Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
1765
105
Print made by John Finlayson, 1730–1776
Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
1769
106
Print made by John Doyle ('H.B.'), 1797–1868
Poking the Old Lion
1847
107
Henry Heath, active 1824–1835
Ominum Gatherum No. 6
undated
108
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 3
undated
109
James Gillray, 1756–1815
A Morning Ride
1804
110
James Gillray, 1756–1815
The Republican - Attack
1795
111
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
112
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
113
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
114
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
115
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
116
James Gillray, 1756–1815
A Man of Importance
1799
117
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
118
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
119
James Gillray, 1756–1815
Independence
1799
120
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
121
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
122
James Gillray, 1756–1815
A Portrait ------------
1799
123
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
124
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
125
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
126
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
127
James Gillray, 1756–1815
A Hackney Meeting
1796
128
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
129
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
130
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
131
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
132
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
133
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
134
James Gillray, 1756–1815
Patience on a Monument
1791
135
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
136
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
137
James Gillray, 1756–1815
A Uniform Whig ---
1791
138
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
139
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
140
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
141
James Gillray, 1756–1815
The Royal Academy
1786
142
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
143
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
144
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
145
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
146
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
147
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
148
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
149
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
150
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
151
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
152
Print made by unknown artist
Proteus ye 2d in Sev'ral Among his Many Publick Characters
1784
153
Print made by Isaac Cruikshank, 1764–1811
The Ghost's, or the Taylor Befrited &c. &c. A German Story
1790
154
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
155
Print made by unknown artist
A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street
1787
156
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
157
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
158
Print made by John Doyle ('H.B.'), 1797–1868
Barnaby Rudge and his Raven
1841
159
Print made by John Doyle ('H.B.'), 1797–1868
Supposed Colloquy between a Top Sawyer and his Brother Labourer
1843
160
James Gillray, 1756–1815
Destruction of the French Collossus
1798
161
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
162
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
163
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
164
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
165
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
166
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
167
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
168
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
169
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
170
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
171
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
172
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
173
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
174
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
175
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
176
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
177
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
178
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
179
James Gillray, 1756–1815
The Friendly Agent
1787
180
James Gillray, 1756–1815
The Bubbles of Opposition
1788
181
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
182
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
183
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
184
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
185
James Gillray, 1756–1815
John Bull Triumphant
1780
186
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
187
James Gillray, 1756–1815
The Triumphant Britons
1780
188
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
189
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
190
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
191
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
192
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
193
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
194
James Gillray, 1756–1815
Jack A Both Sides!
1783
195
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
196
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
197
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
198
Print made by unknown artist
H-st-gs ho, rare H-st-gs! What a Man Buys He May Sell