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1. First Class—The Meeting. "And at first meeting loved."

First Class—The Meeting. "And at first meeting loved."
Creator:
Abraham Solomon, 1823–1862
Date:
1855
Materials & Techniques:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

2. Second Class—The Parting. "Thus part we rich in sorrow, parting poor."

Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
Creator:
Abraham Solomon, 1823–1862
Date:
1855
Materials & Techniques:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

3. Fishmonger's stall

Fishmonger's stall
Creator:
Balthazar Nebot, active 1730–1762
Date:
1737
Materials & Techniques:
Oil on copper
Dimensions:
12 × 10 inches (30.5 × 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

4. Charlotte Turner (née Gavin)

Charlotte Turner (née Gavin)
Creator:
Alfred Turner, 1874–1940
Date:
ca. 1910 or ca. 1930, exhibited 1930
Materials & Techniques:
Terracotta
Dimensions:
Overall: 13 3/8 x 10 x 6in. (34 x 25.4 x 15.2cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Miss Jessica Turner through the National Art-Collections Fund
On View:
On view

5. Bridge and Monument

Bridge and Monument
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1825
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Plate: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

6. Bridge and Monument

Bridge and Monument
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1825
Materials & Techniques:
Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

7. The Evening Gun

The Evening Gun
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint with scraping; touched engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Plate: 7 1/2 × 9 7/8 inches (19 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

8. The Evening Gun

The Evening Gun
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Plate: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

9. Catania, Sicily

Catania, Sicily
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint, with graphite and white chalk; touched trial proof on medium, slightly textured, cream wove paper
Dimensions:
Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

10. Catania, Sicily

Catania, Sicily
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint; 1872 impression on medium, slightly textured, cream wove paper
Dimensions:
Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view