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401. North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576

North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. North West view of Burleigh House The Seat of the Marquis of Exeter

North West view of Burleigh House The Seat of the Marquis of Exeter
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr

South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire

East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. South East View of Hatfield House, The Seat of the Marquis of Salisbury

South East View of Hatfield House, The Seat of the Marquis of Salisbury
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. North East View of Hatfield House

North East View of Hatfield House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath

South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1805
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. South View of Longleat, Wiltshire; the Seat of the Marquis of Bath

South View of Longleat, Wiltshire; the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1821
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne

South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. South East View of Rushton hall, Northamptonshire

South East View of Rushton hall, Northamptonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. Gateway at Burton Agnes, Yorkshire, the Seat of Sir Francis Boynton Bart.

Gateway at Burton Agnes, Yorkshire, the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. The Court at Rushton hall, Northamptonshire

The Court at Rushton hall, Northamptonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. North West view of Charlton House, Kent; The Seat of Lady Wilson

North West view of Charlton House, Kent; The Seat of Lady Wilson
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. Sketch of the Dining Room at Burton Agnes; Yorkshire, The Seat of Sir Francis Boynton Bart.

Sketch of the Dining Room at Burton Agnes; Yorkshire, The Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr.

South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr.
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal

South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton

South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. Interior view of the Drawing Room, Stockton House

Interior view of the Drawing Room, Stockton House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton

North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. North View of Hardwick Hall, Derbyshire; the Seat of the Duke of Devonshire

North View of Hardwick Hall, Derbyshire; the Seat of the Duke of Devonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1813
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. South East View of Chatsworth House

South East View of Chatsworth House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. South East View of Newby Hall, Yorkshire, the Seat of the Right Hon'ble Lord Grantham

South East View of Newby Hall, Yorkshire, the Seat of the Right Hon'ble Lord Grantham
Creator:
John Buckler FSA, 1770–1851
Date:
1806
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. Hommage à Rodin

Hommage à Rodin
Creator:
Henry Moore, 1898–1986
Date:
1966
Materials & Techniques:
Lithograph in colors
Dimensions:
Sheet: 25 3/4 x 19 3/4in. (65.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Lewis Walpole Library Collection

431. The Quadrangle, Windsor Castle - View from the Round Tower, Windsor Castle

The Quadrangle, Windsor Castle - View from the Round Tower, Windsor Castle
Creator:
William Daniell, 1769–1837
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 11 3/4 x 19 3/4in. (29.8 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. Chariot, London

Chariot, London
Creator:
Nigel Henderson, 1917–1985
Date:
ca. 1958
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 15 7/8 × 19 13/16 inches (40.4 × 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with funds from the Bequest of Daniel S. Kalk and the Friends of British Art Fund

433. Sheltering Forms

Sheltering Forms
Creator:
Nigel Henderson, 1917–1985
Date:
ca. 1958
Materials & Techniques:
Gelatin silver print photogram on photographic paper
Dimensions:
Sheet: 15 7/8 × 19 13/16 inches (40.4 × 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with funds from the Bequest of Daniel S. Kalk and the Friends of British Art Fund

434. The Probe

The Probe
Creator:
Nigel Henderson, 1917–1985
Date:
ca. 1958
Materials & Techniques:
Gelatin silver print photogram on photographic paper
Dimensions:
Sheet: 15 7/8 × 19 13/16 inches (40.4 × 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with funds from the Bequest of Daniel S. Kalk and the Friends of British Art Fund

435. View of Manchester Diocesan Registry

View of Manchester Diocesan Registry
Creator:
Edwin Hugh Shellard, 1815–1885
Date:
1850
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/4 × 19 5/8 inches (34.9 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

436. The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings

The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
Creator:
Print made by Alfred Adlard, 1803–1869
Date:
1820
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 19 3/4 inches (26.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

437. A Bay Racehorse with a Groom

A Bay Racehorse with a Groom
Creator:
Shaikh Muhammad Amir of Karraya, active 1830s–1840s
Date:
ca. 1842
Materials & Techniques:
Watercolor, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:
Image: 13 1/4 × 19 1/8 inches (33.7 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

438. Nablous [Nablus], Jordan

Nablous [Nablus], Jordan
Creator:
Rev. Edward Thomas Daniell, 1804–1842
Date:
1841
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 1/8 × 19 1/2 inches (33.3 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. Summit of Mount Sinai or Jebel Musa

Summit of Mount Sinai or Jebel Musa
Creator:
Rev. Edward Thomas Daniell, 1804–1842
Date:
1840
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. The Distressed Poet

