Books and Manuscripts

62. Twelve months of flowers : [from the collection of Robt. Furber gardiner at Kensington ; designed by P.tr Casteels ; engrav'd by H. Fletcher]

Date:: 1982?]
Physical Description:: [13] leaves of plates : chiefly col. ill. ; 53 cm.
Collection:: Reference Library

63. British, Rococo frame

Creator:: unknown framemaker
Date:: mid-18th century
Materials & Techniques:: Carved wood, regilded over original gilding
Dimensions:: Frame: 30 × 26 × 2 1/2 inches (76.2 × 66 × 6.4 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

64. British Rococo frame

Creator:: unknown framemaker
Date:: mid-18th century
Materials & Techniques:: Carved wood, later patinated oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

65. British, Louis XV style frame

Creator:: unknown framemaker
Date:: mid-18th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Dimensions:: Frame: 44 3/4 × 37 1/2 × 4 inches (113.7 × 95.3 × 10.2 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

66. French, Louis XV frame

Creator:: unknown framemaker
Date:: mid-18th century
Materials & Techniques:: Carved wood and compo, regilded and restored over original gilding
Dimensions:: Frame: 37 1/4 × 35 1/2 × 4 inches (94.6 × 90.2 × 10.2 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

67. British, Rococo frame

Creator:: unknown framemaker
Date:: mid-18th century
Materials & Techniques:: Carved wood, water gilt and patinated; sanded frieze
Dimensions:: Frame: 35 1/2 × 30 1/2 × 2 3/8 inches (90.2 × 77.5 × 6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

YCBA Collections Search

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Date 1730

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1. Study of Physiognomy of face

2. Four Studies of heads from classical figures

3. Study of head from classical figure

4. Study of head from classical figure

5. Study of head from classical figure

6. Study of head from classical figure

7. Three studies of classical sculpture of Farnese Hercules

8. Study of statue of an Egyptian man

9. Study of head from classical figure

10. Studies of classical sculptures of Cesi Juno and Zingara

11. Study of head from classical figure

12. Study of head from classical figure

13. Study of head from classical figures

14. Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell

15. Two studies of head from classical figure

16. Study of head from classical figure

17. Four chalk studies of heads

18. Study of classical scultpure of Castor and Pollux

19. Two Studies of classical sculpture of Farnese Hercules

20. Study of head from classical figure

21. Study of head of man with helmet

22. Study of head from classical figure

23. Study of head from classical figure

24. Study of head from classical figure

25. Study of head from classical figure

26. Study of head from classical figure

27. Study of head from classical figure

28. Study of classical figure of man

29. A Collection of Proofs after Palladio (Seven published, from Fabbriche Antiche - five unpublished). London, 1730.

30. Collection of Proof Engravings after Palladio for Burlington

31. Collection of Proof Engravings after Palladio for Burlington

32. Collection of Proof Engravings after Palladio for Burlington

33. Collection of Proof Engravings after Palladio for Burlington

34. Collection of Proof Engravings after Palladio for Burlington

35. Collection of Proof Engravings after Palladio for Burlington

36. Collection of Proof Engravings after Palladio for Burlington

37. Collection of Proof Engravings after Palladio for Burlington

38. Collection of Proof Engravings after Palladio for Burlington

39. Collection of Proof Engravings after Palladio for Burlington

40. Collection of Proof Engravings after Palladio for Burlington

41. Collection of Proof Engravings after Palladio for Burlington

42. Collection of Proof Engravings after Palladio for Burlington

43. Collection of Proof Engravings after Palladio for Burlington

44. Six studies of heads from classical figures

45. William Cavendish, 4th Duke of Devonshire, Marquess of Hartington

48. Peinture Anglaise 1730-1850.

49. Warwick waggons, and pack-horses, are removed from the Bell-Inn in West-Smithfield, to the Red-Lyon-Inn ... : where all gentlemen, merchants, tradesmen, and others, may be accomodated with carriage, at reasonable rates : performed (if God permit) by Nich. Rothwell ...

50. Short and direct method of painting in water-colours / written by the late ingenious Mr. Smith.

51. Le paradis perdu : poëme heroique de Milton / traduit de l'Anglois conformement à l'original avec les remarques de Mr. Addison ; une dissertation critique de Mr. Constantyn de Magny ; et La chute de l'homme : poëme françois, par Mr. Durand ...

53. Recens edita totius Novi Belgii, in America Septentrionali siti / delineatio cura et sumtibus Matthaei Seutteri ; chalcographi Augustani.

55. Repertorium sculptile-typicum: or A complete collection and explanation of the several marks and cyphers by which the prints of the best engravers are distinguished. With an alphabetical index of their names. Translated from the Abcedario pittorico.

56. Practical architecture, or, A sure guide to the true working according to the rules of that science, representing the five orders : with their several doors & windows taken from Inigo Jones & other celebrated architects ... / by William Halfpenny.

57. A new drawing book engrav'd from the curious designs of that great master M. Poilly : very proper for all to draw after who are willing to excel in the noble arts of painting, engraving, &c.

58. Vite de' pittori, scultori, ed architetti moderni ... da Lione Pascoli.

59. The art of japanning, varnishing, pollishing, and gilding. : Being a collection of very plain directions and receipts. Written for the use of those who have a mind to follow those diverting and useful amusements, and published at the request of several ladies of distinction. / By Mrs. Artlove.

61. [Engravings of horses]

62. Twelve months of flowers : [from the collection of Robt. Furber gardiner at Kensington ; designed by P.tr Casteels ; engrav'd by H. Fletcher]

63. British, Rococo frame

64. British Rococo frame

65. British, Louis XV style frame

66. French, Louis XV frame

67. British, Rococo frame