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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Paintings and Sculpture
1
Prints and Drawings
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Creator
Alexander, John, 1686–before 1768
1
Raphael,, Italian, 1483–1520
1
Thornhill, James, Sir, 1675–1734
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1850
37
1828
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1772
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1792
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1779
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1786
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1831
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1840
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1769
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1794
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1817
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1820
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1830
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1744
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1748
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1784
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1826
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0
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1774
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1801
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1809
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1823
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1863
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1873
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1916
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1960
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2005
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1610
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1725
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1735
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1749
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1796
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1804
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1807
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1811
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1839
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1893
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On-site Access
Accessible by appointment in the Study Room
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Available
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Classification
Paintings
1
Prints
1
Creator Gender
male
2
Period
18th century
2
Materials & Techniques
etching (printing process)
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laid paper
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line engraving
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oil paint
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painting (technique)
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panel (wood)
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46
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53
Work Type
intaglio print
1
painting
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Genre
cityscape
1
historical subject
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religious and mythological subject
1
Subject Terms
costume
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2
men
2
women
2
Lot's wife looks back at the city and is transformed into a pillar of salt
1
Lot, seeing the destruction of the cities and fearing for his safety in Zoar, flees with his daughters to a cave in the mountains
1
allegory
1
banner
1
castle
1
ceremony
1
cherubs
1
cities
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coach
1
coat of arms
1
crest
1
daughters
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design
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destruction
1
disaster
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escaping
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family
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Credit Line
Yale Center for British Art, Paul Mellon Collection
1
Yale Center for British Art, Paul Mellon Fund
1
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1713
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costume
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1
Attributed to Sir James Thornhill, 1675–1734
Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
ca. 1718
Not on view
2
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718