The Distressed Poet
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1797
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Plate: 14 1/2 × 16 3/8 inches (36.8 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mary E. Knapp

441. Farm Buildings among Trees

Farm Buildings among Trees
Creator:
Henry Edridge, 1769–1821
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on thick, rough, beige laid paper
Dimensions:
Mount: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. The Conciergerie, Paris

The Conciergerie, Paris
Creator:
Henry Edridge, 1769–1821
Date:
ca. 1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 5/8 × 19 1/2 inches (34.6 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. Matlock Baths, Derbyshire

Matlock Baths, Derbyshire
Creator:
William Day, 1764–1807
Date:
ca. 1789
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

444. A View of Big Ben

A View of Big Ben
Creator:
Dennis Flanders, 1915–1994
Date:
1940
Materials & Techniques:
Pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 19 5/8 inches (40.3 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

445. Found, with further sketches in the margin

No cover image available
Creator:
Robert Polhill Bevan, 1865–1925
Materials & Techniques:
Graphite, crayon and wash
Dimensions:
Sheet: 13 1/8 x 19 5/8in. (33.3 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

446. Moses Brought to Pharaoh's Daughter

No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 × 20 3/4 inches (42.5 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

447. Downing College, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
1830
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, black chalk, gum arabic, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 19 × 25 3/16 inches (48.3 × 64 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. Jesus College from the Meadows, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
ca. 1830
Materials & Techniques:
Watercolor, pen and black ink, gray ink, black chalk, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. The Beach at Low Tide

No cover image available
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 × 19 1/2 inches (35.6 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. Mail Coach Behind Time

No cover image available
Creator:
Engraved by Henry Pyall, 1795–1833
Date:
1827
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. [Animals] Studies from Nature

No cover image available
Creator:
James Ward, 1769–1859
Date:
1807
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 3/4 x 19 3/4in. (37.5 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. River Bank

No cover image available
Creator:
Print made by Edward Julius Detmold, 1883–1957
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 13 1/8 x 19 13/16 inches (33.4 x 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

453. Speculum Romanae Magnificentiae

No cover image available
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 19 5/8in. (29.8 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. William Shakespeare - He was not for an age but for all time

No cover image available
Creator:
Print made by Leopold Flameng, 1831–1911
Date:
1890
Materials & Techniques:
Etching
Dimensions:
Sheet: 26 1/4 x 19 3/4in. (66.7 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

455. Mrs. Harriet Bouverie and Mrs. Frances Anne Crewe

No cover image available
Creator:
Giuseppe Marchi, ca. 1735–1808
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 × 20 7/8 inches (45.7 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. St. Michael's Mount, Cornwall

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1866
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. View of the Naumachy Fireworks and Fair in Hyde Park in Honour of Peace

No cover image available
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 15 1/4 x 19 3/4in. (38.7 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. [One of] 25 drawings and prints for ceilings

No cover image available
Creator:
George Richardson, ca.1738–ca.1813
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 19 5/8 inches (36.2 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)

No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor, graphite on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 16 7/8 × 19 3/4 inches (42.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. Mirage

No cover image available
Creator:
Print made by James McBey, 1883–1959
Date:
1925
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 19 5/8 inches (34 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

461. Dedham Vale

No cover image available
Creator:
Print made by David Lucas, 1802–1881
Date:
1838
Materials & Techniques:
Mezzotint and etching on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 27 × 21 3/4 inches (68.6 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. Great Gate of St. Augustine's Monastery at Canterbury

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1789
Materials & Techniques:
Aquatint, printed in gray
Dimensions:
Sheet: 13 1/2 x 19 3/4in. (34.3 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. "Opening" and "Capture": a typical section/elevation

No cover image available
Creator:
Langlands & Bell, since 1978
Date:
1999
Materials & Techniques:
Ink and graphite on tracing paper
Dimensions:
Sheet: 30 11/16 x 19 11/16in. (78 x 50cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

464. The Lock

No cover image available
Creator:
Print made by David Lucas, 1802–1881
Date:
1834
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 29 x 23 inches (73.7 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

465. Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV

No cover image available
Creator:
Henry Bernard Chalon, 1771–1849
Date:
1826
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.

