Date: 1725 / Image Use: Free to Use - YCBA Collections Search Search Results

1. Miss Wood

Creator:: William Hogarth, 1697–1764
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 15 inches (45.7 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. A Club of Gentlemen

Creator:: William Hogarth, 1697–1764
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 23 inches (47 x 58.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Classical Landscape

Creator:: John Wootton, 1682–1764
Date:: after 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 20 1/8 × 16 1/4 inches (51.1 × 41.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Vegetable Seller

Creator:: Pieter Angillis, 1685–1734
Date:: between 1725 and 1728
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/2 × 43 3/4 inches (82.6 × 111.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

Creator:: unknown artist
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 12 inches (47 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. A Bay Racehorse with Jockey Up

Creator:: James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Allegory of Fortune

Creator:: Balthazar Nebot, active 1730–1762
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 28 5/16 x 35 1/8 inches (71.9 x 89.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Lincoln's Inn, the Chapel, and Old Hall, London

Creator:: unknown artist
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 34 3/4 x 49 3/4 inches (88.3 x 126.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. An English Royal Yacht Standing Offshore in a Calm

Creator:: Peter Monamy, 1681–1749
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 27 3/4 × 37 7/8 inches (70.5 × 96.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
On View:: Not on view

14. A Family Group Called 'The Stafford Family'

Creator:: unknown artist
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 39 × 55 inches (99.1 × 139.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Portrait of a Gentleman

Creator:: John Vanderbank, 1694–1739
Date:: 1725
Materials & Techniques:: Graphite; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Edward B. Greene, Fund

16. Head of a Man with Stubble Beard, Facing Right

Creator:: Giles Hussey, 1710–1788
Date:: undated
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 2 7/8 inches (9.5 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Self-Portrait

Creator:: Jonathan Richardson the Elder, 1667–1745
Date:: ca. 1730
Materials & Techniques:: Red chalk and white chalk on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Peter Arms Wick

18. Design for the Approaches to London Bridge

Creator:: Henry Roberts, ca. 1710–1790
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 18 1/4 inches (21.3 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Badminton Church and Part of the Duke of Beaufort's House

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. A View of the Orangerie at Chiswick, Lord Burlington's Garden

Creator:: Print made by unknown artist
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Plate: 10 1/4 x 15 3/4in. (26 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Landscape Composition

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Graphite, brown wash, gray wash, pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 7/8 x 14 1/4 inches (25.1 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

22. Wooded Landscape with a River Leading to Distant Buildings

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A New Drawing Book of Variety of Landskips

Creator:: Print made by J. Carwitham, active 1720–1740
Date:: ca. 1730
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 13/16 x 8 1/8 inches (32.5 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A View of the Royal Hospital at Chelsea and the Rotunda in Ranelagh Gardens

Creator:: Henry Roberts, ca. 1710–1790
Date:: undated
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 3/4 x 16 5/8in. (27.3 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Right Hon'able Peter Lord King

Creator:: John Simon, 1675–1751
Date:: 1725
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster

$Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster$

Creator:: Joseph Sympson, active 1725–died 1736
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. St. Mary le Strand

Creator:: Sutton Nicholls, active 1725
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, gray wove paper
Dimensions:: Sheet: 18 1/8 × 13 7/16 inches (46 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The West Prospect of St. Pauls Cathedral

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 7/8 x 14 3/4in. (47.9 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Notebook of Portrait Compositions

Creator:: Thomas Bardwell, 1704–1767
Date:: ca. 1730
Materials & Techniques:: Volume of fifty-four pen and ink and watercolor drawings on medium, slightly textured, cream laid paper
Dimensions:: Spine: 5 3/8 inches (13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Game of Bowls

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 10 1/4 inches (20.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Head of a Boy

Creator:: circle of Thomas Frye, 1710–1762
Date:: undated
Materials & Techniques:: Gray wash with black and white chalk with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 14 3/8 inches (43.2 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Seated Woman with a Book

Creator:: Philippe Mercier, 1689 or 1691–1760
Date:: 1725
Materials & Techniques:: Red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 7 7/8 inches (30.5 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Ingamells

33. View with a Cart and Figures in a Wooded Landscape

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching counterproof with graphite and brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 9 3/4 inches (18.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. View with Figures in a Classical Landscape with Ruins

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching counterproof with graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Portrait of a Gentleman

