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Collection
Prints and Drawings
93
Creator
Seymour, James, 1702–1752
74
Scott, Samuel, ca. 1702–1772
17
Lens, Bernard III, 1682–1740
1
Seymour, James Col., active 1702–1739
1
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1717
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93
1819
92
1738
91
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1834
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77
1823
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68
1705
65
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62
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62
1893
62
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60
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60
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56
1730
51
On-site Access
Accessible in the Study Room
93
Image Use
Free to Use
93
Image Available
Available
92
Unavailable
1
Classification
Drawings & Watercolors
93
Creator Gender
male
93
Collective Title
Thirteen Drawings of Horses, Horsemen, Hounds, etc.
14
Period
18th century
86
19th century
1
Materials & Techniques
laid paper
86
graphite
75
pen
36
brown ink
35
black ink
20
wove paper
15
gouache
14
watercolor
13
gray wash
7
red chalk
4
brown wash
3
black chalk
2
linen
2
gum arabic
1
vellum (skin)
1
white gouache
1
Height [cm]
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Current results range from
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to
54
Width [cm]
Width [cm] range begin
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Current results range from
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to
109
Work Type
drawing
[remove]
93
watercolor
31
Genre
sporting art
50
figure study
39
animal art
31
genre subject
11
cityscape
8
landscape
8
architectural subject
6
marine art
4
portrait
2
military art
1
Subject Terms
sporting art
48
horse (animal)
42
figure study
40
man
36
animal art
31
horse racing
21
horseback riders
21
horseback riding
21
jockey
19
whip
18
men
16
horses (animals)
13
genre subject
10
river
10
boats
9
cityscape
8
dog (animal)
8
hunt
7
hunting
7
landscape
7
more
Subject Terms
»
Associated Places
United Kingdom
12
England
11
Thames
7
Westminster bridge
3
City of Westminster
2
London
2
Bristol
1
Dalkeith
1
Devon
1
Dorset
1
Edinburgh
1
Eshott Hall
1
Europe
1
Felton
1
Greater London
1
Montagu House
1
Northumberland
1
Old Savoy
1
Scotland
1
St. Mary Redcliffe
1
more
Associated Places
»
Associated People
King Charles I
2
Earl of Strafford
1
Exhibition History
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
5
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
1
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
1
Sidesaddle, 1690-1935 (National Sporting Library and Museum, 2018-09-07 - 2019-03-24)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
81
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
10
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art, Paul Mellon Fund in honor of John Baskett
1
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Date
1717
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1
Samuel Scott, ca. 1702–1772
The Gossips
undated
2
Samuel Scott, ca. 1702–1772
A Ship's Boat
undated
3
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
4
James Seymour, 1702–1752
Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
undated
5
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
6
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
7
James Seymour, 1702–1752
Mr. Woodward, Mounted
undated
8
James Seymour, 1702–1752
The Famous Childers
undated
9
James Seymour, 1702–1752
Victorious
undated
10
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
11
James Seymour, 1702–1752
A Hound with head up
undated
12
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
13
Samuel Scott, ca. 1702–1772
Men Loading a Boat with Barrels
undated
14
Samuel Scott, ca. 1702–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
15
Col. James Seymour, active 1702–1739
Wentworth, Earl of Strafford
undated
16
Samuel Scott, ca. 1702–1772
A Coastal Barge
undated
17
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
18
James Seymour, 1702–1752
Foxhunting
undated
19
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
20
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
21
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
22
James Seymour, 1702–1752
A Greyhound, Facing Left
undated
23
James Seymour, 1702–1752
A Hare Running, with Ears Pricked
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24
James Seymour, 1702–1752
A Hare Running, with Ears Laid Back
undated
25
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
26
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
27
James Seymour, 1702–1752
Rider in Armour
undated
28
James Seymour, 1702–1752
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
undated
29
Samuel Scott, ca. 1702–1772
The Thames with Montagu House and Westminster Bridge
undated
30
Samuel Scott, ca. 1702–1772
A Town House on the Thames
undated
31
Samuel Scott, ca. 1702–1772
A Wood Yard on the Thames at Nine Elms
undated
32
Samuel Scott, ca. 1702–1772
Westminster Bridge under Construction
undated
33
Samuel Scott, ca. 1702–1772
A View of Edinburgh from the South Looking towards Dalkeith
undated
34
Samuel Scott, ca. 1702–1772
Mr. Vaughan's, Boys Hill, Dorset
undated
35
James Seymour, 1702–1752
Sir Sidney Meadows Schooling a Horse
undated
36
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
37
James Seymour, 1702–1752
A Boar Hunt
undated
38
James Seymour, 1702–1752
Two Horses Trotting in Harness
undated
39
James Seymour, 1702–1752
Rider With a Draw-Rein, Walking to Left
undated
40
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
41
James Seymour, 1702–1752
Saddled Horse, Walking to Left
undated
42
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
43
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
44
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
45
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
46
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
47
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
48
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
undated
49
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
undated
50
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
51
James Seymour, 1702–1752
Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..
undated
52
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
53
James Seymour, 1702–1752
Head of a Horse, Facing Left
undated
54
James Seymour, 1702–1752
A Hound Facing Left
undated
55
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
undated
56
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
57
James Seymour, 1702–1752
King Charles I of England, Mounted
undated
58
James Seymour, 1702–1752
Horse and Rider Walking to Right
undated
59
James Seymour, 1702–1752
Studies of Stags' Heads
undated
60
James Seymour, 1702–1752
Horse Walking to Left
undated
61
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
62
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
undated
63
James Seymour, 1702–1752
A Horse Lying Down
undated
64
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
65
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
66
Samuel Scott, ca. 1702–1772
A Groom on Horseback, Drinking
undated
67
Samuel Scott, ca. 1702–1772
A View of Bristol with Ratcilffe Church and Lime Kiln Dock
undated
68
Samuel Scott, ca. 1702–1772
A Thames Wharf with Westminster Bridge in the Distance
undated
69
Samuel Scott, ca. 1702–1772
Figures and Boats on the Thames
undated
70
Samuel Scott, ca. 1702–1772
A View of the Estate at Esholt Hall, Yorkshire
undated
71
Samuel Scott, ca. 1702–1772
Thames Side Buildings
undated
72
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
73
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
74
James Seymour, 1702–1752
Sketches of a Gelding
undated
75
James Seymour, 1702–1752
Flying Childers Galloping to Left: Bridled but not Saddled
undated
76
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
77
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
undated
78
James Seymour, 1702–1752
Smiling Tom, Saddled and Bridled: Standing, Facing Left
undated
79
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
80
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
81
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
82
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
83
James Seymour, 1702–1752
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
undated
84
James Seymour, 1702–1752
Flying Childers and Grooms
undated
85
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
86
James Seymour, 1702–1752
A Hound Tethered to a Tree Stump
undated
87
James Seymour, 1702–1752
Coursing - After the Kill
undated
88
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
undated
89
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
90
James Seymour, 1702–1752
Conqueror Going to Start
undated
91
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
92
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
93
Bernard Lens III, 1682–1740
Classical Landscape
1717