No cover image available
Creator:
Henry Bernard Chalon, 1771–1849
Date:
1827
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV

No cover image available
Creator:
Henry Bernard Chalon, 1771–1849
Date:
1827
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV

No cover image available
Creator:
Henry Bernard Chalon, 1771–1849
Date:
1827
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV

No cover image available
Creator:
Henry Bernard Chalon, 1771–1849
Date:
1827
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. Fox Hunting [set of four]: 2. Breaking Cover

No cover image available
Creator:
Charles Hunt, 1803–1877
Date:
1838
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 19 3/4in. (40 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. Fox Hunting [set of four]: 3. Full Cry

No cover image available
Creator:
Charles Hunt, 1803–1877
Date:
1838
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 19 3/4in. (40 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. Fox Hunting [set of four]: 4. The Death

No cover image available
Creator:
Charles Hunt, 1803–1877
Date:
1838
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 19 3/4in. (40 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. Do You Think

No cover image available
Creator:
unknown artist
Date:
1915
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper mounted on linen
Dimensions:
Sheet: 30 x 19 5/8 inches (76.2 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

474. Venus Lamenting the Death of Adonis

No cover image available
Creator:
Print made by Mathieu Liart, 1736–1782
Date:
1783
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 21 1/4 × 29 7/8 inches (54 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

475. Holford House, Regent's Park

No cover image available
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/4 x 19 5/8 inches (36.2 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

476. Plans and Elevation of Goldsmiths Hall, erected 1835

No cover image available
Creator:
George Gladwin, active 1820s–1830s
Date:
ca. 1835
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 19 1/2in. (35.6 x 49.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed etching, aquatint, and roulette from four plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 25 1/8 × 19 1/2 inches (63.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

478. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Etching and aquatint from four plates, printed in brown ink; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 27 5/8 × 19 1/2 inches (70.2 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

479. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed aquatint from four plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

480. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Aquatint from four plates, printed in blue ink; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

481. Jupiter, by Eclipse. The Property of Colonel Thornton

No cover image available
Creator:
William Ward, 1766–1826
Date:
ca. 1792
Materials & Techniques:
Mezzotint before all letters
Dimensions:
Sheet: 15 3/4 x 19 3/4in. (40 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. Fox Hunting [set of four]: 1. The Meet

No cover image available
Creator:
Charles Hunt, 1803–1877
Date:
1838
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 19 3/4in. (40 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed aquatint and open-bite from six plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 27 1/2 × 19 1/2 inches (69.9 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

484. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed aquatint and open-bite from two plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 27 1/2 × 19 1/2 inches (69.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

485. Set of four - 1. Cock Shooting

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 7/8 x 19 3/4in. (42.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

486. Pigeon Shooting

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1828
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 13 3/4 x 19 3/4in. (34.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

487. Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV

No cover image available
Creator:
Henry Bernard Chalon, 1771–1849
Date:
1827
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

488. Coaching: Stage

No cover image available
Creator:
George Hunt, active 1820–1840
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/4 x 19 3/4in. (32.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

489. Coaching: Waggon

No cover image available
Creator:
George Hunt, active 1820–1840
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/4 x 19 3/4in. (32.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

490. Barouche

No cover image available
Creator:
M. Egerton, active 1821–1828
Date:
1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 5/8 x 19 3/4in. (32.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

491. Four Aquatints of American Scenery: New York from the Hobuck Ferry House New Jersey

No cover image available
Creator:
Francis Jukes, 1747–1812
Date:
1800
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 7/8 x 19 3/4in. (40.3 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

492. Charles Newington, Printer

No cover image available
Creator:
Patrick Procktor, 1936–2003
Date:
1976
Materials & Techniques:
Tisiphone etching and aquatint, framed
Dimensions:
Sheet: 25 5/8 x 19 1/2in. (65.1 x 49.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

493. Set of four - 2. Pheasant Shooting

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 7/8 x 19 3/4in. (42.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

494. Set of four - 3. Refreshing

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 7/8 x 19 3/4in. (42.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

495. Set of four - 4. Going Home.

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 7/8 x 19 3/4in. (42.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

496. What Is a Comparison?

No cover image available
Creator:
R. B. Kitaj, 1932–2007
Date:
1964
Materials & Techniques:
Screen print on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 31 × 22 1/8 inches (78.7 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift

497. Bash

No cover image available
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1971
Materials & Techniques:
Screen print and collage on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 33 1/2 × 23 3/8 inches (85.1 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner

498. St. Frideswide's Shrine, in Christ-Church Cathedral

No cover image available
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
1815
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

499. La Alhambra, Puerta en la Sala de Justicia

No cover image available
Creator:
Charles Clifford, ca. 1800–1863
Date:
ca. 1858
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 × 11 1/2 inches (38.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

500. Sun Son

No cover image available
Creator:
Adam Fuss, born 1961
Date:
1985
Materials & Techniques:
Gelatin silver print from pinhole camera on photographic paper cold press mounted to aluminum
Dimensions:
Sheet: 23 3/8 × 19 1/2 inches (59.4 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ellen Carey