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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Paintings and Sculpture
1
Prints and Drawings
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Creator
Alexander, John, 1686–before 1768
1
Raphael,, Italian, 1483–1520
1
Thornhill, James, Sir, 1675–1734
1
Date
1772
22
1792
18
1771
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1793
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1745
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1775
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1780
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1715
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1770
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1785
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1773
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1779
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1786
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1762
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1769
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1794
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1744
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1748
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1799
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1740
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1755
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1767
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1776
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1778
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1791
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1750
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1751
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1768
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1781
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1783
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1784
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1700
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1720
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1730
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1747
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1754
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1774
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1725
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1735
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1749
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1753
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1701
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1731
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1738
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1739
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1746
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1759
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1777
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1796
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1722
3
1741
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1758
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1795
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1798
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1713
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2
1719
2
1721
2
1728
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1732
2
1742
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1763
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1766
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1699
1
1709
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1712
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1716
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1717
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1724
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1729
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1733
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1734
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1737
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1752
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1756
1
1757
1
1761
1
1797
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1800
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1825
1
On-site Access
Accessible by appointment in the Study Room
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Not on view
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Available
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Classification
Paintings
1
Prints
1
Creator Gender
male
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Period
18th century
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Materials & Techniques
etching (printing process)
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laid paper
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line engraving
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oil paint
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painting (technique)
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panel (wood)
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53
Work Type
intaglio print
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painting
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Genre
cityscape
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historical subject
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religious and mythological subject
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Subject Terms
costume
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2
men
2
women
2
Lot's wife looks back at the city and is transformed into a pillar of salt
1
Lot, seeing the destruction of the cities and fearing for his safety in Zoar, flees with his daughters to a cave in the mountains
1
allegory
1
banner
1
castle
1
ceremony
1
cherubs
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cities
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coach
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coat of arms
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crest
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daughters
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design
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destruction
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disaster
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escaping
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Credit Line
Yale Center for British Art, Paul Mellon Collection
1
Yale Center for British Art, Paul Mellon Fund
1
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1713
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costume
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1
Attributed to Sir James Thornhill, 1675–1734
Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
ca. 1718
Not on view
2
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718