<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

On-site Access Accessible in the Study Room

Remove constraint On-site Access: Accessible in the Study Room

Subject Terms grass

Remove constraint Subject Terms: grass

Search Results

Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Edward Lear Calder Bridge
Edward Lear, 1812–1888
Calder Bridge
1836
Edward Lear A Ruined Tower House
Edward Lear, 1812–1888
A Ruined Tower House
1836
Edward Lear A Dry Halfeh Grass
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888
Mqabba, Qrendi
1866
Edward Lear Harb. Gozo
Edward Lear, 1812–1888
Harb. Gozo
1866
Edward Lear Albenga
Edward Lear, 1812–1888
Albenga
1864
Edward Lear Burpham Oct.4.1834
Edward Lear, 1812–1888
Burpham Oct.4.1834
1834
Edward Lear Furness Abbey East, 29 August 1836
Edward Lear, 1812–1888
Furness Abbey East, 29 August 1836
1836
Edward Lear Calder Abbey, September 12. 1836
Edward Lear, 1812–1888
Calder Abbey, September 12. 1836
1836
Edward Lear Derwentwater, September 1836
Edward Lear, 1812–1888
Derwentwater, September 1836
1836
Edward Lear Bassenthwaite
Edward Lear, 1812–1888
Bassenthwaite
1836
Edward Lear Brothers Water from Patterdale
Edward Lear, 1812–1888
Brothers Water from Patterdale
1836
Edward Lear Ullswater
Edward Lear, 1812–1888
Ullswater
1836
Edward Lear North Stoke. Oct. 21.1834.
Edward Lear, 1812–1888
North Stoke. Oct. 21.1834
1834
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Nice from the Genoa Road
Edward Lear, 1812–1888
Nice from the Genoa Road
1865
Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857
Edward Lear, 1812–1888
On the Road, Two Hours from Tepelene, 19 April 1857
1857
Edward Lear La Cava, 20 July 1838
Edward Lear, 1812–1888
La Cava, 20 July 1838
1838
Edward Lear Corpo di Cava, 28 June 1838
Edward Lear, 1812–1888
Corpo di Cava, 28 June 1838
1838
Edward Lear Corfu
Edward Lear, 1812–1888
Corfu
ca. 1856
Edward Lear Gozo, near Malta
Edward Lear, 1812–1888
Gozo, near Malta
1866
Edward Lear Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
Edward Lear Wady Feiran, Peninsula of Mt. Sinai
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
Edward Lear Kurayim
Edward Lear, 1812–1888
Kurayim
1867
Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Thomas Hearne The Ruins of the College of Lincluden, near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
John Linnell Figures on a Bank, Kensington Gravel Pits
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
James Duffield Harding Willows by a Stream, Horse and Cart Crossing Bridge
James Duffield Harding, 1798–1863
Willows by a Stream, Horse and Cart Crossing Bridge
undated
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
John Linnell Terraced Cottages with Fallen Trees
imitator of John Linnell, 1792–1882
Terraced Cottages with Fallen Trees
undated
Francis Place A Study for the Pilkington Crest, a mower with a scythe
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
unknown artist Mountainous Landscape with Cows
unknown artist
Mountainous Landscape with Cows
undated
unknown artist Mountainous Landscape
unknown artist
Mountainous Landscape
undated
unknown artist Deer and Dog
unknown artist
Deer and Dog
undated
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
unknown artist Unidentified Country House
unknown artist
Unidentified Country House
between 1700 and 1715
Sir Robert Smirke the younger Windsor Castle, Berkshire
Sir Robert Smirke the younger, 1781–1867
Windsor Castle, Berkshire
ca. 1823
Thomas Hearne The Back of a Farm House
Thomas Hearne, 1744–1817
The Back of a Farm House
undated
John Varley River Landscape
imitator of John Varley, 1778–1842
River Landscape
undated
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
Cornelius Varley Remains of Purton Hall, Staffordshire
Cornelius Varley, 1781–1873
Remains of Purton Hall, Staffordshire
1820
Benjamin West Road Scene in Windsor Forest
Benjamin West, 1738–1820
Road Scene in Windsor Forest
undated
Peter Tillemans From Hampstead
Peter Tillemans, 1684–1734
From Hampstead
1730
Richard Westall Wanstead House
Richard Westall, 1765–1836
Wanstead House
undated
Samuel Prout Bolton Abbey
Samuel Prout, 1783–1852
Bolton Abbey
undated
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
Charles Warren The Eel Catcher
Charles Warren, 1767–1823
The Eel Catcher
undated
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
Bradshaw & Blacklock Chepstow Castle
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Thomas Bewick The Cadger's Trot
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot
1823
Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
Edward Calvert The Bride
Print made by Edward Calvert, 1799–1883
The Bride
1828
Thomas Girtin View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
unknown artist Pigs
Print made by unknown artist
Pigs
undated
unknown artist Bulls Fighting
Print made by unknown artist
Bulls Fighting
undated