Creator:: Attributed to Felicita Hoffmann, active from 1728, died 1760
Date:: ca. 1730
Materials & Techniques:: Watercolor and gouache on ivory in black oval wood frame
Dimensions:: Image: 2 5/8 × 1 7/8 inches (6.7 × 4.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

36. Classical Landscape with Figures

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 7/8 x 10 1/8in. (12.4 x 25.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Gray wash, brown wash, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Bacchus & Ariadne; Design for a Gold Box

Creator:: Attributed to Augustin Heckel, 1690–1770
Date:: ca. 1730
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:: Sheet: 4 × 4 3/4 inches (10.2 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Fustigatio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

40. Breaking the Legs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

41. Taking Away the Military Belt or Girdle

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

42. Fustium Admonitio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

43. Hanging by the Thumbs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

44. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

45. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

46. Cutting off the Nose

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 5/8 × 3 inches (4.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

47. Frontispiece: A Seated Roman General on a Camp Stool

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

48. Decimation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

49. Beheading

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

50. Crucifixion, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

51. Freemen Degraded and Sold into Slavery

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

52. Dismemberment, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

53. Shameful Discharge

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

54. Banishment

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

55. Degrading Punishments

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

56. Sketchbook containing 50 drawings (some with verso), of figures studies from the antique, etc.

Creator:: unknown artist
Date:: ca. 1730
Dimensions:: Sheet: 7 1/4in. (18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Gate at White Hall, said to be Designed by hans Holbein

Creator:: George Vertue, 1684–1756
Date:: 1725
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 10 3/8in. (40 x 26.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Portrait Study of a Young Woman

Creator:: Attributed to Thomas Frye, 1710–1762
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 15 3/4 × 11 inches (40 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The most notable antiquity of Great Britain, vulgarly called Stone-Heng, : on Salisbury plain, restored, / by Inigo Jones ... To which are added, the Chorea Gigantum, or, Stone-Heng restored to the Danes, By Doctor Charleton; and Mr. Webb's Vindication of Stone-Heng restored, In answer to Dr. Charleton's reflections; with observations upon the orders and rules of architecture in use among the antient Romans. Before the whole are prefixed, certain memoirs relating to the life of Inigo Jones ...

The most notable antiquity of Great Britain, vulgarly called Stone-Heng, : on Salisbury plain, restored, / by Inigo Jones ... To which are added, the Chorea Gigantum, or, Stone-Heng restored to the Danes, By Doctor Charleton; and Mr. Webb's Vindication of Stone-Heng restored, In answer to Dr. Charleton's reflections; with observations upon the orders and rules of architecture in use among the antient Romans. Before the whole are prefixed, certain memoirs relating to the life of Inigo Jones ...

Creator:: Jones, Inigo, 1573–1652
Date:: MDCCXXV [1725]
Physical Description:: [12], 72, [10], 48 p., [6], 228, [13] p., [12] leaves of plates (some folding) : ill., ports. ; 38 cm.
Collection:: Rare Books and Manuscripts

67. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Dimensions:: Frame: 41 1/4 × 33 1/8 × 2 1/2 inches (104.8 × 84.1 × 6.4 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

68. Italian 'Salvator Rosa' frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Dimensions:: Frame: 44 3/4 × 57 × 3 1/2 inches (113.7 × 144.8 × 8.9 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

69. British, Palladian, 'William Kent' frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

70. British, Louis XIV frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

71. British Louis XIV- Régence style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later lacquered oil gilding over original gilding
Dimensions:: Frame: 39 1/8 × 55 × 3 1/8 inches (99.4 × 139.7 × 7.9 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

72. British, Louis XV style frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Dimensions:: Frame: 34 5/8 × 54 3/8 × 2 inches (87.9 × 138.1 × 5.1 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

73. British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Dimensions:: Frame: 12 3/4 × 16 × 2 inches (32.4 × 40.6 × 5.1 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

74. British, Rococo style frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

75. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding and sanded frieze over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

76. British Palladian frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, partial later regilding
Collection:: Frames
Credit Line:: Yale Center for British Art

77. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

78. British, Louis XIV- Régence style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

79. French, Provençale Louis XIV frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, original matt and burnished water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

80. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding
Dimensions:: Frame: 35 3/8 × 45 1/2 × 2 5/8 inches (89.9 × 115.6 × 6.7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

81. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood; later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

82. British, 'Carlo Maratta' frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

83. British, Provincial Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding
Dimensions:: Frame: 22 1/4 × 26 1/4 × 2 1/8 inches (56.5 × 66.7 × 5.4 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

84. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Dimensions:: Frame: 57 1/2 × 46 3/4 × 3 1/2 inches (146.1 × 118.7 × 8.9 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

85. British, Louis XIV- Régence style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding; water gilt slip
Collection:: Frames
Credit Line:: Yale Center for British Art

86. British, Louis XIV frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

87. British Louis XIV- Régence style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

88. French, Louis XV frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, original water gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

89. British, Louis XIV frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Dimensions:: Frame: 33 1/4 × 39 7/8 × 2 3/4 inches (84.5 × 101.3 × 7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

90. British Palladian frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood and compo, regilded over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

91. British Louis XIV- Régence style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, regilded over original gilding and sanded frieze
Dimensions:: Frame: 57 1/2 × 47 3/4 × 4 inches (146.1 × 121.3 × 10.2 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

92. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Dimensions:: Frame: 42 3/4 × 34 3/4 × 2 inches (108.6 × 88.3 × 5.1 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

93. British, Provincial Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding
Dimensions:: Frame: 19 3/8 × 23 7/8 × 2 3/8 inches (49.2 × 60.6 × 6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

94. British Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

95. British, Louis XIV frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

96. British, Palladian frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding and over original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

97. British, Louis XIV frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

98. British or Irish, Provincial Louis XV style frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, original oil, water gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

99. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

100. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding
Dimensions:: Frame: 18 × 16 × 1 1/4 inches (45.7 × 40.6 × 3.2 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

YCBA Collections Search

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Search Constraints

Date 1725

Image Use Free to Use

Search Results

1. Miss Wood

2. A Club of Gentlemen

3. Classical Landscape

4. The Vegetable Seller

5. An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

6. A Bay Racehorse with Jockey Up

7. One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket

8. One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

9. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

10. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body

11. Allegory of Fortune

12. Lincoln's Inn, the Chapel, and Old Hall, London

13. An English Royal Yacht Standing Offshore in a Calm

14. A Family Group Called 'The Stafford Family'

15. Portrait of a Gentleman

16. Head of a Man with Stubble Beard, Facing Right

17. Self-Portrait

18. Design for the Approaches to London Bridge

19. Badminton Church and Part of the Duke of Beaufort's House

20. A View of the Orangerie at Chiswick, Lord Burlington's Garden

21. Landscape Composition

22. Wooded Landscape with a River Leading to Distant Buildings

23. A New Drawing Book of Variety of Landskips

24. A View of the Royal Hospital at Chelsea and the Rotunda in Ranelagh Gardens

25. The Right Hon'able Peter Lord King

26. Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster

27. St. Mary le Strand

28. The West Prospect of St. Pauls Cathedral

29. A Notebook of Portrait Compositions

30. A Game of Bowls

31. Head of a Boy

32. Seated Woman with a Book

33. View with a Cart and Figures in a Wooded Landscape

34. View with Figures in a Classical Landscape with Ruins

35. Portrait of a Gentleman

36. Classical Landscape with Figures

37. Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer

38. Bacchus & Ariadne; Design for a Gold Box

39. Fustigatio

40. Breaking the Legs

41. Taking Away the Military Belt or Girdle

42. Fustium Admonitio

43. Hanging by the Thumbs

44. Issued Barley Instead of Wheat

45. Issued Barley Instead of Wheat

46. Cutting off the Nose

47. Frontispiece: A Seated Roman General on a Camp Stool

48. Decimation

49. Beheading

50. Crucifixion, etc.

51. Freemen Degraded and Sold into Slavery

52. Dismemberment, etc.

53. Shameful Discharge

54. Banishment

55. Degrading Punishments

56. Sketchbook containing 50 drawings (some with verso), of figures studies from the antique, etc.

57. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

58. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

59. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

60. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

61. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

62. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

63. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

64. The Gate at White Hall, said to be Designed by hans Holbein

65. Portrait Study of a Young Woman

67. British, Louis XIV style frame

68. Italian 'Salvator Rosa' frame

69. British, Palladian, 'William Kent' frame

70. British, Louis XIV frame

71. British Louis XIV- Régence style frame

72. British, Louis XV style frame

73. British, 'Carlo Maratta' frame

74. British, Rococo style frame

75. British, Louis XIV style frame